terrible... so disappointed.

Perfect cast and a good story

Best movie ever!

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Poor Jock Mahoney gets saddled with "Jai the Elephant Boy" in this snorefest. Worse even is that this is the follow up to one of the best Tarzan's, "Tarzan the Magnificent". No spoiler here, one look at the cast list tells you that Leo Gordon is the main bad guy. Dumb Jock, looking all of about 130 pounds, after picking off one baddie with his bow and arrow, inexplicably drops his bow and sneaks up another armed baddie he easily could have skewered with an arrow. I suppose his reasoning was to trade this baddie for the captured Jai. But even the elephant knew Leo would blow this guy away to get to Tarzan. Leo gets dispatched an hour in and what follows is a herd of elephants going left to right... right to left ... left to right ... you get the picture. Worth watching once if you are a Tarzan fan but don't let this be the first one you watch!

Might as well been titled "Tarzan Goes To Indiana", and it would have been just as believable. A good example of what Hollywood producers can do to a good concept. By this time they had ridden this horse into the ground and kicked the crap out of it. Naked Tarzan in a biplane with aviator goggles and cap? The first scene turned me off completely.Take Tarzan out of darkest Africa and he's no longer Tarzan(with the exception of Weismuller's "Tarzan Goes To New York"- at least he put some clothes on for that one).Throw some khakis and a pith helmet on Jock Mahoney and call him Jungle Jim, for Pete's sake!The post- Weismuller Tarzans were just a little too sophisticated for me.They lost some of the charm and mystery of the "ape-man". Don't bother with this one if you're a traditional Tarzanist.

I have a genuine fondness for TARZAN GOES TO India. If you remove the Air India 707 from the opening credits and the early sixties automobiles, it feels like something that Edgar Rice Burroughs would have written, possibly after the Second World War, if declining health hadn't caught with him.Jock Mahoney gives the legendary ape-man something that the other previous actors had not provided to this part -- a sense of maturity and gravity. Yes, Mahoney is almost too rangy, particularly when compared to his immediate predecessor, the hefty Gordon Scott. But Mahoney makes every scene seem real; with his Midwestern accent sounding neutral, almost international, in tone in keeping with Tarzan's unique origins. The additional kick is knowing that Mahoney does all of his stunts, including an eye-popping dive from an moving airplane into a lake. But his greatest stunt is being able to work with an inexperienced child actor and a four-ton elephant and not get loss in the shuffle. That's charisma!Yes, the storyline is somewhat juvenile, but there was a definite market in the early Sixties for movies pitched to a pre-teenage audience. Witness such films as CAPTAIN SINBAD, FLIPPER, ZEBRA IN THE KITCHEN, and Disney's output of movies during this time. Robert Harding Andrews does a credible job with the script while John Guillermin provides fast-paced direction although this film lacks the flourishes of his 1959 Tarzan outing, TARZAN'S GREATEST ADVENTURE.Overall, TARZAN GOES TO India is a pleasant diversion well worth checking out.

This is quite an enjoyable film with as an added bonus, 300(!!) elephants and spectacular Indian scenery. I don't think I've ever seen India look so beautiful in any movie. Jock Mahoney makes an articulate and athletic(if a bit lean) Tarzan. His easy-going performance is quite fun to watch, as is his interplay with the Maharaja's daughter. There seems to be a nice chemistry between these two. It is really too bad that their relationship isn't allowed to progress further but this being a G-rated film, the line has to be drawn somewhere. As this film is aimed at the very young, a lot of emphasis is put on Jai the elephant boy. This turns out to be the film's greatest weakness. The character is irritating and obnoxious. Not surprisingly, Mahoney looks a little uncomfortable in his scenes with the young boy and some of their moments together are downright corny. It's a good thing that the film's fast paced action sequences and beautiful scenery make up for these weaknesses(the final charge of the elephants is very exciting).Also of note, Leo Gordon is quite effective as the villain Bryce. On the whole, this is a good way to pass a rainy Sunday afternoon. You'll have to close your eyes and ears every time Jai appears, but the rest will go down easily enough, especially for the younger set. By the way, don't miss Tarzan's arrival into India. It's an eye opener!!