This Movie Can Only Be Described With One Word.

The best films of this genre always show a path and provide a takeaway for being a better person.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

I stumbled across this movie late one night, and am so glad I gave it the time it deserved. It's enchanting, mysterious with enough twists and excellent acting and interplay between the two lead actors. As jobbing and somewhat jaded psychics, one who is troubled and one over sensitive and caring, they work as a great team and drawing the viewer into their strange world of insight and mystery. The soundtrack alone is just amazing, with a quirky almost french movie feel to it mixed in with eastern power, married with the visuals and emotions of this film makes for a sublime, cult classic that deserves more appreciation and love. watch this movie if you like oddball, quirky intelligent stuff...

I was really surprised upon watching this film on the BBC. It was intriguing and highly worth a view. The casting was great, and considering the low budget, the filming was superb and really drew me in. The suspense really builds up in the film and so you really don't know what to expect as the film progresses. I loved the rapport between the two male leads. I think it is one of the best British films I have seen in years. It is a shame that it didn't reach a wider audience, although I guess the humour wouldn't be to everyone's taste. I'm going to recommend it to all my friends to check out. I hope the writer/director makes some more films.

A good film, wilfully oblique but in a sort of Sapphire and Steel in the Peak District kind of way. Strange, but not annoying. Plus points: Tuppence Middleton and Paprika Steen, amusing nonsensical tommyrot about ghosts and stuffMinus points: Loses its way a bit, a little too arch in places.Overall I enjoyed it and would like to see more. I think it would make a good, offbeat TV drama with different mad nonsense stories each episode. I think it would be a good set up. Watch it if it's on, switch off your brain and relax. It isn't going to make sense so don't try and make it

In an unspecified time and place, we follow the occupational hazards of Mr Davis and Mr Bennet (Ed Gaughan and Andrew Buckley), two psychic cleaners removing 'Skeletons' from their clients' cupboards via the use of antiquated ghost-busting equipment.Their work eventually leads them to the countryside doorstep of an eccentric middle class family who want to know the whereabouts of their missing father. Things start to go awry for the dynamic duo when they locks horns with mute, wayward daughter, Rebecca (Tuppence Middleton), and their bear-with-a-sore-flat-cap boss, the Colonel (Jason Isaacs), who grumpily intervenes on their assignment.Writer/director Nick Whitfield's feature debut is a real, genuine oddity, the like of which is all too rare in these dark days of CGI mush and 3-D bombastics. It's witty and engaging script contains enough twists, surreal flourishes and lovably offbeat characters to give the Terry Gilliams and David Lynchs of this world a slap about the creative chops, whilst asserting an individual freshness and authority that is indebted to no one.The long-running, real life stand-up-comic act of Gaughan and Buckley is a knockout coup for Whitfield, as the twosome's familiarity and natural chemistry with each other shines through no end giving their scenes a sincerity and depth that lesser films can only dream about. The uniformly excellent cast insures they're in fine company, with special mention going to Paprika Steen, whose off-centre turn in the role of mum Jane, is very affecting indeed.Zac Nicholson's sterling camera-work is every bit as inventive and ambitious as the story, injecting each and every frame with proper cinematic punch, mounting the film head and shoulders above the vast majority of British movies that too often settle for a visual style more suited to television than the big screen. On the downside, Simon Whitfield's unusual (sometimes inappropriately placed) score, is over used to grating effect, as are the moments featuring Gaughan's 'couch-trips' back to his childhood. This repetition of sound and images exposes the obvious budgetary restrictions, giving the piece some noticeable rough edges that it really doesn't deserve.That aside, this is one of the most charming and moving indie Brit-flicks since god knows when, and one that I urge everyone to see and support to insure a lengthy, and much deserved cinema run and DVD shelf-life. I had the pleasure & privilege of seeing 'Skeletons' with a Q&A session featuring the cast in London's west end recently, and along with the rest of the audience, was delighted to be candidly informed that the 'Skeletons' crew are about to regroup for a comedy set during WW1. Bring it on!