Simply A Masterpiece

As Good As It Gets

Absolutely brilliant

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Not much to add really to what's already been said before, and so well too. Tale of Tales is one of the finest Soviet animations ever made alongside Hedgehog in the Fog, and one of the most powerful and poignant of the entire animation medium too. The visuals are really striking, atmospherically coloured and impeccably detailed, several of the images are enough to stay with you forever and the symbolic ones are really quite meaningful. Tale of Tales is scored wonderfully too, all of it fits with the visuals like strawberries and cream whether ethereally beautiful in the retrospective moments or hauntingly rousing in the war/battle images. The story and atmosphere are rendered adeptly, the story is structured into three sections, each of them is firmly focused and full of emotional impact and they follow and overlap one another with no signs of jarring or clumsiness. The retrospective moments are nostalgic and poignant, the middle section is just gut-wrenching and the idealism of the final section shows some hope, contrasting beautifully with what's been seen before. Tale of Tales is well-paced, it allows the visuals to breathe and resonate nor does it descend into tedium, and the powerful, affecting and nostalgic atmosphere is incredibly well-done. To conclude, a fine example of a Soviet animation masterpiece and one of the finest examples too. 10/10 Bethany Cox

Grand Prize winner at the Zagreb World Festival of Animated Films Russian director Yuri Norstein's Tale of Tales (alternately titled The Little Grey Wolf Will Come) was named by the 1984 Animation Olympiad jury at the L.A. Olympics as the greatest animated film of all time. Written by Ludmilla Petrushevskaya and Norstein, like Tarkovsky's Zerkalo (The Mirror), it consists of fleeting images, snippets of memory from the director's life. According to Norstein, the film was inspired by the poem Tale of Tales by Nazim Hikmet:"We stand above the water - sun, cat, plane tree, me and our destiny. The water is cool, The plane tree is tall, The sun is shining, The cat is dozing, I write verses. Thank God, we live!"The film opens with a grey wolf singing a Russian lullaby to a baby in a cradle:"Baby baby rock-a-bye On the edge you mustn't lie Or the little grey wolf will come And will nip you on the tum Tug you off into the wood Underneath the willow-root."Backed by an original score by Mikhail Meerovich and the music of Bach and Mozart, images roll by, some repeated during the film, without any apparent connection: a sad eyed grey wolf nurturing a little baby, a boy eating a green apple, then feeding it to the crows, a passive bull skipping rope with a small girl, men and women's dancing interrupted by soldiers, a woman sitting on a bench with her drunk husband, a man and his son wearing Napoleon hats ostensibly going off to war, women mourning the death of loved ones in the war, apples falling in the snow, among others. Norstein describes the film as being "about simple concepts that give you the strength to live."Claire Kitson, former Commissioning Editor of Animation for the UK's Channel 4, in her book about the film: Yuri Norstein and Tale of Tales – An Animator's Journey by Clare Kitson. London, U.K., & Bloomington, IN: John Libbey & Indiana University Press, 2005), says that the images are not metaphors but actual events in the director's life. For instance, the woman sitting in a bench with a drunk husband comes from a couple casually spotted by co-writer Lyudmila Petrushevskaya, the apple from a happy and tasty experience of Norstein eating an apple while walking in the street during the winter, and the old house from the actual house that he dwelled in during his childhood. But she warns that "the film is about memory and ...is also constructed like a memory" and adds: "this is achieved by the construction of a set of parallel worlds: the old house with, nearby, an old streetlight and the setting for wartime scenes; the poet's world, where a fisherman's family also lives and a bull and a walker come to visit; the snowbound winter world of the boy and the crows; and the forest next to a highway, where the Little Wolf makes his home under the brittle willow bush. In short, we must appreciate bull, poet, wolf, house, snow and so on not like metaphors of something else, but like bricks in a palace, notes in a symphony."Selecting it as one of the fifteen greatest "seeking" films of all time, directors Gregory and Maria Pears described it on their website www.cinemaseekers.com as follows: "Through its philosophical depths, its visionary language and its use of sound and music, it raises animation to the level of the very best art cinema. Norstein is a consummate artist, who insists on painting every frame himself. The result is the totally unique evocation of his spiritual world that could only have been rendered through animation - no other cinematic form would have sufficed." Enigmatic, magically beautiful, and very moving, Tale of Tales is a work of art that you cannot figure out but can only experience just by letting it roll over you like a warm breeze.The 27-minute film is available on You Tube with English subtitles.http://www.youtube.com/watch?v=b_q3WoYawNI

All animation revels in the smallest movements, this one revels in the smallest moments. About as narrative as you could call the average early Bunuel, this movie is an obvious inspiration of the surrealistic cut-outs of Terry Gilliam and even hints towards the escapist fantasy of Where the Wild Things Are. As for what's going on here itself, well, a lot and not so much.The scenes are basically interlaced by a small story of a wolf getting by, his accidental abduction of a child, and his eagerness to live a human life. Meanwhile a sort of war narrative takes place where dancing women lose their partners to a train heading off to war, replaced by a newspaper/mailer detailing fragments of the soldiers' deaths. Classical music and jazz are mixed as a family sits on the seaside and picnics. Furthermore, a young boy eats an apple and shares it with some crows, though his drunken father drag him away. A real mix of animation styles all fits into the animation's own personal style, so at least there's continuity there.Unfortunately I can't make a whole lot more out of it, except in the ways in which it lives in Soviet memory and the grunginess of winter and war. Still, it's fascinating to watch.--PolarisDiB

This movie exists pretty much in its own world. It's not enough to say that this is an animated movie and so exists in a fantasy world. Many animated movies exist in quite realistic worlds, with just a few exaggerations. No, this movie is to the worlds of animation what the worlds of animation are to our world. It's a dream world, purely abstract, about feelings and nostalgia and sadness and confusion and even humor.It's also a movie about the least frightening wolf in the history of fairy-tales, and the art of imagination and the world of fairy-tales.And it's animated in a warm style that brings back childhood memories of the plush dolls that gave us a sense of security. Yuriy Norshteyn created one of the finest animated movies with Tale of Tales.