Terrible acting, screenplay and direction.

Absolutely Fantastic

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Jane's cousins come to Africa looking to take her back to England. They enlist the help of a big game hunter who, like every hunter in the Tarzan series, is evil. None of this goes over well with Tarzan. Third entry in MGM's Tarzan series is less impressive than the first two but still entertaining in its own right. Maureen O'Sullivan's charm and playful chemistry with Johnny Weissmuller is the best part of the movie. Actually, it's probably the best part of the entire series to me.As other reviewers have discussed, this one was meddled with by the studio, who deemed the original cut too violent after poor screenings. Unfortunately, we'll probably never know how good that version was. The biggest cut we know of is the much-talked about climax involving giant bats. It sounds pretty cool and I hope someday a copy of that cut exists so we can see it. Still, even with the cuts, the climax of this film is still exciting. It's an enjoyable film, even if it doesn't hold up well compared to the two that preceded it. Weissmuller and O'Sullivan are terrific. The rest of the cast is pretty good, too, with Herbert Mundin a standout. I can't imagine any fan of the series not liking this one, even if the spectre of "what might have been" hangs over it. Too bad about those bats, though.

This installment of the Tarzan series starring Johnny Weissmuller is very similar to one of these movies made just a few years later, "Tarzan Finds a Son!". Both have family members who come to retrieve one of Tarzan's family to take them back to civilization to retrieve a large inheritance and in both cases, it turns out that some of these 'nice people' aren't so nice after all.The episode begins with Jane's family arriving at the Tarzan residence. They inform Jane that she's an heiress to the family fortune and that she should come back with them to claim it. None of them realize that the Captain, however, is unconcerned about this and has evil plans of his own. But, when this jerk tries to make a pact with a local tribe of nasties, the nasties turn out to be even bigger jerks and it looks like all the white folks are about to breath their last.There are a few nice things about this film. E.E. Clive plays a very nice part as a guy who really seems taken with Tarzan and his lovely consort. Additionally, the film is very, very romantic--almost as much as "Tarzan and His Mate". However, the film also features very, very vague motivations for the Captain and you really never have any idea why he does what he does. There are also a few odd inconsistencies--such as Cheeta being called a 'she' despite featuring very large male anatomy! Also there is that stupid looking bird-like thing that made me laugh--and which was also in a bit scene in "Tarzan's Secret Treasure". And, like all the early Weissmuller Tarzan films it features Asian elephants with weird fake prosthetic ears! All in all, a decent but not particularly inspired entry but it's a darn shame that it's practically the same major plot ideas as are found in "Tarxan Finds a Son". Oh, and by the way, look for Tarzan to inexplicably use the word 'escarpment'!

Using tons of stock footage, not only from Trader Horn but also the first two films in the series (for example the alligator fight was used last time out) this is one of the weakest films in the MGM series. Its a huge let down after the classic Tarzan and His Mate which is possibly the best film in the series.The plot has Jane's cousins coming into the jungle to tell her that she has inherited a fortune if she'll come back to claim it. They are kind of in the bind since the relative that left her the money cut them out of the will.Hiring a great white hunter, who secretly wishes to capture Tarzan and sell him, the pair heads into the jungle where they run into the usual jungle troubles (more so because of the stock footage). After lots of talk Jane decides to go back to civilization and we get long sequences of Tarzan and Jame making kissy face. Finally into the last half hour the plot to capture Tarzan is put in motion and things at last become interesting as plans go awry and things look very grim for all concerned..Painfully dull film is clear evidence of a troubled production. the film seems to have been assembled from several different films with the first half hour playing as an almost exact repeats of the previous film. The middle third shows signs of having to stretch things out and having plot lines that ultimately went nowhere. The last third where Tarzan is captured and the party is put into peril is the point that the film finally comes to life (it also shows signs of the graphic violence that caused much of the need to re-shoot the film). To me its a great wonder how the series managed to continue on from here since this film isn't very good (except at the end).I would be hard pressed to explain it except I would have to say that it was the relationship between Weissmuller and O'Sullivan as Tarzan and Jane which kept people coming back. Its a beautifully acted pairing and really is one of the screens great couples.(I should probably also mention that this is the point that the film became less real and more fantastical with the appearance of the Tarzan tree house.) I really dislike the first hour or so of this film a great deal and find it a great waste of time and energy. If you can come in towards the end I would recommend giving the film a try. Otherwise I would just skip the whole film and move on to the next film in the series.

Third film in the Johnny Weissmuller--Maureen O'Sullivan Tarzan series. Two of Jane's cousins come to the jungle to persuade her to return to civilization. With them is safari hunter Captain Fry (John Buckler) who secretly has plans to capture Tarzan and bring him back to civilization as a sideshow attraction. And then there is the vicious native tribe near by...Not as good as the first two (which were great) but still very enjoyable. This film was a disaster--it took 2 years to make and went through multiple rewrites, reshoots, cutting, editing and was overhauled completely when a test audience hated it. The film is pretty violent (for 1936) but the original was even more so with a vampire bat sequence that got completely cut out! The sex has been toned down too--Jane is dressed VERY modestly this time around and she's fully clothed during the underwater swimming sequence (she was totally nude in "Tarzan and his Mate". Still, this film isn't really for kids. The violence IS pretty strong. Also Tarzan and Jane's tree house is quite elaborate this time around. And there are shots of Cheetah laughing that are hysterical.The acting varies--Weissmuller is very good as Tarzan--his emotions show clearly through his face (but he does look a little old in a few sequences); O'Hara is still bad as Jane and everybody else is TERRIBLE--especially Buckler and Herbert Munder (stuck with the thankless "comic" relief role).Still this is fast-moving with plenty of action. Worth catching.