Wonderfully offbeat film!

Load of rubbish!!

This is a dark and sometimes deeply uncomfortable drama

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

In this movie, the archaeologist Dr. Jones finally became a superhero. Saving children, jungle adventures, breaking curse, chasing in the mine... Like a naughty boy, the director Steven Spielberg put all his illusions in this film. Of course, with his powerful execution ability of different kinds of movies, Spielberg transforms his daydream into a commercial masterpiece.

This movie is dark, funny and cool. Its a very good movie i would recommend it.

Movie Review: "Indiana Jones and the Temple of Doom" (1984)Starting out with one of the greatest opening sequences ever received in Hollywood motion pictures, director Steven Spielberg, just arriving after two major movie hits with "E.T.-the Extra-Terrestrial" (1982) for Universal and "Raiders of the Lost Ark" (1981) for Paramount, the legendary Hollywood Studio, founded in 1912, presenting an understanding effort to establishment a worldwide trademarking character with "Indiana Jones" aka Henry Jones Jr., performed with star-approval as reprising wits to naturalistic-looking action-beats by leading man Harrison Ford, whose character in presuming his first excursion abroad in Shanghai of 1935 mixing up with a Chinese Gentlemen Gangster Syndicate, meeting variete singer "Willie Scott", performed as fun-loving as classic blonde actress Kate Capshaw, in order to steal away the price of survival in major diamond-poison-vaccine screwball beating scene, rescued by supporting character "Short Round", a 13-year Vietnamese boy driving cars, handling hostile weaponry and getting thrown off a plane with super-hero archaeologist "Indiana Jones" and almost hostage-like taken gentleman-preferring-high-class-woman "Willie" into the depth of the Indian Jungle.Director Steven Spielberg keeps pace throughout the picture, even when the screenplay based on story by executive producer George Lucas tends to be overloaded, where despite plenty scene of joy, smiles and almost-musical-like entertainment, the action, which includes car chases, last-second crashing plane jump-outs, lifeboat mountain rundowns to the title-given fights with less pistol, more sword-to-knife and natural fist to rescue children from underground child labor, when nevertheless utmost serious themes of rural Indian village starvation, voodoo magic procedures and a brainwashed child ruler controlled by nemesis-making, death-mongering, dark-cult-indulging priest called "Mola Ram", given face by British Indian territory actor Amrish Pouri (1932-2005) challenges "Indiana Jones" to visual-compelling day-time bridge fight to Hollywood event movie proportions that cannot prevail under the genre mixing crime-adventure-drama-action, when the comic-like humor scenes in the jungle between constant fighting Willie & Indiana, especially concerning perfume on Indian elephant heads, open monkey heads for desert or constant female screams of disgust echoing through dungeons of an Indian palace, which take out most of the so-badly-needed suspense toward a dark-magic-cult with white-dressed virgin sacrifices and heart-ripping chest grips, where "Raiders of the Lost Ark" found magically the balance within the relationship of "Marion Ravenwood & Indiana Jones" in mutual chase of comprehending the powers of "The Ark" of just being the classic Hollywood adventure-movie for the ages. Copyright 2018 Cinemajesty Entertainments LLC

Just like it's predecessor, Temple of Doom manages to take the audience on an epic adventure with Indiana Jones even after going for a more darker tone. This film definitely took a page from Star Wars Empire Strikes Back in that the film is a lot darker than the first but it never loses its core values which is what made me fall in love with the original. There's action, comedy and adventure that follows the same formula from the Lost Ark but the filmmakers still manage to deliver it with originality that leaves you wanting more. So many memorable moments that you will struggle to decide which Indiana Jones movie you love more. If a film can give you that sort of debate then you know its a classic.