Good films always raise compelling questions, whether the format is fiction or documentary fact.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This movie feels like it was made purely to piss off people who want good shows

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

I mistook this colorful, location-filled adventure fluff for a light-hearted caper - and, therefore, I couldn't help being disappointed by the lack of a definite plot and the general silliness of the whole enterprise! Becker is the son of Jacques Becker - who had made classics like CASQUE D'OR (1952), TOUCHEZ PAS AU GRISBI (1954) and LE TROU (1960) - but he demonstrates little of his father's attention to detail, where the style actually served the plot and the characters rather than being merely surface gloss. In fact, the film leans completely on the charms of leading-man Jean-Paul Belmondo - who's accompanied off-screen by a bouncy Michel Legrand score and on it by the likes of Robert Morley, Jean-Pierre Marielle, Philippe Noiret and Marcel Dalio...not forgetting a bevy of beauties (though second-billed Stefania Sandrelli is wasted and actually appears only in the film's final third), including Orson Welles' future wife Oja Kodar! I'd still love to watch Becker's award-winning erotic drama ONE DEADLY SUMMER (1983), starring luscious Isabelle Adjani...

This is one of my personal favorites of Belmondo movies. Maybe because it's a little strange one. Especially the plot which goes from one place to another without much progress, characters pop in and pop out... Some characters you think are very important lost in the middle and you don't see them no more.There's not too much action like in "Men" titles of those times (From Rio and From Hong Kong), but there is more fun! Especially the first half is excellent. Full of gags, lies, pretends and embarrassments. As the main character goes to world-round trip, the plot is little slowing, but still Belmondo doesn't let you bore.And there is one more thing I like about this movie: the colours. They are very warm and rich, just in the sixties style. Throughout. In apartments, in Paris, on the boat. Very sunny movie!