Slow pace in the most part of the movie.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Close shines in drama with strong language, adult themes.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Douglas Fairbanks Jr. has invented a new surgical procedure. He's invited to a European dictatorship to demonstrate it. He discovers in mid-operation his patient is the country's dictator. When the dictator dies, the authorities, in the person of Jack Hawkins, can't let anyone know, so Fairbanks ... escapes and so begins the movie. It's Sidney Gilliat doing a Hitchcock thriller on his own, and doing it very well, thank you, with a fine cast, with heroine Glynis Johns showing up a third of the way into the movie in a cheap music hall singing "Paper Doll" very badly and Herbert Lom hilariously sleazy as a black-market fixer. There's an exciting mountain-climbing sequence shot in the Dolomites and the entire movie is shot through with a sardonic cynicism that is capped with Miss Johns' closing words to the show.

An involving, tight little thriller that should be better known, and is in need of some print remastering (though I consider myself lucky to at least have a copy). Although the decision to open the film with a sort of flash-forward is, in this case, a questionable one, since the viewer from that point on knows that the hero will eventually get caught, writer-director Sidney Gilliat manages to milk a lot of suspense out of the situations and the incidents that occur while Douglas Fairbanks Jr. is desperately trying to escape. The fictional language created especially for this film is a masterstroke, familiar-sounding enough to be believable but also alien-sounding enough to be impossible for a foreigner like Fairbanks to understand more than a word or two. All the actors give fine performances, and there is some very well done first-person point-of-view camera-work. The ending may strike you as a little too "deus ex machina"-ish. *** out of 4.

This is a good little thriller that I quite enjoyed watching, since it borrows a lot of elements from "The Prisoner of Zenda" and "The 39 Steps", and it also looks like a Hitchcock thriller: Well written, paced and acted.A fictitious authoritarian country somewhere in central/eastern Europe, political intrigues, a double impersonating the head of state, picturesque towns and eccentric locals, an exciting car chase, a man running for his life, daggers at dawn, a charming ruthless villain and a totally unexpected ending. Fine entertainment for a Sunday afternoon. And a fine cast too: Fairbanks Jr as the man in the run, the commanding presence of Jack Hawkins as the master villain and the always excellent Herbert Lom in a small but nevertheless key role.

"State Secret" is one of the best political thrillers that I have ever seen. The storyline, script, acting, photography and direction are all top notch. Considering that the film is over 50 years old, it does not seem dated at all; in fact, the plot could easily be applicable to this day. Douglas Fairbanks manages to convince in his role as the visiting American surgeon, but it is the supporting cast - Glynis Johns, Jack Hawkins and particularly Herbert Lom that runs the show. Lom has one of the best one-liners in Hollywood history when he disdainfully tells Fairbanks "Oh please, don't say that it is the principle of the thing....that usually turns out to be so much more expensive!" Sidney Gillat's direction keeps the pace brisk & eventful. A must buy on DVD, certainly for me.