Purely Joyful Movie!

Masterful Movie

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Considering that the film was made by tiny PRC, it sure could have been a lot worse! I know this isn't exactly a glowing endorsement, but it is better than about 75% of the films I've seen from this so-called 'Poverty Row' studio! Now I know this isn't going to get you to rush to see it, BUT if you are bored you can download it for free from the link on IMDb.The film begins with mobsters muscling in on the produce business. When people refuse to play along with them, 'accidents' happen! The problem is that although the police can catch the individual gang members, the identity of Mr. Big is uncertain--and eventually calls for some undercover work.As another reviewer pointed out, the message from this film was very patriotic and was emphasizing the importance of price controls and self-sacrifice during time of war. Unfortunately, the film just doesn't make that point very interestingly and the boss' sudden change of heart made zero sense at all---leading to a very unsatisfying finale. Still, the acting wasn't bad and it wasn't bad...just not all that good either.

This B film from PRC Studios which did nothing but B films was brought out quickly after Pearl Harbor to emphasize the importance of rationing and price control. The wholesale food and produce markets have always been a target of racketeering. During the Thirties one of Tom Dewey's investigations was against Ciro Terranova the Artichoke king who controlled several wholesale markets. But with the war you have the added dimension of war profiteering and hence the people involved were considered traitors.John Litel, usually a most competent supporting player, is the lead in The Boss Of The Big Town. He's in charge of the wholesale market which John Miljan the racketeer is threatening. Being stymied in all directions, Litel decides it's better to join them than fight them. Of course he's really going undercover to find out who the boss really is.It's not just that The Boss Of The Big Town has the usual shoddy production values associated with PRC films, but the script really makes no kind of sense at all. Especially during the final confrontation scene with The Boss Of Big Town where Litel tells him something that brings about a 180 degree change in attitude. A little too late for a man who Litel only seconds earlier was calling a '6th columnist' and the object of that term was lapping it up. And if you can't figure out who the boss is you have not seen too many of these films.

"In this rousing crime drama, a hard-nosed gang of criminals attempts to move in on local food distribution channels. Vowing to break down their strong-arming operation is heroic city market official Michael Lynn (John Litel), who hopes to disband the racket by removing the operation head from power. Lynn's scheme is to infiltrate the gang as an incompetent stooge on the government's payroll, unmask the leader's identity, and then make his deadly move," according to the DVD sleeve's synopsis.Mr. Litel gets to play the leading man, but in a low-budget, under-rehearsed quickie. Perky reporter Florence Rice (as Linda Gregory), in her penultimate screen appearance, is Litel's main female interest. Ms. Rice wears very TALL headgear. "The Boss of Big Town" offers some good-looking 1940s female fashion, with a California pool scene, and Jean Brooks (as Iris Moore).There is also an opportunity to see Howard Hughes protégée David Bacon (as Dr. Gil Page). In real life, Mr. Bacon would soon be found stabbed to death, in an odd, unsolved Hollywood murder. Silent film veterans H.B. Warner (as Jeffrey Moore) and John Miljan (as Kenneth Craige), along with future veteran Frank Ferguson (as Bram Hart), are among those who fail to generate any additional excitement.*** The Boss of Big Town (12/7/42) Arthur Dreifuss ~ John Litel, Florence Rice, David Bacon, H.B. Warner

What a great name for a gangster film - "The Boss of Big Town"; it conjures up visions of racketeering, mob warfare and violent shoot outs. In fact, the film is a little more reserved than that, focusing on corruption and payoffs in the city food industry. The 'big town' of the title is never mentioned by name, so in that regard, take your pick.Mike Lynn (John Litel) is the general manager of the city market when his vendors start receiving demands for payoffs or face retribution. He's called down by mobster Craige (John Miljan) to invite participation so business goes on without a hitch. Instead of accepting, Lynn becomes determined to expose the corruption and put Craige out of the rackets.The twist in the film is a familiar one to anyone who's seen enough Westerns of the same era, it turns out that Lynn's boss Moore (H.B. Warner) at the city market is the brains behind the shake down. There's even a showdown of sorts with a twist as well. With reporter Linda Gregory (Florence Rice) watching Lynn's back, Craige arrives on the scene to take out Moore, and in turn is shot by police inspector Torrence (Lloyd Ingraham) in a moment of incredible timing. I got a chuckle out of the ending, reminding me of John Wayne in virtually every one of his Lone Star films from the mid 1930's. The final scene closes with Mike Lynn in a clinch with his reporter girl friend, in an unlikely match up that the film barely hinted at with all that went before.If you pay attention, you'll get a kick out of an early scene when Mike uses a phone to call for an ambulance for an injured market vendor - the phone doesn't have a cord!Also, stay sharp for Inspector Torrence's remark about one of the shop owners - he calls him a 'Polak'.