Self-important, over-dramatic, uninspired.

Sadly Over-hyped

Purely Joyful Movie!

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Supposedly "steamy" thriller is adapted by director Guy Ferland from the story by Robert Coover. It basically functions as a vehicle for then up and comer Alicia Silverstone, cast as the title character. She's a high school student sitting for middle aged couple Harry and Dolly Tucker (J.T. Walsh and Lee Garlington), who have three kids. She inspires fantasies in not only the lecherous, drunken Harry but her estranged boyfriend Jack (Jeremy London) and his shady associate Mark (Nicky Katt). Even her male charge Jimmy (Ryan Slater, Christians' kid brother) gets in on the act.This should have made for a more watchable experience, but it fails to be all that interesting, whether it follows the activities of the aimless youth or the weary older generation. There are so many fantasy sequences that viewers may feel challenged to keep track of when the film is actually showing "reality". Also, people may feel cheated that Silverstone isn't showcased to sexier effect. Apparently, she wouldn't do this film until the nude scenes were cut. Adding to that problem is the fact that her character (not to mention most of the characters here) just isn't that compelling.This impressive cast certainly has worked with better material. One does feel embarrassed for the late, great Walsh. Garlington has a somewhat meaty role as his wife who is despondent over not being more desirable to her worthless husband. George Segal and Lois Chiles, as their friends throwing the party that they attend, have precious little to do. Too much time is spent with London and the amusingly smarmy Katt as they prowl around the Tucker home, and it takes the film too long to get going.Fans wanting a Silverstone fix would be better off revisiting "Clueless" or even "The Crush".Six out of 10.

The Babysitter reminds me of one time when my daughter was 15, we were walking out to the car in a parking lot, and a young man probably 20 y/o or so drove by, swiveling his head as he passed. I pointed out that he had been looking, and my daughter said "Ewww! He's old!" Teenage girls think their attractiveness is like a bullet, only affecting their intended target, when in fact it's more like a hand grenade, and goes off in all directions.The movie is different from Robert Coover's short story (Google "Robert Coover the babysitter", there's a PDF titled 184 ° Robert Coover), which was mainly a vehicle for an idea about how a story could take different plot lines as characters choose different pathways. It's not really better or worse, because it's apples and oranges.The Babysitter is about The Male Gaze. It's about how males of all ages react to a pretty, nubile young woman who's just trying to babysit some kids, and not completely aware of her affect on males, therefore mostly indifferent to it.Fantasies for each male, from age 10 to age 60, play out during the film, making it difficult to keep track of what's going on in reality. The screen play seems voyeuristic, as if to try to pull you into fantasizing about Silverstone yourself (if you're a male), but time and again her character shuts it down, and reveals just a regular, no-nonsense, non-sexualized person going about her business.In the end the fantasies of three of the characters become reality, and play out as they would in real life instead of a male fantasy land, so things get messy quickly as the three disrupt their own lives within moments. Two males, the youngest and the oldest, escape perplexed but unscathed.The end of the movie is a disaster scene, apparently with a single cause, but in reality the confluence of bad decisions by three men. The last line is like a punch line that sums up the entire proceedings of the evening.

A suspenseful movie from the nineties is always an apparently good choice. However, it is not the case in "The Babysitter". Once the film begins, we don't know which way it is going to go, considering the characters are mysterious and directing is undecided. One character to be noticed is Mark, whose actions are questionable all the while, being very similar to Kelly from 2004's "The Girl Next Door". After 30 or 40 minutes, I started getting bored, since nothing much really happened, and I also couldn't care less about the story, given that the movie was all about everyone imagining banging with Jennifer all the time. In the end, the movie ended pointlessly and felting like a big waste of mine. Original story anyways.

I was glued to the edge of my seat, never knowing whats going to happen next. An erotic thriller.Chilling suspense and horror.This is what alcohol does to teens.I was scared to see what happened to the babysitter with the boys and the dad. It's a sick world we live in these days.