Sadly Over-hyped

Good movie but grossly overrated

Absolutely the worst movie.

This story has more twists and turns than a second-rate soap opera.

It's always a delight to discover a new obscure film. Even if from 1971. I'm discovering that the films of the 70's are some of the best and this is one of them.The film is about Simon, a modern day warlock who takes his witchcraft very serious. He may be homeless but he was born with power and challenges others who are skeptical of his skills as a witch. The film is vibrant, colorful, earthy, and isn't afraid to touch on many topics that back then were a bit taboo. I can imagine some people probably thought this was quite bizarre when they first viewed it. Of course, today young people would be put off by the low budget optical effects, and they are a bit dated, but there is no denying Andrew Prine's mesmerizing performance and his belief in this character. Many actors today cannot achieve this deep committed level of concentration for their character. It isn't a perfect film. There are a few moments that feel made for TV and as I mentioned the optical effects are dated. But there is no denying the interesting characters and the commitment everyone made on this film. I can't wait to watch it again.

Talented veteran Andrew Prine is featured here in one of his delicious starring roles in 1970s exploitation. This is bizarre, trippy stuff certain to appeal to cult movie enthusiasts. Granted, it's pretty talky stuff, but it's still rather fascinating.Written by a real-life practicing warlock, Robert Phippeny, it casts Prine as Simon Sinestrari, a charismatic "magician" who lives out of a storm drain. Simon is the real deal, and takes himself quite seriously. Seriously enough that when people dare to mock him or mess with him, he takes his revenge.As directed by Bruce Kessler, this is truly offbeat from beginning to end. It saves all of its credits for the final few minutes, a practice that was far less common back in the early 70s. When Simon first makes his entrance, he addresses us directly, although this device is dropped right afterwards. It's got a deliberate pace, but Phippeny's dialogue is truly something to hear. There is a heavy dose of humour at times, especially when Simon has to help his eager young friend Turk (George Paulsin), who's gotten overly stimulated, if you know what I mean. Highlight sequences include Simon mocking the participants in a Wiccan ceremony, and the wonderful finale which pulls out all the stops.The main attraction is a fantastic central performance by Prine, who commits deeply to his role. Co-starring are Brenda Scott (to whom Prine was actually married) as Simons' love interest, Norman Burton as her attorney father, and Gerald York as aging hipster Hercules, with underground celebrity Ultra Violet also making an appearance.This is just enough of a curio to keep you watching. Undoubtedly it's very much a product of its era, but that's part of what makes it fairly compelling. You sure don't see stuff like this getting made nowadays.Seven out of 10.

Well - don't quite know what to think. Technically - it is a silly movie - but - it held my interest. For all its strange subject matter - have a liking for this film. It's hard to act on a distant theme as this one - and do it well. The special effect fit in nicely and were well done. Something of a thin plot - but not that noticeable. At least it wasn't too gory or too far out. A pleasant little movie to relax to. At least they didn't "try too hard" to make a movie of this genre. Most are silly at best - but - this fit in very well. For not having any well-known actors - they did very well with what they had. I wouldn't want to watch this one too often - but - for an occasional break - this film is ideal. There wa senough suspense to hold one's interest and wonder what will happen. It's a ob well done on a difficult theme. If you wish to discuss it - I'm at ml2348@att.com

What IS going on in this film? I dunno, but I kinda liked it. Andrew Prine (BARN OF THE NAKED DEAD) is a storm drain-dwelling modern-day warlock who uses his powers to do bad things. He becomes involved with the district attorney's daughter and low-life drug dealers. In one scene, he faces the QUEEN of the Witches. If you like '70s pseudo-witchcraft nonsense served with a nice dose of psychedelic visuals, incoherent plotting and some nudity, SIMON KING OF THE WITCHES might be well worth your time.