Thanks for the memories!

One of my all time favorites.

Boring

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

This film tells the story of a man who works in his family owned Mexican restaurant, and has a closeted boyfriend. He wants to move away and break free, but his next door neighbour developed an instant crush for him.I can't quite believe how clichéd the story and the characters are in this film. Everything is rather dramatised for comedic effect. I do like the very dramatic aunt Bianca, who provides much comedic moments. The main character, Pablo, is an amiable person, and I feel a bit sorry for him and his restaurant. Take the film lightly, and you'll find it funny and amusing for a rainy evening.

Nobody lifts any weights or does a single stomach crunch in this movie, though it's important to note that all the gay male characters have muscular arms and flat stomachs with six-packs. This low-budget film doesn't exist to enlighten or involve viewers--it just wants us to ogle the men as fantasy objects (even the proverbial bitchy queen looks like a steroids-addict). Diaphanous script, co-written by director Carlos Portugal, involves René Alvarado as a waiter in East Los Angeles who always looks on the verge of crying; he's impatient with his secret lover over their closeted relationship without really noticing that he himself isn't 'out' to his family (he seems to have no friends). Just after the affair goes bust, Alvarado meets the new neighbors across the street: a flaming, nagging femme and his partner, a sensitive, quiet butch with abs like granite. In what neighborhood did Portugal come from that he thinks this scenario resembles anything intelligent gay audiences can relate to? A little of the dialogue is sharp and funny (most of which belongs to the female characters), and there's a hammy but rude, snorting scene of satire involving participants of an AA meeting. Otherwise, the picture is a little patronizing to its core audience as it prolongs the see-through melodrama to an excruciating length just to get the waiter and the neighbor out of their shirts. I'm assuming they hit the gym afterwards. *1/2 from ****

Fresh young talent and a healthy dollop of enthusiasm serve as the springboard of this well written (Carlos Portugal and Charo Toledo), well directed (Carlos Portugal) and well acted exuberant story of those once perceived tightly closet doors of the East Los Angeles Hispanic community. Not that this is the first film to engage the topic of being gay in East LA - QUINCEAÑERA is another superb film on the subject - but it addresses so many other aspects of family and social life happening now that it deserves a wide audience. With a cast of newcomers coupled with some very fine veterans of the screen EAST SIDE STORY comes to life in a highly entertaining fashion.Closeted schooled chef Diego Campos (a fine debut by René Alvarado) works as a waiter in his grandmother Sara's (elegant Irene DeBari) little Mexican restaurant where grumpy homophobic chef Don Rogelio (Luis Accinelli) presides in the kitchen. Diego dreams of opening his own restaurant but family ties keep him grounded. Diego's campy Aunt Bianca (Gladise Jimenez) returns from Monaco on one of her many expensive sojourns to find a man and changes begin to happen. Diego's equally closeted boyfriend Pablo Morales (David Berón) has been refusing to settle down in a relationship with Diego, claiming that the union is a 'passing fancy'. When Bianca enters, Pablo's attentions turn to the sexy lady and Diego is brokenhearted.Into this mélange enters a white gay couple who buy a 'flip' house across the street, a signal to the neighborhood that gentrification is just around the corner. The couple - Wesley (Steve Callahan) and Jonathan (Cory Schneider) - meet the morose Diego and a match strikes between Diego and Wesley. Jonathan is assigned all the lines having to do with prejudice and is the one who wants out of the neighborhood as soon as their house is enhanced and their gay friends begin to visit. The white couple move apart and Wesley and Diego begin a courtship dance that is encouraged by Diego's family. How Diego handles his loss of Pablo to his Aunt Bianca and copes with the possibility of being open with Wesley forms the story line. It is all the hilarious and not so hilarious sidebars that share the space of the 'outing' that make the film so personal and successful.Carlos Portugal is clearly a talent to watch, as are his attractive and talented cast members. EAST SIDE STORY is a fine companion piece to QUINCEAÑERA and should enjoy the same degree of popularity for all the same reasons! Grady Harp

This is a very technically well-made film with good pacing and overall good acting, with standout performances from the main females and most of the main male actors. The main problem with the film is the extent to which is borrows from stereotypical sitcom television conventions, down to the nicely packaged happy ending. Boy meets closeted boy, boy dumps closeted boy, boy meets new gay couple on block, one half of the gay couple cheats on partner with boy, purely dramatic devices causes a break-up (which in typical television fashion, the couple didn't actually belong together - not the like the boy and cheating partner do), till finally, again true to TV conventions, all is resolved and happily so, that by the time the end title credits roll, boy ends up with the right half of the couple.Don't get me wrong, it's a well-made film with some excellent performances. It's definitely a crowd-pleaser and it's sure to be enjoyed by nearly any gay-identified audience member who views it. Apparently, the distributors didn't see any cross-over appeal as the movie seems to be headed to a DVD release without even a cursory theatrical release in some of the major markets where it did not make into (or which do not have) a gay and lesbian film festival.Definitely worth renting, once the DVD is released, apparently in the next few months, and perhaps even owning. However, comparing this to Brokeback Mountain is definitely not appropriate.