It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Blistering performances.

Could be a good time to Maciste if the producers adjust some ridiculous scenes along the picture,the screenplay is terrible to start and the plot is lack of creativity apart all this,the greatest sets ever done weren't enough this time,also my copy from VHS was dubbed to english version became worst the whole thing,l'm a great fan of those semi-gods of greek mitology,have a lot of good movies of Hercules,Sansom,Goliah and Maciste,they are amazing characters who deserves a appropiate good productions to make those magnificents movies,further Chelo alonso overcame all this mess and share us your glorious beauty!!!Resume:First watch: 1986 / How many: 2 / Source: TV-DVD-R / Rating: 4.5

Maciste was very useful for the Peplum genre since the Italian folk hero wasn't rooted in any particular mythological tradition. He could turn up anywhere, "born of the rock," as Maciste (Italian American bodybuilder Mark Forest, who also played Hercules this same year) explains in the first Maciste entry of the Peplum revival that began in the late 1950s. Here, he turns up in ancient Egypt, which is being overrun with Persian marauders aided by the evil Queen Smedes (Chelo Alonso), who in the first few minutes has her uncooperative Pharoah husband assassinated. A chance encounter has Maciste befriending the Pharoah's hapless son, who is eventually bewitched by the beguiling Alonso, but at least Maciste knows that the guy is basically okay.There is the usual amount of double-crossing and mistaken ideas about various characters motivations, and most of the requite Peplum tropes, including the hero defeating lions and alligators and soldiers. Maciste gets several opportunities to perform feats of strength and Forest acquits himself well through all of it, flexing and looking strong. But this isn't one of the more engaging or entertaining entries in the genre, which was kicking into high gear. It's not as interesting as Forest's other 1960 Peplum, "Goliath and the Dragon" a.k.a. "The Revenge of Hercules." It largely wastes Alonso, who normally can be a dynamic presence in these films. She gets one decent dance number and has moderate fun trying to seduce Maciste, and of course she looks great and has good costumes. But the film could have done more with her, and suffers for not doing so.The English-language version was retitled "Son of Samson," with some dialogue added about Maciste maybe being a son of Samson. It's unnecessary, doesn't make much sense, and doesn't really matter. Maciste was largely unfamiliar to non-Italian audiences, so most of the Maciste films were retitled with other heroes and often the character was called someone else. Here, at least, he gets to keep the name if not the title.

Well for the first half of this entry the acting is very wooden but somewhere down the line the cast start to look interested, I feared the worst when I bought this on DVD but was surprised just how good it is (in parts!), our hero saves a bunch of babes...sorry slaves from capture and unites with the people against the tyrants...well you should get the idea by now if you watch these kind of movies,as always Mark Forest looks superb as Machiste son of Samson and his muscular frame has the ladies in question in a spin, one word of warning though, some battle scenes are incredibly brutal and gory, this surprised me greatly as I don't think this would have been passed by British censors but as these epics come and go a good entry into the genre.

Mark Forest (bodybuilder Lou Degni) provides the beef in this relatively lavish Egyptian-style muscleman movie, whose production design is quite good for a low-budget, Italian potboiler. But for those who enjoy the genre, the highlight is the voluptuous Chelo Alonso, whose elegantly stiff performance as the evil empress is supplanted by the delightful belly dance she performs to seduce our lifeless hero midway through the picture. Adolescent kitsch working extraordinarily well as a fetishistic flesh fantasy. Terrific.