Very well executed

recommended

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Back in 1957, Debbie Reynolds starred as the title character in "Tammy and the Bachelor", a sweet story about a backwoods girl who is a bit like a fish out of water when she comes in contact with citified folks.This story picks up after the first. Tammy's boyfriend is off at college but inexplicably hasn't contacted her in some time. This is pretty inconsistent with the last film, as he appeared ready to marry her when it ended. Regardless, instead of just sitting back and waiting, Tammy decides she needs some education about the English language, as her backwoods talk sets her apart from everyone. Oddly, instead of going to grade school or high school, she decides on college and is accepted there as a special student.One of the first persons she meets there is a young instructor. Tom Freeman (John Gavin) is quite taken by her and this handsome guy becomes more and more smitten by Tammy through the course of the film. It's obvious why, as although unschooled and unsophisticated, she is incredibly sweet and abounds with wisdom and charm. And, it's not only Tom who falls for her, but a very cranky old lady (Beulah Bondi) soon succumbs to her charms as well and they become friends AND roommates on Tammy's riverboat. What's next? See the film for yourself!This is a film that is utterly charming and simply fun to watch. Is it deep entertainment? Nope...but it is quite enjoyable and is a nice sequel even if Debbie Reynolds didn't star in this one (probably because she was a bit old for this role). And, if you, too, like the film, there is another Tammy movie starring Sandra Dee, "Tammy and the Doctor".

Sandra Dee more than adequately fills the role formerly occupied by Debbie Reynolds, as "Tammy", a naive river hick who helps people discover their true selves and who falls in love with stiff- shouldered men. It turns out that Leslie Nielsen's character from the original film didn't really care for Tammy after all, never returning any of her letters. Tammy decides she needs to go to college in order to be a fit wife for her man, so she takes up the anchor and has her riverbarge friend (Cecil Kellaway) tow her down to a spot closer to institutions of higher learning. As in the original film, Tammy is adopted by various needy individuals, most notably the local Dean of Women (Virginia Grey), who's trapped in a sexless marriage with a failed painter (Charles Drake). However, most of her attention this time is devoted to an elderly lady (Beulah Bondi) who she befriends, while her scheming daughter (Julia Meade) is trying to have her committed and steal her fortune. Bondi is a more seasoned and talented performer than just about anybody in the original film, and she really gives this movie a huge boost. Essentially though, it's still the same kind of unambitious, saccharine and totally predictable film as its predecessor. The director, Harry Keller, brings the same kind of vision that he brought to other important screen properties like "Commander Cody: Sky Marshal of the Universe" and the same sense of drama that he brought to television for the unforgettable "Letter to Loretta" series. The movie is pleasant enough, and it lacks some of the elements that made the original "Tammy" movie so execrable.... notably racist stereotypes and the constant presence of Debbie Reynolds. I find Sandra Dee to be much cuter, much more genuinely funny and slightly less corny. John Gavin basically has just as little to do here in this film as Nielsen did in the original. Perhaps by teaming Gavin and Dee in this film and in "Imitation of Life" the producer Ross Hunter hoped to clone the magic of his combination of Rock Hudson and Doris Day in "Pillow Talk." But it would have helped if they gave Gavin an actual human character to play, instead of just the new version of Tammy's idealized male. Not that I'm sure Gavin can actually play a real human being, but it would be interesting if he had the chance.....Although this film lacks the truly offensive middle section of its predecessor, it does manage to score some good housekeeping points by allowing Tammy to teach Bible lessons to atheist children (no less than a tiny Bill Mumy) and giving her a good opportunity for an anti-feminist message -- she convinces Virginia Grey that all her problems with her husband are caused by the fact that she makes more money than he does. I'm sorry, the guy seemed like a total creep to me, he was trying to get in Tammy's pants the minute that he saw her. Instead of telling the poor woman to adopt a kid she should have told her to dump her creepy husband and hook up with a man that isn't intimidated by a successful woman. But then, nobody should really be asking Tammy for romantic advice.....

I just watched this movie for the first time and I was completely hooked! The main actress has so much spunk and sincerity. I discovered that her real name is Sandra Dee. I had heard of Sandra Dee, but I had never seen her before. I think she was a fabulous actress! Also, this movie has a timeless story which could apply in any era. I loved the movie and Sandra Dee was amazing. I think Sandra Dee could have acted in any era. I was born in 1975 and it is difficult for me to relate to the acting style of older movies before my time. This one was certainly an exception. I was sad to find out that she died this year at 60 years old. I intend to see more of her films.

I can't believe I'm the first person commenting on this priceless comedy!True, it has great sentimental value for me, because it brings me back to Sao Paulo 1962 where I first saw it. The title in Portuguese was "Con Amor no Coracao" (With Love In The Heart). I loved it every time I saw it.SANDRA DEE IS A GENIUS. Her brand of comedy is totally unique, and her artistic HUMILITY most touching. She OWNS every role she plays. How can Hollywood overlook such a LADY!!!!!!!!!! She is one of the true stars we have left. But then, what film would be great enough to fit her?There are of course, many merits in this film other than Ms. Dee. The writing is utterly brilliant, the cinematography lovely. A country bumpkin meets city folks and makes helpless fools of them with her disarming innocence. Once exposed, the phonies mend their ways and acquire some of her virtues.One wonders if Tammy isn't really black.