Wonderfully offbeat film!

This Movie Can Only Be Described With One Word.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Story: It's very simple but honestly that is fine.

Communist and later blacklisted screenwriter Dalton Trumbo gets a script assignment on sorority houses—the possibilities are intriguing and endless. After all, what better hothouse of class elitism is there than making sure your daughter or son meets just the right people and marries only within the proper social circles. Certainly, no Van der Bilt wants their offspring marrying a campus nobody, so why not manage their young lives through something like elitist clubs, otherwise known as sororities and fraternities. The topic seems perfect grist for an avowed enemy of class privilege, such as Trumbo is presumed to be.But then the movie is a programmer, and the early Trumbo is a relative unknown, so conventional values do prevail. Nonetheless, dad Fisher delivers the main message at movie's end. Grief in the world, Dad observes, is caused by "cliques" banding together, whether sororities, clubs or nations, and then coming into conflict. And though Dad doesn't say so, cliques would presumably include the bogeyman of Marxist theory, economic class. Thus, as Trumbo's mouthpiece, Dad manages to come up with a social version of a classless society, which sounds more like choosing your own friends and not letting that go to your head than anything like common ownership of the means of production. It's also in keeping with the general spirit of the times, which exalts the virtues of the common man, especially salt-of- the-earth types like dad Fisher.The movie itself is entertaining enough for a studio programmer, managing some gritty dramatics (the pushy aunt ruining Merle's pledge chances; the suicide attempt) and, of course, the expected sappy romance. But it's really Anne Shirley who shines and holds things together. Her friendliness comes across as so natural and unforced that you can't help but root for her. She's perfect as the unspoiled small town girl. Nonetheless, the movie remains very much a product of Hollywood and its time. In passing—for a more revealing look at college sororities backed by of an A-budget, catch up with TCF's Take Care of My Little Girl (1952). In my little book, it's a real sleeper, despite the gloss.

ANNE SHIRLEY and JAMES ELLISON are the romantic leads in this trifle directed by John Farrow about a nice young girl who learns her lessons at college the hard way--by attempting to fit into the sorority scene when she comes from a humble background and is not a girl of wealth as the other girls are falsely told.Shirley and Ellison make a pleasant twosome but their roles are one-dimensional after they meet in the usual Hollywood "by accident" way. He's the campus hero who helps her learn the ins and outs of campus life. Anne Shirley made this film the same year that she tested for Melanie in GWTW and her sweetness appears natural here. But, as usual, her roles seldom became more demanding than requiring a sweet presence, limiting her opportunities as an actress.Surprisingly, Dalton Trumbo wrote the script and Nicholas Musuraca was behind the camera but it's just an RKO trifle easily forgotten.

Sentimental B-movie about a small town girl named Alice (played by Anne Shirley), daughter of a grocer and devoted daddy's girl, whose father gives her a big surprise - he is sending her to college, her dream of dreams. Moving into a boarding house near campus, she is soon immersed in the most important thing in the world to all the females at her college - rush week for the campus sororities. Alice has two roommates - one, a plain, bookish sophomore, ignored in last's year's freshman rush - the other a girl who longs to be pledged by the all-important "Gamma" sorority. Well even though some of these sorority girls *are* big snobs, more concerned with how much money a girl's family has than her character - our Alice still HOPES she will be invited to join one of these sororities. When she meets and romances, almost the very first day, hunky Bill, "Big Shot On Campus" - he just may be able to give the push she needs to make her dream come true.Okay, this film is fluff, with a very silly plot - and yes, the women at this college look more like starlets strolling around a studio backlot than college students. But - Anne Shirley is such a very lovely young actress with an endearing quality about her and is *such* an expert at playing this sweet girl/perfect daughter type, she just manages to add enough charm to this to make it work. There is a nice relationship shown between Anne Shirley's character and her all-wise father, played by J.M. Kerrigan. The ending is predictable, yet satisfying. A decent film, much better than I was expecting - worth seeing.

"Revenge of the Nerds" would copy the basic storyline from 1939's "Sorority House"; which has more angst and less humor. Anne Shirley plays Alice Fisher-the daughter of a small grocer who at the last minute gets to go to little Talbot College. On the train she learns that joining a sorority is an essential thing at the school. Unfortunately her late admission means that none of the sororities know about Alice and initially she is not even rushed. Arriving at the train station she asks about sororities but is told by a snooty girl that they are by invitation only. There is an immediate credibility problem here-if you have seen any Anne Shirley movies you know that any sorority in the world would be clamoring to have her join. But the situation regains its lost credibility when Alice's plain Jane roommate Dotty (Barbara Read) calls her a date getter and tells her that the sororities will want her once they see her because she will attract men. You need looks and money to get into these organizations at Talbot and sometimes even that is not enough. Those who don't make it are called "dreeps".Almost all the coeds are Hollywood starlets so a date getter seems irrelevant. Even Dotty has the starlet look, as do three nerd girls in the next room. They try to detune these girls by putting them in glasses and braiding their hair. Marge Champion and Veronica Lake have small parts as average coeds, which should make you wish that you had been the BMOC at Talbot. The actual BMOC is Bill Loomis (James Ellison), he wears a letter sweater and is actually a very nice guy. The Alice-Bill romance is the best part of the film and has a lot of Norman Rockwell charm.Doris Jordan plays Neva Simpson, the nasty queen bee of Gamma-the best sorority. She blackballs poor Merle (Pamela Blake) who is Alice's other roommate. Merle is devastated and suicidal. Shirley was a wonderful actress, not just extremely beautiful but able to project an effortless likability. The film's best scene is her realization that in trying to impress the sorority girls she has hurt her father (J.M. Kerrigan). Beautiful nonverbal acting, which looks even better showcased in "Sorority House", where the other actresses are just not on her talent level."Sorority House" is a little sappy and takes most of its shots at the low hanging fruit of the 1930's sorority system, but Shirley, Ellison, and Kerrigan turn it into a very enjoyable production. Then again, what do I know? I'm only a child.