Port of New York
Port of New York
NR | 28 November 1949 (USA)
Port of New York Trailers

Two narcotics agents go after a gang of murderous drug dealers who use ships docking at the New York harbor to smuggle in their contraband.

Reviews
Livestonth

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Griff Lees

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

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Sienna-Rose Mclaughlin

The movie really just wants to entertain people.

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Jenni Devyn

Worth seeing just to witness how winsome it is.

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mark.waltz

Tension is everywhere in this low-budget film noir that rivals "High Noon" in a clock-watching suspense. Unlike that western with psychological overtones, "Port of New York" is set in present day New York and deals with the Narcotic Squad's attempt to break an opium ring that is run by Yul Brynnur. Two years before he took Broadway by storm in "The King and I", Brynnur made his film debut in this low-budget classic. It wasn't until the film version of "The King and I" that he officially became a movie star, but this is a rare chance to see him when he was an unknown. That cat-eyed future soap diva, K.T. Stevens (best known as the veiled mama from hell, Vanessa Prentiss, on "The Young and the Restless") gets a Lizabeth Scott look, having done several years of featured roles, in the part of Brynnur's moll who pays dearly for her fear of being involved in criminal activities. (For other interesting roles Ms. Stevens played on screen, catch "The Great Man's Lady" and "Harriett Craig", where she shared scenes with legends Barbara Stanwyck and Joan Crawford.) With Scott Brady on Brynnur's trail, backed by newsreel like narration not leaving out any detail, it is obvious how crime once again won't pay. Great location footage of New York (particularly a shot of the elevated train station at Canal Street above the Manhattan Bridge, no longer at that spot) makes this of historical importance, as well as the fact it was one of few films to tackle the subject of drug trafficking. The "B" studios at this time (Eagle Lion, Lippert, Screen Guild, PRC and Monogram) gave us some of the more interesting film noirs to study, and this one is among the goodies. Brynnur leaves no stone unturned in his performance of a ruthless killer. This gives a new meaning to Mrs. Anna's question, "Shall We Dance?".

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ZenVortex

This effective noirish crime drama was Yul Brynner's film debut in which he demonstrates star quality as a debonair, brutal crime boss engaged in drug trafficking. Brynner was born in Vladivostok and his oriental features and full head of wavy hair (!) are perfectly suited to this role. In particular, his facial expressions and body language when he gets busted are superbly acted and well worth watching. Scott Brady and Richard Rober deliver generally good performances as federal agents whose goal is to track down a shipment of narcotics. Although they are portrayed as heroes, neither has star quality and their acting is occasionally hammy. The rest of the cast plays a convincing ensemble of feds, thugs, dealers, and dames.The direction and cinematography are excellent with some beautifully composed classic noir scenes where Brady and Rober explore a dark warehouse. The plot is predictable without major twists or sharp dialog, although the stentorian narrator gives the movie an interesting fascist undertone as war-on-drugs propaganda. The print (Classic Film Noir, Volume 2) is quite good although the sound track is scratchy. Despite its flaws, this is a well-crafted fast-paced minor film noir worth adding to your collection.

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sol

***SPOILERS*** Keeping the ports and borders safe for the exploding epidemic of the post-WWII flow of illegal and dangerous drugs US Custom agents together with the FBI and the NYPD get wind of a big drug shipment that's been brought into New York Harbor on the luxury cruise liner Florntine.Checking the ships cargo manifest the custom agents Micky Waters and Jim Flannery, Scott Brady & Richard Rober, come across a box of dangerous drugs slated to be used at a local hospital that's missing and has been replaced with 100 pounds of worthless and harmless sand. Later the person responsible for the switch is found floating in the East River murdered by his contacts in order to keep his mouth shut.The leader of this gang of drug traffickers is the Suave cultured and music loving Paul Vicola, Yul Brynner. Vicola likes to keep things close to his very expensive vest and feels that his woman Toni Cardell, K.T Stevens, is a bit unhinged over what's been going on and has her followed by his hoods to see what she's up to. Toni, as Paul suspected, is about to give him and his gang up to the police and then, with what is expected to be a $25,000.00 reward, leave New York for the West Coast.Getting Toni alone in her apartment Paul finds that she's about to turn him and is boys in and strangles her to death, this as custom Agent Waters is sitting in the lobby of Toni's apartment building providing her with government protection. Waters and his partner Flannery later, on a tip from the late Toni Cardell, check out the lockers at Penn. Station and find the missing drug shipment, cut and ready to be sold on the streets, and set up a sting to find out who the locker belongs to.It turns out that the locker's contents are taken out and delivered, by special messenger, to entertainer Dolly Carney, Arthur Blake, who's fronting for Vicola's mob as a delivery boy. Putting Carney under arrest he breaks down and implicates Vicola's middle-man in this operation Leo Strosser, William Challee, who's involved in a ship maintenance business on the New York piers, a perfect place and cover to get drugs into the country.Risking their lives both Waters and Flannery go under cover to get the goods on both Strasser and his boss Vicola but at, what later turned out to be, the cost of Micky Waters life. Carney who's let out of police custody ends up being kidnapped by Vicola's goons and after telling them what they wanted to know, about this Wyley (Frank Fenton) coming from Canada to buy the stolen drugs, is thrown out a hotel window and made to look like it was suicide.The authorities take Wyley into custody with Agent Flannery going undercover impersonating him to get to the head of the drug gang Paul Vicola that leads to the movies exciting shoot-out at the Port of New York between Vicola and his hoodlum with the US Coast Guard and Custom agent Flannery.Yul Brynner with a head of hair steals the movies acting honors with his portrayal of gangster Paul Vicola who's as deadly and murderous when he's in business as a big time drug trafficker as he's sophisticated and debonair as a lover of the world of musics classical symphonies and piano concerto's

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darielles

I thought this short film was good for a 1940ish B- movie film. It's about an opium smuggling in New York in the 1940's. The sinister opium dealer Paul Vicola played by Yul Brynner was excellent. Brynner's character in the film was the only interesting character but there is also Scott Brady 's character as the agent who try to catch Brynner's character. Vicola is so evil but suave, since Brynner had played evil roles throughout his movie career this is even the evilest role he had ever played. Also, Brynner's character Paul kills his girlfriend Toni. My favorite lines in the film : First scene when Toni tries to escape from PaulToni: I went to station to my get my ticketPaul: (looking through Toni's purse) And you lost your ticket on the way home...Toni, where you planning on going?Toni: Near the west coast, then travel whenever place I can get. Paul:(angrily) You are most ungrateful, Toni(pulling down the blinds and moves closer) most ungrateful.Second scene when Paul kills ToniPaul: You are a frightened woman, you're nervous and a lie. Toni: What do you mean, Paul? Paul: You are bad risk, Toni. A very risk! (grabs his handkerchief to smother Toni) (smother Toni until there's no life in her) Paul: Die you, bitch! What really amazed me in this film was Yul Brynner with his natural hair! If you want see Brynner before his shaved dome then this is the movie for you.

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