The Betsy
The Betsy
R | 02 February 1978 (USA)
The Betsy Trailers

Ruthless patriarch Loren hires racecar driver Angelo to build a more efficient vehicle against the wishes of his grandson. But things get even messier when Angelo romances two women in Loren's life -- his great-granddaughter and his mistress.

Reviews
Incannerax

What a waste of my time!!!

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Protraph

Lack of good storyline.

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CrawlerChunky

In truth, there is barely enough story here to make a film.

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Hadrina

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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info-2752

Having read Harold Robbins' book on the sly in high school, I certainly expected nothing but trash from this movie, albeit served with style--come on, most of you saw it to see if Olivier could pull it off. And pull it off he did, hammy acting all the way, and it sure looks as if he enjoyed it too. He plays (parodies is more like it) the patriarch, wanting to leave his legacy with a dream car called The Betsy, named after great-granddaughter Kathleen Beller. He engages the services of Jones, whose father saved his life years back and to whom he feels a certain responsibility, but runs into trouble with his grandson Duvall. Duvall hates granddad with a vengeance, and here's why: the night he witnessed his homosexual father kill himself, the 7-year old Duvall runs to his mother's room to tell her, only to see his grandfather in bed with her. How's that for family issues? Duvall vows to kill granddad's dreams at the directors' board meeting, only to be out-voted by his wife, who is just about fed up with his blatant affair with the stunningly stylish Down, who is also secretly seeing Jones (Down, that is). You still with me? Beller then manages to seduce Jones on the night of her 21st birthday, and afterwards, great-grandfather gives her the keys to the kingdom. After some scenes with the car (with Betsy emblazoned on its entire side--now who would want a car like that?), Jones manages to get Duvall's wife and Betsy's POA, with the backing of his late father's friend mafioso "Uncle" Joe Warren, and elects himself President of the company. The movie ends with Olivier walking (he's supposed to be in a wheelchair after a stroke) into the new president's office with a giant smirk on his face, since cocky Jones clearly got more than he bargained for, as mafioso Joe Warren is now part of the board of directors, and it seems only Olivier can reel him in. At least that's how I understood the ending--I've yet to reread the book to see if I got that last part right! So if you haven't seen the movie yet, don't expect Wuthering Heights please, it's hams, trash and sex all the way.

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susandelavan

I bought this film because I LOVE Robert Duvall and Tommy Lee Jones, and it was packed with other great names. The movie misses its mark at every chance. It fails to bring you into caring about the characters, the passion, the evil, etc. I don't know how it could miss with the people involved, but it does. Just the description of the movie was gripping, but the viewing failed to deliver. The era was fascinating. The sets were beautiful. The music was blah. The drama was off center. You should see the chemistry of Jones and Duvall in "Lonesome Dove" to see what is missing in this film. I'm glad I have this chance to comment, as I was dying to tell someone who cares.

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Boyo-2

This is not the kind of movie you can recommend, but if you are in the mood for trash with a lot of glitter, this is the one for you. There are not many good adaptations from Harold Robbins novels, and this is not one of them. The all-star cast helps immensely but they might have brought a bit of fun to the proceedings, so we could think this wasn't torture for them to make.

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Coxer99

All star cast cannot save this lurid adaptation of typical Harold Robbins novel with Olivier, faking an American accent, as a patriarch of a whining and feuding family. Duvall bitches and moans through his role, while the rest of the cast overacts or bores to death.

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