Expected more

Excellent, Without a doubt!!

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

The main attraction for watching this British made film was the promise of a thriller directed by a man that knew a thing, or two, about the genre, Don Siegel. This man, responsible for making the career of Clint Eastwood soar, was obviously not too inspired in bringing the Clive Egleton novel to the screen. Mr. Siegel, obviously, had probably little input with the Leigh Vance adaptation, which offers no big thrills to fans wanting to see more action, something this could have used. The picture was a tame entertainment given the fine cast that was engaged to give life to Mr. Egleton's book.Michael Caine plays Maj. John Tarrant, whose young son David has been kidnapped by people that are using him as a collateral. Mr. Caine, one of the most pleasant actors of his generation, is almost static, as the man that must do whatever in order to free his young son, while working within a system that at the end, betrays him. For that matter, Mr. Siegel got an almost catatonic acting from Janet Suzman, a fine actress, known mainly for her theatrical work.Donald Pleasence, an actor who was a welcome addition to any film, is fine as the fastidious man in charge of the rescue operation. John Vernon, who played a lot of heavies during his career, is at it again. The wonderful Delphine Seyrig shows up as part of the bad guys that are holding the young boy. The fine supporting English cast does as well as expected.

Yet another Bond/Harry Palmer homage' or pastiche in parts. The Black Windmill has now become a Don Siegel timeless classic. Overshadowed by miles by Dirty Harry in its day, TBW was a rough diamond twinkling in its wake. Fabulous casting unparallelled and the acting was timed and placed to the second. This movie based on the Egleton novel was true to form in all areas. The story of the Whitehall spook having his son kidnapped while bosses had their own mits in the pot, is compelling and addictive. The film theme score in fairness appears to be a transposed rehash of Fear Is The key (Alastair Mclean) However the genius of Roy Budd is allowed these minor trivialities in such circumstances. Caine is sheer brilliant in his usual manner in these roles, along with Suzmann/Vernon and a whole host of luvvies that went on to stellar TV careers this really is a great "Cribs" movie.

Roger Ebert amongst others expressed their disappointment at THE BLACK WINDMILL on its release . Much of this disappointment is down to the director being Don Siegel who directed many famous thrillers including INVASION OF THE BODY SNATCHERS , DIRTY HARRY and CHARLEY VARRICK . He is a director well suited to high concept American thrillers but there's something so very stiff upper lip and British about the mis-en- scene of THE BLACK WINDMILL . Someone's son gets kidnapped and his parents discuss it like one of their goldfish has died . You'd think such things as guilt and recriminations would feature heavily but apparently Brits are even less emotional than the pod people in INVASION OF THE BODY SNATCHERS There's also a few very , very large plot holes throughout the movie one of the largest of which takes place in the opening sequence . Two young boys go to an airfield to fly their model plane . How earth did the villains know that the children would be appearing at that location ? Probably because if they didn't the film would have started in a completely different way or may not have started at all . When you've got a big name director it's interesting how many people pay no attention to the narrative

In 1965, Caine created the role of Harry Palmer in the Ipcress File. It was good enough to spawn two follow-ups: Funeral in Berlin and the Billion Dollar Brain. By 1974, the movie-going public was used to seeing him in the role of a secret agent. Here he gets in trouble, and although you know that by the end of the film he will emerge victorious, or will he? I'm not telling. But the excruciating fun is in trying to figure our what will happen next. Filmed in Europe, Black Windmill" is directed by Don Siegel. Clint Eastwood credits Don for his success as a director, and, of course, Siegel also directed some of Clint's best movies. The pacing is even throughout and builds to a suspenseful climax. Let it not be overlooked that Donald Pleasence in a supporting role is at his usual best. The human chameleon that adapts beautifully to whatever role is given him. John Vernon is especially menacing. To me, seeing old movies a second or third time is like visiting with old friends. Everybody has their own "Casablanca" and "Shawshank Redemption." If you haven't seen this one yet, please do. It will become one of your "old friends" which I'm sure you will visit again and again.