Silmido
Silmido
| 24 December 2003 (USA)
Silmido Trailers

On 31 January 1968, 31 North Korean commandos infiltrated South Korea in a failed mission to assassinate President Park Chung-hee. In revenge, the South Korean military assembled a team of 31 criminals on the island of Silmido to kill Kim Il-sung for a suicide mission to redeem their honor, but was cancelled, leaving them frustrated. It is loosely based on a military uprising in the 1970s.

Reviews
IslandGuru

Who payed the critics

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Blucher

One of the worst movies I've ever seen

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Ava-Grace Willis

Story: It's very simple but honestly that is fine.

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Zandra

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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paulclaassen

If you were expecting a war movie, you won't find it here. This is a film about an assassination attempt...that didn't happen. Although I realize it has a purpose, I did not enjoy the brutal training sessions. I found it rather distasteful. The film's first 44 minutes are dedicated to training. Pardon me, but me thinks that's just a tad too much!Hailed as one of the best Korean films, I found it dreadful to watch. The film is filled with scenes that doesn't move it forward - or in any direction for that matter. It was boring. I couldn't wait for this senseless film to end. I believe this is based on a true story, but the story is just so pathetic that I can't understand why a film was made about it and why anyone should care about it. Well, at least I thought the music was good.Summary (SPOILER): Convicts are trained for a mission to kill the North Korean President. Mission cancelled. The soldiers who trained the convicts are then ordered to 'terminate' them. They fail. The convicts then decide to kill the President themselves. They fail miserably. So the purpose of the film is...???? Am I missing something here???

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RolandCPhillips

This one shouldn't be seen while feeling vulnerable.In 1968, a group of 31 death-row prisoners were selected by the South Korean military with the intention of crafting them into a super-tough unit to slash the throat of the North's President, in retaliation for a similar attempt by the Communist government.The endured an unspeakably gruelling training, but became the ultimate fighting unit: no past and no worries about the fate (just as long as they don't get captured). However, at the 11th Hour, the South Korean government altered policy and retracted the standing orders: no go on the mission. So the condemned men, 'Unit 684', who lived, trained and survived together were left with no purpose, and were a potential powder keg on the diplomatic level… I expect you can guess what happened next.This movie went stellar in Korea, and given the success of films like Shiri, JSA, Taegukgi and Champion I can appreciate why. This is concerned heavily with national identity, loyalty, responsibility, duty, faith and friendship. It's also gutsy, violent and tough – so much so you might end up feeling you've trained with the men themselves. One of the strengths of Woo-Suk Kang's film is that it's engaging: you feel like you evolve with the men, that you live with them. Is this isn't brought about by any particularly subtle techniques, but by cinematic brute force. The film pummels you over the head with images of torment, crushing, bombastic Hans Zimmer-esquire music, gunfire, widescreen effects, explosions, and close-ups of bodies smashing rocks.It's melodramatic to the bone. OTT, posturing and hard to take seriously.But for some reason, I was moved, and impressed. Despite it's excesses and bombast, the film gets under your skin. The issues surrounding the country's responsibility to the men it sentences, then entrusts with its dirty work are raised, but not properly examined, ditched in favour of loud speeches and actors being manly. But the film's resolve to take itself absolutely seriously pays off. Despite the length and tracks of boredom that set in, director Kang's decision to milk scenes for all their worth makes you care. And you will be moved for the men.There is also some genuine food for thought. The film lacks the scale to examine some of its more controversial issues properly, and the villains it creates are your basic dispassionate men-in-high-places-in-suits, but the betrayal wrought on the prisoners is made more complex by the changes in some superiors' characters, and by the ideas of bravery and cowardice that are briefly raised.I find it slightly dispiriting that a Hollywood-like lack if complexity has seeped into some of South Korea's film (e.g. Shiri, Tube, Taegukgi), this is an angry dog of a film, committed to the men it depicts. I'm sure major historical liberties were taken, and for Korean cinema, sample Save The Green Planet above this, but this still an accomplishment, and a tough experience.

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Atavisten

In the 1960s a Korea controlled by its intelligence KCIA (guess where it came from ..) after a North Korean attempt to assassinate the South Korean president Park Chung-hee. South Korea responds by making a special force to kill Kim Il-sung, commander of North Korea. This force is made up of criminals judged to death sentence who get the choice of playing hangman or be in the force.What we see from now on is people not treated as people, but are trained as machines of war for one mission which will take their lives in the end. The fact that this is based on a true story is very depressing and even more sadly, not so surprising.This film was far superior to the more heroism focused 'Taegukgi' but received far less acclaim in South Korea, understandably so since 'Silmido' is very critical about recent happenings and has a much smaller budget. You on the other hand if given the choice, know what to pick. ;)

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Dan Starkey

Korean film is blossoming, from the action thriller "Shiri" to the delightful romantic "My Sassy Girl." "Silmido" takes this ability to make excellent films in a political direction. "Silmido" is to South Korea as Costa-Gavras' "Z" was to Greece: truth-telling about terrible government misdeeds. Unlike "Z," however, "Silmido" is not only shown at home, but is hugely successful, demonstrating the increasing strength of Korean democracy. One hopes that films like "Silmido" are a sign of increasing openness, and better times ahead for the Korean people.As was the case with "Z," the excellence of the film guarantees an international audience for the story, and the widespread attention may well lead to additional revelations. Although the details of the government plot are sordid, the film romanticizes the actions of death-row convicts, and one suspects that the filmmakers took some liberties in portraying some of their noble and comradely behavior. Nevertheless, an first-rate movie and highly recommended.

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