The Case of the Whitechapel Vampire
The Case of the Whitechapel Vampire
| 27 October 2002 (USA)
The Case of the Whitechapel Vampire Trailers

The scene of the crime is Whitechapel, the same London district notorious for the recent attacks of Jack the Ripper. Three monks are found dead, the apparent victims of a vampire - now, someone else is out for blood. Or is it something else? As bizarre events unfold, the answer is left to Sherlock Holmes and Dr. Watson to find.

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Reviews
GamerTab

That was an excellent one.

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Dorathen

Better Late Then Never

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HomeyTao

For having a relatively low budget, the film's style and overall art direction are immensely impressive.

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Isbel

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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TheLittleSongbird

Am a huge fan of Sherlock Holmes and get a lot of enjoyment out of Arthur Conan Doyle's stories. Also love Basil Rathbone's and especially Jeremy Brett's interpretations to death. So would naturally see any Sherlock Holmes adaptation that comes my way, regardless of its reception.'The Case of the Whitechapel Vampire' is the last of four Hallmark adaptations with Matt Frewer as Holmes. Don't care for any of the four, with 'The Sign of Four' being especially disappointing, but ranking the four 'The Case of the Whitechapel Vampire' is perhaps the best. Like with 'The Royal Scandal', it at least doesn't have the dubious distinction of not doing classic stories justice. Again, Kenneth Welsh is the best thing about 'The Case of the Whitechapel Vampire' and the only good actor in the film. He is an excellent Watson and more the faithful interpretation of a loyal and intelligent Watson and not the bumbling buffoon for comic relief purposes. Cary Lawrence is also decent. Found some of the locations suitably atmospheric and parts of the music eerie. However, my negative feelings on Frewer's Holmes continues to remain unchanged. He is far too manic and eccentric, with too much of an over-emphasis on hammy humour in places, and his rapport with Watson too abrasive and borderline bullying. The rest of the cast struggle, especially Neville Edwards playing Chagras as too much of a cartoonish caricature and Michel Perron over-acting just as much as he did in 'The Sign of Four' and with an even more inconsistent, risible accent. Despite being the best generally of the four films, 'The Case of the Whitechapel Vampire' is one of the weaker-looking ones too. Too much of it looks static and cheap, with only some of the sets appealing. Moreover, 'The Case of the Whitechapel Vampire' has a lack of tension and suspense and is pretty dull, the pedestrian direction not helping. It further suffers from being somewhat over-stuffed, too many various and different ideas cobbled together and it just feels muddled and disjointed. The denouement is far too rushed and doesn't make much sense as a result, while the dialogue lacks intrigue and subtlety.Overall, far from irredeemable but lacking in a lot of lustre. 4/10 Bethany Cox

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lotsafun

The four Sherlock Holmes movies by Hallmark are just good fun versions for kids. Don't even try to take 'em seriously folks. Don't expect them to be artistic masterpieces based on literary classics. These TV movies were made for a family audience and there's plenty of comedy for kids in these things. Frewer's Holmes must be seen to be believed! He's a hoot! He's the most eccentric Holmes EVER! Kids will love this guy! Kenneth Welsh is much more traditional in his role and he makes a very fine Watson. These Frewer Holmes flicks are sure to entertain the kids and will hopefully encourage them to read more about The Master Detective. They certainly wont get bored watching any of these with the ultra-intense and comedic Frewer on the screen.

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Paul Andrews

The Case of the Whitechapel Vampire sees Sherlock Holmes (Matt Frewer) & his trusty assistant Dr. Watson (Kenneth Welsh) tackle yet another baffling mystery. Holmes receives a letter from a Brother Marstoke (Shawn Lawrence) asking for his help in the murder of Brother Sinclair (Norris Domingue) who appears to have been murdered by a Vampire. Holmes takes the case & discovers that while on missionary work in Guiana Brother Marstoke has encountered such Vampiric killings before, both Brother Lee & Thomas had fallen victim. Brother Marstoke thinks that a 'demon' of some sort is responsible & has followed him back to London to continue it's killing spree. Inspector Jones (Julian Casey) & Scotland Yard are clueless so Holmes begins his investigations & quickly finds a long list of suspects like Dr. Chagas (Neville Edwards) whom is Scotland Yards number one suspect & who both studies & adores Vampire bats & to further add suspicion has had run-ins with Marstoke before, but surely there's more to it than that? As the bodies continue to pile up Holmes must cut through the superstition to find the truth & unmask the killer!This Canadian produced feature length made for TV Sherlock Holmes mystery was written & directed by Rodney Gibbons this was one of four TV films by Gibbons to feature Frewer as Holmes apparently filmed for CTV television, first was The Hound of the Baskervilles (2000) then The Sign of Four (2001) after that came The Royal Scandal (2001) & finally this, the only one not adapted from an existing Holmes mystery. The script isn't overly complex or involving but it passes an hour & a half reasonably enough. It's a simple tale & isn't exactly edge of your seat stuff but it remains watchable, it entertains & at least I wanted to stick with it right trough to the end to find out the killers identity. The character's are as you would expect, Holmes is totally brilliant in every way, Watson is his slightly slow sidekick, the police are bumbling idiots & there are many people whom seem to enjoy acting suspiciously while a murder investigation is taking place. The final reveal & the killers motives are a little unadventurous & not entirely satisfying. Technically The Case of the Whitechapel Vampire is rather lame, the cast & crew obviously never went anywhere near Lonon & probably never set foot outside Canada which hardly gives the film an authentic feel or look, basically the whole atmosphere of a grimy Whitechapel just isn't there. It's painfully obvious that it was made for TV with bland static photography, a small cast, limited sets with little period detail & cheap production values throughout. Now a word about the casting, namely Matt Frewer as Holmes. Can you believe it? Isn't Holmes meant to be English? After you get over the initial surprise he ain't too bad actually & overacts with the best of them, in fact I started to quite like him by the end amazingly. Everyone else is bland & forgettable although Welsh as Watson is pretty good while Edwards as Chagas is pretty awful. Overall The Case of the Whitechapel Vampire is a passable made for TV murder mystery that entertains to an extent, I doubt anyone will want to watch it more than once though so try & catch it on TV for free, which is where it belongs to be perfectly honest. Worth a watch if your a mystery fan & there's nothing else on.

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KatharineFanatic

Unlike the former three adaptations in the Hallmark series, this one makes no pretense of even loosely 'following' any of Conan Doyle's works. This is the only reason that 'The Whitechapel Vampire' can get away with near heresy. The story involves ritual, possible demonic, killings in a monastery in Whitechapel, which was only recently deprived of Jack the Ripper. Sherlock Holmes is called in to investigate, but finds himself facing the possible unknown. A skeptic of anything supernatural, he fully believes that these 'vampire killings' can be proven the work of a human hand. Thus the story involves the Christian faith, and pagan superstition, as well as a medium, in attempts to satisfy viewers of all belief systems. What it does instead is trip over its own ambitions.Christians like myself will resent that in the end, something the medium has said proves itself right. And skeptics won't like the 'divine intervention' at a key moment of the climax. As a full-length film, it's often hard to follow, and isn't entirely explained, but manages to keep viewers on the edge of their seats. Frewer remains stereotyped, but it doesn't bleed through as often as in the first three adaptations. It is not the finest pastiche ever filmed but is worth seeing at least once.

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