Memorable, crazy movie

Awesome Movie

It's entirely possible that sending the audience out feeling lousy was intentional

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

I didn't expect much from "Skippy." How substantial could a Depression-era movie based on a comic strip be? But I found myself really into this film. I watched it with my kids and we all really enjoyed it.It's dated for sure, and the precocious antics of the child actors will likely grate on some. But I liked some of the cultural subtleties in this movie that I found parallels for in our current world. Like the hypocrisy found in Skippy's parents, affluent, casually prejudiced people who think poor, underprivileged folk are deserving of medical care (he's a doctor) but not of basic kindness and empathy (when Skippy wants to go to the "other side of the tracks" his mom asks him if he wants to grow up to be like "those" people). Or the tendency of Skippy's parents to underestimate the complexity of a child's world and who dismiss a child's problems because they're deemed less important than those of adults (not to a child, they're not). Jackie Cooper is the rare child actor, especially from that time period, who's able to be truly winning instead of aggravating. He received an Oscar nomination for Best Actor for his performance, I believe the youngest actor to ever achieve that feat. The film was also nominated for Outstanding Production and Best Writing (Adaptation), while Norman Taurog won that year's Oscar for Best Director. I've read that he got Jackie Cooper to cry at key moments in the film by threatening to shoot his dog. What a guy.Grade: A-

Jackie Cooper (Skippy), Robert Coogan (Sooky Wayne), Mitzi Green (Eloise), Jackie Searl (Sidney), Willard Robertson (Dr Herbert Skinner), Enid Bennett (Mrs Ellen Skinner), David Haines (Harley Nubbins), Helen Jerome Eddy (Mrs Wayne), Jack Clifford (Dogcatcher Nubbins), Guy Oliver (Dad Burkey), Carl R. Botefuhr (Skippy, age 3), Beaudine Anderson (boy), and Dannie MacGrant.Director: NORMAN TAUROG. Scenario: Joseph L. Mankiewicz, Norman McLeod. Dialogue: Joseph L. Mankiewicz, Norman McLeod, Don Marquis. Adaptation: Percy Crosby, Sam Mintz, from the comic strip by Percy Crosby. Photography: Karl Struss. Music: John Leipold. Supervisor: Louis D. Lighton.Copyright 24 April 1931 by Paramount Publix Corp. New York opening simultaneously at the Times Square Paramount and the Brooklyn Paramount, 3 April 1931. U.S. release: 25 April 1931. 7,685 feet. 85 minutes.SYNOPSIS: Boys try to raise $3 to buy a license for their dog.NOTES: Academy Award, Best Directing, Norman Taurog (defeating Clarence Brown's A Free Soul, Lewis Milestone's The Front Page, Wesley Ruggles' Cimarron and Josef von Sternberg's Morocco).Also nominated for Best Picture (Cimarron); Best Actor, Jackie Cooper (Lionel Barrymore in A Free Soul); Writing Adaptation, Mankiewicz and Mintz only (Cimarron).Number 3 in The Film Daily's annual poll of U.S. film critics (Cimarron was first, Street Scene second).COMMENT: Despite the stiff opposition (most critics today would rank Taurog's chances of beating this field at around ten thousand to one), Taurog deserved his Academy Award. His persuasively sympathetic handling of his child stars and the way he has given the film pace by extremely fluid camera-work is faultless. It is unfortunate that the film suffers from the complete absence of a music score (except "natural" music during Skippy's show). That and its quaint costumes (as well as its naive conclusion) make it seem rather dated today, though some scenes still come across with a powerful impact. The story is a simple framework on which the scriptwriters expend a fair amount of ingenuity in developing its plot. But the best thing about it is the dialogue, which has a natural ring to it, yet contrives to be amusing. The children are more convincing and interesting than the adults in the acting department, though Jack Clifford has some glorious moments as the rough-voiced dog-catcher. Karl Struss' superlative photography is another major asset. Production values are — with the exceptions noted above — otherwise excellent.

Paramount Pictures was one step from receivership until Mae West and Bing Crosby signed with them during the Depression. But this film I'm sure kept the wolf from the door for a little while. Skippy which is based on a popular comic strip of the day was the career role for little Jackie Cooper while he was a child star.Cooper was one of the few child stars to have a real career in front of and behind the camera and it was a long one. He also played a wide range of characters. Yet when his name is mentioned today the first thing that comes to mind is the little kid with the knickers and somewhat pouty, but with a good heart and a set of values that he did not get from home completely.Skippy is the child of town doctor Willard Robertson and Helen Bennett and he's a good kid at heart. But Robertson who's a fundamentally decent man doesn't want him playing with the kids on the other side of the railroad tracks. That's shantytown and there were plenty of them in America in 1931. Skippy is a film of its time although I'll bet that people who lived in those shantytowns did not part with the nickel needed to see Skippy, it was needed for important things like food.Robertson as director of the board of health also wants to clean the place up. But with scant regard for the people who live there. So when Skippy makes friends with a slum kid who lives there played by Jackie Coogan's brother Robert and his mother Helen Jerome Eddy and their dog it turns out to be a turning point in everyone's lives.With his decent, but thickheaded father and a mother oblivious to all except what's within the four walls of their home, Skippy grows up with an intuitive sense set of good values. It's what makes Jackie Cooper's character such an appealing one to this day.Skippy brought home a Best Director Oscar for Norman Taurog and a few other nominations. Taurog gets it for some superb direction for a flock of kid players who are the ones carrying the film. It musn't have been easy, but the results are great.Skippy is a film firmly within the Depression times it was made, but it has a universal family appeal to this day.

SKIPPY (Paramount, 1931), directed by Norman Taurog, which has nothing to do with a development of the peanut butter product, is a cute story based on the then popular comic strip character as portrayed by Jackie Cooper in a performance that earned this 10-year-old child actor an Academy Award nomination as Best Actor. Losing to one more than twice his age, Lionel Barrymore, for A FREE SOUL (MGM, 1931), SKIPPY did earn other nominations: Best Picture, Best Screenplay (Norman Taurog and Joseph L. Mankiewicz) and Best Director (Taurog, who won the honor that year).The story opens in a small wholesome town where the camera sets focus on the Skinner household. There's Herbert Skinner (Willard Robertson), a town physician, his wife, Ellen (Enid Bennett), and their little boy they call "Skippy" (Jackie Cooper). Getting ready for breakfast. Mr. Skinner calls for his son to get out of bed and dressed. As he is calling, the camera then pans upstairs into Skippy's bedroom where the boy is still in bed, pretending to be putting on his clothes lazily asking his parents downstairs which shirt to put on. After heading down for breakfast, Skippy is visited by the neighborhood kids, Sidney (Jackie Searle), an obnoxious tattle-taler, and his sister, Eloise (Mitzi Greene) who takes the time to recite a poem, "In Memory of a Dead Dog." Later, Skippy, who spends his free time in a "swell" district known as Shantytown, located on the opposite side of the tracks where poor people live, meets and befriends another boy called Sooky (Robert Coogan). At first Skippy wants to fight him, but when Sooky stands his ground, they become instant friends. Their day consists of innocent fun that lands them into trouble when they accidentally break the windshield of the mean Mr. Nubbins (Jack Clifford) car, whose profession is dog catcher. Later, Mr. Nubbins takes away Sooky's dog, Penny, for not having a license, placing the animal in the pound. Sooky is able to retrieve the dog, only if he comes up with a $3 fine for the license. With Skippy's help, they do, but Nubbins takes the money to replace his broken windshield, forcing the boys to come up with an additional $3 by 3 p.m. in order to get Penny, or else she'll have to "be destroyed." The boys attempt to get that extra cash first by getting some money from Skippy's piggy bank, collecting empty bottles, doing errands, selling lemonade and putting on a show for the neighborhood kids. While the boys successfully raise the money, the unexpected occurs. Skippy soon finds himself resenting his father, who not only warned him to stay away from Shantytown, but has looked down towards those the people whom Skippy finds to be just plain ordinary folks as he and his parents are, with the exception of having more money than they do. As with most family movies, and later TV sit-coms, there's a moral lesson here to be learned. In this instance, rather than the children, it's learned by the parents, particularly Skippy's.Featured in the supporting cast are Guy Oliver as "Dad" Burkey; Donald Haines as Harley Nubbins and Helen Jerome-Eddy as Sooky's widowed mother, among others. Eddy, a familiar face with sad expressions in many movies of the 1930s, is quite believable and natural as Sooky's struggling poor mother.SKIPPY is a cute, simple, funny and heartwarming story focusing solely on children, something quite rare for that time, with the exception of comedy shorts featuring Hal Roach's Our Gang (or The Little Rascals). To enjoy this sort of tale about the true loyalty and friendship between two boys is to really love and understand children. Movies such as SKIPPY could also be related by those who had grown up in such an bygone era. Director Norman Taurog presents the children, not just its stars, as normal every day innocent kids. SKIPPY could very well been set in any time frame, any location, whether during the Tom Sawyer era of the 1800s, or pre or post World War I. In other words, kids will always be kids.Aside from Jackie Cooper's fine performance, ranging from conniving, gentle and extremely tearful in that one climatic scene between him and his Dad, there is Robert ("Bobby") Coogan, the younger brother of Jackie Coogan, whose days as a top child star, which began in the early 1920s, were just about ending. Cute as he is natural, little Bobby Coogan comes very close in upstaging Cooper. So successful was SKIPPY, Paramount turned out an immediate sequel, SOOKY (1931) with the majority of the cast, minus Mitzi Green, reprising their roles.Unseen for many years, both SKIPPY and SOOKY were resurrected during the early years of cable television's U.S.A. cable network way past the midnight hours around 1987 before turning up again on Retroplex in August 2010, and Turner Classic Movies where it premiered February 22, 2011.Regardless of its age, SKIPPY is still timely, thanks to a literate script. For comedy, it delivers, For serious moments, it doesn't hold back. The crying scenes cannot actually be viewed without shedding at least one tear of emotion. As young as both Cooper and Coogan are, or were, they have presented themselves as real professional actors, or in better terms, common every day kids pretending to be somebody else, that as Skippy and Sooky. (****)