Wonderfully offbeat film!

Don't listen to the negative reviews

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

It is easy to assume that just because some movie comes from Hollywood, that it is somehow a by-product of the Hollywood film industry/machinery, especially for those who are intellectually challenged or perhaps just plain uninformed that it is also as place where people learn to just agree to disagree with each other, just like everywhere else. There is a remarkable simplicity in the story. A cleverly structured screenplay that covers a 12-hour period during Christmas eve 2014 in the life of two trannie working girls, Kitana Kiki Rodriguez as Sin-Dee and Mya Taylor as Alexandra, whose banter right from the get-go makes sure the viewer gets the gist of who they are. Though unapologetic and doesn't care for other people's judgment, it is a take-it-or-leave-it-attitude that contradicts the two "girls" real desire in getting the attention of the "right people". The tautly edited 88-minute movie has a superb soundtrack, and a cast that boasts an eclectic mix of professional and non-professional actors who all gave excellent performances, none of them could be regarded as superfluous to the narrative, each one an essential component to the story.James Ransone (The Wire; Generation Kill) as Chester, the guy that Sin-Dee searches for through the course of the movie. Mickey O'Hagan as the girl Sin-Dee drags along with her in that search. Karren Karagulian as Razmik, the taxi driver that is way too familiar with the rounds in his route and has disdain for his mother-in-law, Ashken, Alla Tumanian, who is in town to visit her daughter Yeva, Luiza Nersisyan, for the Christmas eve dinner. Then there's Shih-Ching Tsou, the lady manning the doughnut shop, and Arsen Grigoryan as Razmik's fellow taxi driver. And there's notable cameos from Clu Gulager as a taxi passenger and Scott Krinsky (TV series Chuck) who is Alexandra's potential john.Though the use of iPhone 5 gives it a grittiness that makes it feel way too real, the use of Steadicam reduced the shaky feel that people would usually get from cellphone footage helped create that needed awareness of the unreality of the movie watching experience by giving an indie film a professional feel to it.The delicacy in handling the issues facing people who work the oldest profession face and the showing vantage point of transvestites was sucg masterstroke. Though these people are portrayed as defiant in not being presented as victims, this could be seen as a necessity for those who are living on the fringes of the fringes of the society. The dark humor that the characters exhibit is only a means for survival in their dog-eat-dog existence.For all the superlatives that could be said, there is somewhat an anomaly that lurks beneath the surface. Or perhaps the hole on the conventional doughnut metaphor is good way to describe it, not used as a lame-glutes pun or sexual euphem. The hole in the sweet pastry makes it distinct, wouldn't be as noticeable without it, giving its identity. It is a foible that is like an off-key tune that is very jarring yet even that serves a purpose of getting the public's attention and doing it without stirring too much controversy and thus, handing in the movie's triumph. But oddly, it is also the same thing that drags this film back from becoming an almost flawless comedy/drama from being a modern-day classic that it deserves to be. Mainstream Hollywood need not to tell these stories anymore because having talents like Baker would do the unseemly subject matter involved more justice, giving it a more intimate, making it more personal experience for the cast and crew and eventually, the viewers. Mr. Baker has achieved in this movie to give the world an exquisite glimpse of L.A. in a very self-deprecating light, a much needed counterpoint to the existence of the Tinseltown's creations.And a perfect denouement was thrown in that serves as a sobering reminder, to punctuate and make sure that this movie sticks into the viewer's consciousness, by pulling away the rug of humor from under the movie's bare feet. Brutal.My rating: B-plus.

I'm not so concerned with "high-concept" in motion picture as in the execution of it. So much hype surrounded this film. Long-standing indie journalists and industry professionals urged me to see it. I tried. I realize that we're talking about hotbed issues. Well, controversy may be enough to sell a movie, but it isn't enough to make it great, or even good. The movie felt amateurish. The acting was so bad that I found it unwatchable. David Lynch is correct. Here is an example of how the motion industry has effectively destroyed itself. The emperor isn't wearing any clothes. Renaissance is needed.

You might not think this is about the movie TANGERINE (2015), oh but it is! A case study in fact...a personal one.Oh the memories of that corner 'aquarium in the night.I served the all male prostitutes...well 90%, donuts and coffee and soda all night. And a lot of OJ!I was an 18 year old guitar student at GIT straight from the Columbus, Ohio suburbs/farms out my backyard, and honestly an uptight kid confused about my sexuality. Who knows, I had a strange mix of guys at the counter of that newly opened 'Donut Stop' back in 1985. This was the second Donut Stop- at Santa Monica blvd. and Highland ave., Hollywood, CA. It was the ' prostitute shop', and the North Donut Stop was the 'bum shop'. Look, I'm live and let live. As a matter of fact, with an artists brain I enjoyed learning about real life from the hardest livers. Maybe I would need street smarts some day. And boy did I. A 3 year heroin addict a dozen years after. Eh'so goes life. Better now for 15 years, not even caffeine. I do wonder the average lifespan of a bum or a prostitute...in Hollywood. I hope most got out...it sucks being 'a type'. I came back to Columbus after 5 years in L.A.. My dad died and mom needed me. 10 years after, most Midwestern city life became as hardened as L.A. was then in the 80's. Anyway, at the North store I really got to know the bums... in L.A. known politely as 'Transients'. I think if you had a car, van, or RV (or lived in tent city) you weren't 'homeless (sad). At the Santa Monica & Highland store (donut shop location in the movie) it was tougher adjusting, but no less interesting. I recall a guy, a later neighbor in fact ( pointing out double entendres at my crotch through the glass when pointing at the 'long john' donuts in the case. " gimme' that biggest long john". This guy had to be the inspiration for the Aqua Teen Hunger Force fat guy named Carl. No sooner would I return a hateful, but naively confused stare into the glazed eyes of a guy my age who just scored the money for that donut from having some kind of sex 5 minutes before, often with 'Carl', did my only ally, the bitter old prejudiced 'the baker Ray' with his faded green tattooed 13 on his ear[ this is 85' and 86' before tattoos were common],he would walk out with his back turned to the customer(I know, long sentence/:) and refill his Sprite at the dispenser, with revolver showing clearly sticking out of the back of his baker whites uniform in view of this customer of his dislike. I too wore the loose white uniform. I was pretty decent looking...plenty flirted with me because I was shy...oh' god. You know, I'm totally heterosexual, but I think I maybe, as human to human, was gay in a past life or will be in a future one. Ah' that corner! Confused the hell out of me, but I wouldn't trade it for anything!

...should have been the title for this film. I'm not a big fan of 'scripted reality' shows and this is basically an SR show made into a feature length film with a few added gimmicks thrown in to get attention.The film starts abruptly enough, and at this point I was thinking 'ok well judging by the reviews the film obviously has great characterisation or something' but no it just becomes a mess of bitching, swearing, walking about, "cool" music interludes and the protagonists being generally unpleasant to anyone and everyone they meet.Throw in the fact it's all shot on iPhone - which conveniently excuses the cast for their atrocious acting - and let's not forget the hype generated by the transgender / transsexual angle - and you've got a film which isn't going away in a hurry.It's great to see trans women - in fact anyone from an LGBT subgroup for that matter - represented on-screen by people from that actual community - but just imagine how much better it would be if they tried to actually act!I like the fact this film gives a voice and some screen time to otherwise marginalised actors and actresses - but it's done so amateurishly it's impossible to feel anything for any of the characters because they are depicted as either unlikable or just unrealistic human beings. You'll find yourself asking how some of these people made it to adulthood if this is the way they treat each other. Where's the love?As for this being a Christmas movie, if they didn't feel the need to remind the viewer that 'it's xmas eve!' every 6 mins you would be forgiven for assuming it's the middle of July.Please... discount the gimmicks and give Tangerine a miss. Maybe someone will do a film like this properly in the future, but for now just avoid this cheap and boring movie.ALTERNATIVE SUGGESTIONS: Sense8 covered some similar themes and delivered superior performances compared to this tosh - and if you really must watch scripted reality watch something like TOWIE instead... at least in that they respect each other as human beings.