Truly Dreadful Film

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

One of the most extraordinary films you will see this year. Take that as you want.

The first twenty minutes of "The Burglars" concerns a highly complex and detailed home invasion/safe robbery, with four crooks in Greece making off with a million dollars worth of emeralds; unfortunately for them, the chief investigator on the case is playing both sides of the law, and he's onto them from the start. Based on David Goodis' novel "The Burglar", and previously filmed in the U.S. under that title in 1957, this caper has such a meticulously mounted set-up that it's a bit strange to have it change gears almost immediately into a chase-laden cat-and-mouse game (with amusingly derivative elements). Dyan Cannon is used as (very lovely) window-dressing, but the real flirting comes between master thief Jean-Paul Belmondo and crooked cop Omar Sharif (they share a Greek meal together that is so specific, it's hard to believe the intimate tension wasn't unintentional). Some of the action is truly hair-raising, and the film is generally good-natured and well-made, if familiar. **1/2 from ****

"Le Casse" is a simple, straightforward story about a crook named Azad (Jean Paul Belmondo), whose gang stole emeralds worth $1 million. While waiting for their boat to leave Athens, they hid the jewels, and try to escape from the schemes of a unscrupulous cop, Zacharias (Omar Sharif).This movie is another example of the brilliant collaboration between the underrated Henri Verneuil ("Un singe en hiver", "100,000 dollars au soleil", "Peur sur la ville") and Belmondo. They share an honest love for such movie treats as car chases, evil bad guys, anti-heroes, slight eroticism, exotic food, humor and Bond-like misogyny. Which this movie contains galore. And it's also one of the first times when Belmondo performs his famous stunts, without any wires or stunt doubles. One scene in particular shows the "hero" being hidden in a dump-truck, which discharge its payload (including Belmondo) on a slope going down to a mine. You can actually see Belmondo stumble down the slope among debris and rocks and once down the slope stand up, dust off his trousers and walk away. In a single shot. Like Jackie Chan or Colt Seavers. And the movie contains a lot of great 70's milestones, like an almost silent intro showing the theft of the emeralds, or a spectacular car chase in the streets of Athens.All in all, a very entertaining piece of 70's French cinema.

...that's if you can get it at all. I haven't seen a copy of this movie in about 15 years, and it's only because it has such a dumb title that I can even remember what it was called.Honestly, I can't remember anything about 'The Burglars', which I saw once, in about 1989, other than the fact that it has the most amazing car chase I've ever seen. I remember thinking the stunt drivers must have been madmen. No special effects, slow-motion or anything; just insane high speed driving through the streets of Athens. Steven Spielberg is supposed to have said that 'The Castle of Cagliostro' had the best car chase ever filmed. I guess he can't have seen this one. Honestly, it's just nuts.As for the rest of the film, I don't remember, and frankly, who cares. If I ever track down another copy, it'll only be for one reason (and BTW, I'm not a car-chase, or even action-film buff. I mean, I thought 'Gone in 60 seconds' was as boring as dirt, as well as being utterly stupid. But I will always make room for the best example of any genre, and if car-chases were a genre, this would be my pick)Well, that wan't much of a review, was it? But from what I remember, it wasn't much of a movie except for the... yeah, yeah, OK: you get the idea by now.

Brilliant acting, good, classic plot, fantastic score from, once again, Ennio Morricone, the best car chase ever... (Remy Julienne, of course) Belmondo is at his best, Sharif is a superb baddy, and they fight each other with skills, brains, guts and muscles. They don't make breathtaking suspense like this anymore. Well, Sharif is really... how to say? impressive? ghastly? Hum, how do you say "malsain" in english? This one is a classic. Check it out. And "l'Homme de Rio" as well.