Too many fans seem to be blown away

A Brilliant Conflict

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

RXmas--which I have heard pronounced as R Christmas--is an intriguing entry in Ferrara's career. I have to admit, I much prefer the hyperslick megaviolent insanity of King of New York and the scuzzy Method Acting delirium of movies like Bad Lieutenant, Dangerous Game, and The Funeral, and the drab experimentalism of New Rose Hotel and The Addiction to this exercise in extreme realism. But I admired and respected the achievement. Drea Dematteo is very powerful, very vulnerable, very real. Her desire to rescue her husband from the clutches of mysterious kidnappers is fascinating to watch. Ice-T, who gets so little respect as an actor and has been condemned these days to Law and Order spinoffs and Leprachaun sequels, is tight, mean, scary, and inspirational. Lillo Brancato gives a very truthful performance as the husband. He doesn't play it as a moronic machofried action hero: he's just a dad, a workaday stiff, trying to provide for his family in the best way he knows how. RXmas is seemingly the beginning of a new cycle of films, presumably dealing with New York City and the business of drug dealing. Somehow, I doubt this new cycle will ever be brought to fruition. RXmas was yet another megaflop/now you see it now you don'ter from Ferrara. Too bad. American cinema could use some more of his scuzz, his hyperslick insanity, his quotidian realism. I have this theory that most people who see his movies think he's European (Italian, possibly French). He is, however, one of the great American filmmakers. Hopefully, more of this cycle will be revealed.

Our Christmas (2001) was a highly underrated film from street level director Abel Ferrara. Instead of making a sell-out movie like all of the other directors do, Ferrara sticks to his guns and makes the kind of films that he wants to do. Loosely based upon a true story, Ferrara takes this simple tale about a innocent family living a double life and makes it into a compelling urban character driven drama that's filled with flesh and bone people instead of paper cut-outs.An young family that lives the good life has a shameful secret. They like to deal dope on the side to support their high class living. The movie takes place during the late 80's to the early 90's. Police corruption in New York City was at a all time high. So many of the cops were on the take. One group of cops didn't like the couple and their crew squeezing them out of the heroin business. Ice-T co-stars as an officer who tries to convince the wife (Drea Matteo) to leave the drug trade and do whatever it takes to keep Hubby away from it as well. Not convinced, they kidnap him and the wife has 24 hours to come up with a large sum of money to obtain his release.After receiving a reality check from Ice-T, Drea must come face with the fact that she has wasted her life and is better than the typical dope slinger. When Hubby is released retribution is in order. The crooked cops are all apprehended and the loser responsible for the entire mess is done away with. But really, are their any lessons to be learned by all of the main characters? Abel Ferrara leaves all of the questions open ended. He makes you think about what happened to everyone. This is not a violent soap opera filled with nonsensical gun play. It's a street level drama that pulls no punches and not everyone will appreciate it.Highly recommended.

The movie is a good example of the independent American cinema. And on the same time it's a Christmas tale, a little different from the usual stuff. It's Christmas! A walk on the Central Park, some last minute shopping and a trip to the tree on the Rockfeller Center. A family, like so many others, prepares to celebrate Christmas. It's a Latin family, of immigrants or sons of immigrants, that came to America searching for a better life. But to achieve the American dream only one occupation is offered to them: the drugs traffic. They do the drug deal as any other family business: on a big glass table, the husband cuts and blends the cocaine and fills the small bags. The uncle seals the bags while another relative puts the mark. But another part of the business happens on the streets and there, the gangs rule. When the husband is kidnapped the wife's life stars to spin around. Abel Ferrara is the author of provocative films like Bad Lieutenant or Driller Killer. And in this film he tries to provoke us once more. 'R Xmas is a kind of moral tale, without a final lesson, but suggesting we think about this little story. Yes, because it doesn't happen much in this movie. We are presented to the daily life of a family, his way of life is exposed to us and then, suddenly, everything is threatened by a sudden and brutal happening: the husband is kidnapped. In the end, he is saved, but the situation is by no means defined. The two leading actors do a sound performance. Drea de Matteo and Lillo Brancato are very convincing in their roles of caring parents and on the same time, drug dealers. Ice-T is also good, in a character who is at the same time, menacing and moral. It's a pity that in the end, the moral message (keep the drugs out of the streets)is hardly related to a dirty cop. In conclusion, it's a good movie, but not an excellent one. Ferrara builds a fiction about the presence of evil and the possibility or will of redemption. Another chapter in his saga of catholic dispair. We hope he can take a project which allows him to develop more of his themes or renew his career by a radical change of course. As a Portuguese critic said, he may direct a sequel of Harry Potter, in which Harry could be tormented by images of Christ, who lead him to question himself about the practice of magic and the obedience to the Bible, for example.

Ferrara does not know how to make an uninteresting movie. Whatever you think of the content of his films, everything he does is a stylish, riveting exercise in visual story telling. This movie is no exception. There's surprisingly little dialogue, but what there is sings with a sense of modern city life. The aural and visual atmosphere of New York City, both upscale and downscale, is rich and multi-layered, and the characters seem like people you've seen on the street, or in stores, or in clubs, many many times. I don't know how "real" the action of this movie might be, but it seems as real and believable to me as anything I've seen on screen in a good long while. This is the perfect holiday movie for 21st century America, and a near-ideal expression of the meaning of modern Christmas.