Boring

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

A sobering mid-life crisis fuels dissatisfaction in Philip Dimitrius (John Cassavetes), to the extent where the successful architect trades his marriage and career in for a spiritual exile on a remote Greek island where he hopes to conjure meaning into his life - trying the patience of his new girlfriend (Susan Sarandon) and angst-ridden teenage daughter (Molly Ringwald).This is, of course, a very loose adaptation of Shakespeare. Other than Caliban, the names have been changed and there was no architect or movie stars in Shakespeare's work that anyone can recall.The film has the distinction of being Molly Ringwald's debut, and she gets more than a little screen time and gets to sing, too. Many may not know, but Ringwald and her father are jazz singers, and this was always her first love. Her character in the first half of the film is nothing special, but she shines once the film moves to the island. Did John Hughes see this film? Raul Julia may be at his finest here, and Cassavetes excels at being angry (he seems to fly off the handle in almost every film he appears in).

Tempest is based on the classic Shakespearean work of the same name, but bears little resemblance to its source material.It masquerades as being as cerebral as its namesake, but instead is a jumbled, convoluted, and hackneyed exercise in tedium. The original probed the premise that people have an evil side, which would be destructive if unchecked. Here you just get an uninteresting mid life crisis (yawn) goof ball who is having everything go wrong in his personal and professional life. He becomes endowed with a supernatural power that he uses to try to control his environment; in other words: to get his own way.Every few minutes, after something else in his pathetic life goes wrong, he finds a secluded place and starts babbling "Show me the magic!" while waving his hands around and making a "serious concentration" expression. From the way these scenes are shot, it looks like he's trying to turn bugs into other kinds of bugs. Turning a spider into a cockroach, maybe, but by this time, you really don't care.The story has him bolt from his life with his daughter to a Greek island somewhere, then have a awkward relationship with some girl he meets, one of the dullest romances ever committed to film. The story just bogs down and moves at a slower and slower pace. You are never given any reason to like or dislike anyone.I'll give this a 2 because of the beautiful Greek location shots and the semi-optimistic conclusion (although it isn't clear if the tempest power brought this ending about or not). The spirit of Shakespeare's work has been captured much better in other movies; one notable example is "Forbidden Planet," which gave credence to how the power gets out of control.As for this "Tempest", its only magic is to cure insomnia.

For many years I thought I was the only person on the planet who had seen TEMPEST, and I am so glad to learn that I am not the only person who discovered this sleeper somewhere in their movie-going travails. Loosely based on the Shakesperean play, TEMPEST follows an architect (the late John Cassavettes, in one of his best performances), bored with his work and his crumbling marriage (to real life spouse Gene Rowlads), who decides to chuck it all, say the hell with the rat race and go live on an island with his daughter (Molly Ringwald, in her film debut), and new girlfriend Aretha (a luminous Susan Sarandon). Even though Paul Mazursky is credited as director, Cassavettes hand is all over this film...the long scenes filmed without cutting, the improvisatory feel to the dialogue..., the self-indulgent storytelling style, this is definitely his show from beginning to end, and if you're not a fan of his work, the film will seem laboriously long and dull but if you are a fan, there are rewards to be had. Cassavettes is surrounded by a first rate cast...his scenes with Rowlands crackle with intensity and his surprising chemistry with Sarandon is a stark contrast to his scenes with Rowlands. Ringwald shines in her film debut and there is a scene-stealing performance by the late Raul Julia as Kalibanos, Cassavettes' manservant on the island. Julia stops the show in one scene dancing with a flock of sheep accompanied by Liza Minnelli singing "New York, New York". This film is sad and tragic and funny and intense. Yes, it's a little long and disjointed and it works a little too hard at being different (there's even a curtain call at the end of the film), but it never fails to hold the attention of those who like something a little different in their filmgoing.

I love this movie and all aspects of it, well directed as a comedy and as a drama. The acting is tremendous, performed by an all-star cast who play the high society New York perfectly. The scenery is incredible, totally breathtaking. I also love the story: a successful NYC architect who is going through a midlife crisis leaves his cheating wife and runs off to a Greek island to hide out with his daughter who chooses to go with him.I just cannot express my love affair enough regarding this movie. "Show me the magic".