The Bride and the Beast
The Bride and the Beast
| 22 February 1958 (USA)
The Bride and the Beast Trailers

When Laura and Dan get married, she's more interested in Dan's gorilla. It's revealed through hypnosis that she was Queen of the Gorillas in a previous incarnation.

Reviews
Colibel

Terrible acting, screenplay and direction.

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ReaderKenka

Let's be realistic.

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Payno

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Brenda

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Flak_Magnet

This film starts out wonderfully, with a great, hokey premise; silly dialogue, a cute newlywed couple, and a guy in a gorilla suit. In fact, after the first 15-min or so, "Bride and the Beast" began to approach classic, almost essential, 1950's B-film territory. However, the story takes a sudden and unwelcome turn when a seemingly innocuous subplot, which involves 2 Indian tigers escaping from captivity and entering into a killing spree upon several unseen African villages, balloons out-of-control and cannibalizes the main storyline for a full 30-minutes, wherein we are given seemingly endless stock footage of these tigers, both in the wild and on various studio "jungle" sets. (Admitingly, a lot of this stock footage is excellent, but it was way overdone). It isn't until the final 10-minutes that the story returns to the original plot line, which involves the newlywed couple coming-to-grips with the wife's past life a powerful gorilla queen, de facto overlord of the jungle and her subconscious desire to return to the wild, as well as her instinctual attraction to her husband's pet gorilla. The overall story is sort of a childish metaphor about the animalistic nature of man. In the end, we're basically presented with a question: "who is the real beast, man or nature?" Pretty decent stuff, really, considering the pedigree. In fact, this is probably Ed Wood's third best screenplay, IMO, with the top spots reserved for the delicious and untouchable "Orgy of the Dead," and the slightly lesser, but still wholly classic "Bride of the Monster." I like "Bride and the Beast," but its ultimately too average to recommend to anyone but Wood's completists. Man, this could have been a real classic, though. Oh well...moving on. ---|--- Reviews by Flak Magnet

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MartinHafer

This is not exactly an Ed Wood movie, though when I got it from Netflix his name was plastered on it--not the director and co-writer's, Adrian Weiss. Wood co-wrote this low-budget and creepy film but it lacks the tackiness and cheapness of his own directorial efforts--though it is pretty close. The use of lots of stock footage, while boring, wasn't as ineptly handled and the acting isn't quite as bad as you'd expect in a true Ed Wood picture. In addition, while this is a bad film, so much of it is rather dull and had NOTHING to do with the plot, so it really failed to excite the bad movie buff within me as well.The film starts off very well for a tacky 50s monster film and I wish they'd have stuck with this story idea throughout the film. However, the beginning and ending are all about a lady who is strangely attracted to gorillas but the middle is just some knucklehead shooting at stock footage of animals and wrestling with stuffed tigers. It's too bad because the plot about a woman who was a gorilla in a previous life is so goofy I wanted to see more. But, after about 20 minutes of this non-sense where she is hypnotized and talks about this past life--nothing else is said about this until about two minutes until the end of the film!! It's like they either forgot or they pieced two different stories together. Either way, when the film finally ends, it gets REALLY creepy, as the male gorilla doesn't exactly kidnap the lady but she goes off with him willingly--supposedly to become his lover. It's never exactly said, but it's strongly implied and you know that's what they were getting at in the final scene with her and her simian lover. Her expression is even happier than Ed Wood's in GLEN OR GLENDA when he first tries on an angora sweater! Talk about kinky! So is it worth seeing? Well, if you have any taste, definitely not. If you are a bad movie buff, by all means see it. However, if you get bored, fast-forward through the middle--you aren't missing anything you haven't already seen in a Tarzan film! Stupid, but not exactly classic Ed Wood stupid.

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Andrew Leavold

Just one of a slew of "girl and gorilla" films from the 1950s, The Bride And The Beast is from Ed Wood's script originally called "Queen Of The Gorillas". Bankrolled by Allied Artists and directed by a "professional" Adrian Weiss, it means a much slicker film, with important things like continuity and production values, but there's no mistaking the demented voice of Ed-baby and the weird undertow of aberrant sexuality all the way through the film.The Bride And The Beast opens with Laura and Dan, just married and already planning a honeymoon safari to Africa. Dan, the quintessential Great White Hunter, has decked out his pad with hundreds of trophies, has a native servant Taro (played by an American actor in black-face) who calls his master "Bawana", and keeps a huge gorilla named "Spanky" (that's actually Ray "Crash" Corrigan under all that fur) in a cage in his basement. Laura, who admits she's had a strange psychic connection with man's hairy cousins her entire life, presses up against Spanky's cage – and the sexual tension is electric! Later on their honeymoon evening while the couple are sleeping in separate beds – and there's a clear signpost – Spanky escapes from his cage, and starts to get overly amorous with Laura. Dan shoots the monkey dead, and they return to their separate beds. Happy Honeymoon.Laura is clearly shaken by her hairy ordeal, and the family doctor, who just happens to be an expert in hypnotism, is intrigued by her fetish for angoras and dreams in which she's covered in "kitten's fur". Regressing further under hypnosis, she discovers she was a gorilla in a previous life, and re-experiences her death at the hands of native hunters. Here's two of Ed's peccadilloes springing to life from the script's page: his transvestitism, and his keen interest in reincarnation and hypnotism. The doctor's character was directly inspired by his chiropractor Tom Mason, Bela Lugosi's body double in Plan 9, who's credited here as "script consultant".Things get bogged down when the Great White Hunter takes his bride to Africa. Ah, Africa… stock footage capital of the world! I suspect the two never leave the studio – none of the shots of wild animals match the action, and when driving a truck, they drive past the same clump of trees seven or eight times – in the middle of the savanna! The last half is essentially a lame chase between Bawana and a couple of renegade tigers – that is, until Laura cracks her skull and regresses even further. She's now in "Gorilla country" – hmm, I wonder how things will end? It's Beauty And The Beast if Walt Disney wore fur bikinis, and imagined being fondled by gorillas named Spanky. It's time to unleash the Beast in all of us – happy honeymoon as we marry up The Bride And The Beast.

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gftbiloxi

Laura Carson (Charlotte Austin) has just married big game hunter Dan Fuller (Lance Fuller.) On her wedding night she finds herself strangely attracted to Spanky, a gorilla gone bad that Dan keeps locked up in a basement cage. Before you can say "Ed Wood wrote this," there are gun shots, nightmares, hypnotism, and Dan's unhappy discover that bride Laura may be the reincarnation of a gorilla queen! Can you dig it? Now and then a bad movie becomes unintentionally hilarious, but most of the time bad movies are simply bad. BRIDE AND THE BEAST actually teeters between the two, and this is largely due to the two leads: even in the face of producer-director Adrian Weiss' obvious lack of talent, Austin and Fuller prove unexpectedly competent, and they actually manage to hold the worst of the dialogue at bay. What this means, however, is that BRIDE never self-destructs in the ludicrous way of such films as PLAN 9 FROM OUTER SPACE--and in consequence it isn't so much unintentionally hilarious as it is unintentionally amusing in a mild sort of way.The film is full of absurdities. Dan Fuller's basement, where the ill-fated gorilla Spanky is caged, has a refrigerator, but illumination is provided by torch. Servant Taro (Johnny Roth, in what seems to be his only film role) is very obviously a white man in bad "native" make-up; he runs around saying "Bwana" a lot. There is a lot of canned wild animal footage, shots of Africa that look suspiciously like shots of South America, and men in bad gorilla costumes. And Ed Wood being Ed Wood, he just can't resist writing references to angora sweaters into the script.The print is mediocre, but it is worth pointing out that it was probably never very good to begin with, and the DVD release comes with several bonuses of no interest. Fans of cult films, and especially die hard fans of Ed Wood, will enjoy it--and for their sake I give it three stars. But just about every one else should give it a miss.GFT, Amazon Reviewer

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