Excellent, Without a doubt!!

Better Late Then Never

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Notorious sexual adventuress Emanuelle (the always ravishing Laura Gemser) renounces her sinful past and decides to enter a convent as a cloistered nun (!). Naturally, Emanuelle finds it difficult to stick to her vow of chastity when temptation rears its sultry head in the form of enticing teen nymphomaniac Monica (yummy blonde Monica Zanchi). Moreover, lecherous escaped criminal Rene (Gabriele Tinti in fine lusty form) shows up seeking refuge in the convent. Director Guiseppe Vari, working from a nicely lurid and absurd script by Marino Onorati, relates the entertainingly racy story at a steady pace, ably crafts a deliriously erotic atmosphere, and, most importantly, delivers a pleasing plenitude of delicious bare distaff skin as well as loads of sizzling soft-core sex that includes steamy lesbianism, straight copulation, red hot daughter-stepmother quasi-incest (extra points to gorgeous slender brunette Dirce Funari as said stepmother), and even a little bondage. While Gemser is her usual beautiful and desirable self, it's Zanchi who positively burns up the screen with her scorching uninhibited portrayal of one extremely brazen, shameless, and manipulative slut supreme. Pretty Vinja Locatelli likewise impresses as mousy virginal nerdette Anna. Guglielmo Mancori's glossy cinematography gives the picture a neat polished look. Stevio Cipriani's bouncy'n'funky score hits the get-down groovy spot something sweet. Worth a watch for Emanuelle fans.

Monica (Mónica Zanchi) is a very naughty girl. She gets caught with her young stepmother (Dirce Funari) - "But, dad, you told me to be friends with her!" - and is sent off to boarding school run by nuns. One nun in particular is Sister Emanuelle (Laura Gemser, a veteran of many "Emanuelle" films).Monica proceeds to seduce her roommate(Vinja Locatelli), sets up an escaped criminal (Gabriele Tinti) in the tower, and tricks Sister Emanuelle into breaking her vowels as she lies and schemes.The sex is hot and heavy - schoolgirl on schoolgirl, criminal on schoolgirl, and criminal on nun. There isn't much to distract from the sex as there is little else going on.It's a good story with a really funny twist at the end.

There is a lot of variety in the Emanuelle series, and as such; a lot of strange and rather silly ideas; but having Laura Gemser dressed up as a nun and living in a convent is surely one of the silliest! I'd even go as far as to say that this plot could be considered blasphemous! Clearly, this film is just an attempt by director Giuseppe Vari to cash in on both the Emanuelle series and the nunsploitation wave in one fell swoop, and as is the case with a lot of the Emanuelle flicks; the only thing that really ties this film to the rest of the series is the lovely leading lady, Laura Gemser. Apparently, Emanuelle has decided to renounce her shady past and has taken up residency inside a convent. She is given the task of looking after the young and beautiful Monica; a girl who was dropped off at the convent by her wealthy father. However, it's not long before the young girl's outlook on life begins to rub off on the previously promiscuous "nun" and Emanuelle begins to question whether or not being a woman of God is actually a suitable career path...In the context of the rest of the series, and considering that there is no explanation for Emanuelle's sudden change of attitude, it has to be said that the plot line featured in this film is absurdly ridiculous. However, the film clearly isn't meant to be looked at that way and as a stand alone nunsploitation flick; Sister Emanuelle is excellent, and by far my favourite of the ten or so Emanuelle flicks that I've seen. The film does represent a real change of pace for the series as for most of the film; Emanuelle is retracted to a nun's habit and doesn't feature in as many sex scenes as we're used to. That isn't a big problem, however, as this time Laura Gemser is joined by the beautiful Swiss actress Mónica Zanchi, who pretty much takes up the lead role. Unlike most Emanuelle films also, this one actually has a couple of themes going on; namely, the corruption of innocence, and judging by the ambiguous ending, there also seems to be something in there about how a person like Emanuelle is not going to be able to abandon what it is she stands for. Overall, this is a very good little film and comes highly recommended to both Emanuelle fans and exploitation fans in general!

In a real change of pace for the "Black Emanuelle" series Emanuelle (Laura Gemser) has become a nun(!), and has been put in charge of a naughty teenage vixen (Swiss miss Monica Zanchi) who is being escorted to a convent school after her father catches her in bed with her young stepmother! While Emanuelle tries to morally straighten out the girl, the girl tries to immorally straighten out every guy she meets (including a dangerous escaped convict played my Gabriel Tinti)and to corrupt the nun. You can pretty much guess who wins this contest, especially since "Sister Emanuelle" turns out to be much more corrupt than the girl to begin with.This movie was not directed by Joe D'Mato, but fits right in with the transgressive films he directed in the series in that it manages to combine "nunsploitation" (politically incorrect by today's standards) with schoolgirl exploitation (VERY politically incorrect by today's standards). I might point out though that the voluptuous Monica Zanchi is not especially believable as a schoolgirl, and the svelte and sexy Laura Gemser is not even remotely believable as a nun, so I think we're pretty safely ensconced in the world of fantasy here. The two actresses are a pretty incendiary combination, and downright explosive when you add in Italian sex bomb Dirce Funari as the stepmother.Along with "Emanuelle, the Queen" this probably has the strongest plot of any film in the series, and unlike that one doesn't fall apart in the end. It does fall back on a hoary old cliché in the finale, but it actually works here because it leaves it pretty ambiguous whether all the degradation we've witnessed really exists in the heart of the girl or the nun. It's also pretty well made--for instance, there's a memorable scene where the girl talks in voice over about having been "raped" by three guys on the beach while the visual flashback shows what REALLY happened. (Some 15 years later I remember mainstream movie reviewers practically wetting themselves when overrated "film genius" Steven Soderberg did the exact same thing in "Sex, Lies, and Videotape"). The music is pretty good too. Recommended.