Sketch Artist
Sketch Artist
| 26 April 1992 (USA)
Sketch Artist Trailers

A sketch artist for the police helps a witness recall who she saw leaving the scene of a murder, and discovers that the person is his wife. Not willing to believe she was responsible, he resketches the pictures so they don't look like her, and he begins his own investigation of the murder.

Reviews
Ensofter

Overrated and overhyped

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UnowPriceless

hyped garbage

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Salubfoto

It's an amazing and heartbreaking story.

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Rio Hayward

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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SnoopyStyle

Daisy (Drew Barrymore) encounters a woman on her delivery. Sketch artist Jack Whitfield (Jeff Fahey) helps Daisy recover the woman's face who is suspected have killed Tommy Silvers. He is shocked to see the resemblance to his wife Rayanne (Sean Young). He changes the picture before handing it in to Lieutenant Tonelli. There is strain in his marriage and he wonders if she has something on the side. As his fake sketch leads to a suspect, he starts investigating on his own. He is shocked again to find out Rayanne is working for Silvers.This needs much more intensity. The idea of a thriller centering on the police sketch artist is interesting. The movie sets it up pretty well. It needs more Barrymore as the damsel in distress. The movie falls flat as Fahey is left to his own device. The premise may be good but it's a long slow downhill slide in this non-thrilling thriller.

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Uriah43

"Jack Whitfield" (Jeff Fahey) is a sketch artist who works for the Los Angeles Police Department and has been instructed to draw the image of a possible murder suspect as described by a witness named "Daisy" (Drew Barrymore). To his horror he then draws a picture of his wife, "Rayanne Whitfield" (Sean Young). Not wanting to implicate her he hurriedly draws another picture of a person he had just met named "Claire" (Stacy Haiduk) and presents it to his boss, "Tonelli" (James Tolkan). A little later Daisy is killed and Jack becomes a murder suspect as well. Now, rather than reveal any more of this film and risk ruining it for those who haven't seen it I will just say that although some scenes were a bit unrealistic I still enjoyed it for the most part. I liked the performance of Jeff Fahey and I thought Sean Young definitely added some heat. All in all then, I rate this movie as slightly above average.

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ManBehindTheMask63

Sketch Artist is a rare and hard to find TV movie that is vastly under rated. Jeff Fahey plays the lead role and turns in a solid performance (even sporting his epic mullet and smoking a LOT of cigarettes). There are some fine supporting actors like Drew Barrymore, Sean Young, and Charlotte Lewis. The film plays like a big budget sex thriller and keeps the suspense and double crosses high. Its one of the better thrillers I've seen recently. Another good flick to check out is Past Midnight with Rutger Hauer. Added to the queue and enjoy. Great soundtrack as well. The sequel ("hands that see death") isn't as enjoyable but is competently made.

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moonspinner55

Jeff Fahey has such alert eyes and a smudgy, insidious smile that every character he plays seems villainous; therefore, it doesn't really work to cast him as the good guy of the piece, the audience is just waiting for his character to crack and start blowing people away. Drew Barrymore, fresh off her acclaimed role as "Poison Ivy", must have done this film simply as a favor to director Phedon Papamichael (he was the cinematographer on "Ivy"); playing a character named Daisy Drew (!), she's bumped off right away, which leaves us with no one to look at but Jeff Fahey and Sean Young (who hasn't had a single subtle moment on camera since "Blade Runner"). This witless script, by Michael Angeli, concerns a police sketch artist who draws his own wife's face from a murder witness's testimony, and while that's not a bad idea for a plot, it would be much better suited to an hour-long TV series. This cable-made movie is short on inspiration (beginning with the casting) and shorter on surprises. * from ****

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