Too much of everything

Thanks for the memories!

So much average

If you don't like this, we can't be friends.

Uninspired part-remake of "The Male Animal," in loud Technicolor, and its origins aren't the only prefabricated thing about it. Rather than furnish a whole new score, Warners offers three so-so new songs by Vernon Duke and Sammy Cahn and buttresses them with old songs out of its catalog. At least one of these, "Am I in Love," is the basis for a stunning Gene Nelson solo, where he taps, plies, boxes, trampolines, and does who knows what else in one take. Then it's back to the limp plot about Virginia Mayo, formerly Hot Garters Gertie, forsaking burlesque to go to college, where her crush on Professor Ronald Reagan is quickly abandoned because it doesn't fit into the rest of the action. Reagan, never an inspired actor, is embarrassing here, with a long, unfunny drunk scene, and the rest of the cast--Don DeFore, Phyllis Thaxter, Patrice Wymore--isn't what you'd call exciting. It's an awfully white-middle-class college she's working her way through, and H. Bruce Humberstone, responsible for probably more dull Fox musicals than anyone else, does this other studio no favors. There are a couple of good numbers sprinkled throughout, and the script's endorsement of an erstwhile stripper is quite commendable for the puritanical Fifties. But there are dozens of better Warners musicals out there.

"She's Working Her Way Through College" is a bizarro version of college life--where students wear perfectly coordinated outfits, the average age of a co-ed if 30 and everyone breaks into song in giant choreographed numbers on a college set that is obviously a sound stage! It's very glossy but also very trivial--the sort of forgettable film you see once and soon forget.The film begins with a college professor (Ronald Reagan) stopping by to watch a burlesque show. Now 'burlesque' is the term they use, but for burlesque, the show shows an amazingly small amount of skin--practically none! Well, it turns out that the leading lady of this show (Virginia Mayo) is an ex-student of Reagan--he taught her years ago in high school. They have a nice but brief little reunion. Afterwords, she decides that the dancing life sucks and she should go back to college to improve her writing ability--as she's written a play and wants to polish it. Naturally, when Mayo comes to campus she finds a room to rent with Reagan and his wife! You know this will cause some friction, but bookish Ronnie doesn't seem to anticipate this. What he is focused on are two things--how unfair it is that the football team gets all the funding and how he does not look forward to producing another dull Shakespearian play as their annual fund-raiser. Virginia, however, convinces him to try something new and different--and Ronnie thinks they should put on her play--after, of course, adding a lot of singing and dancing to the script. Sadly, while all the ensuing songs are pleasant enough, they really are pretty forgettable.So, can good Professor Reagan manage to pull off a hit AND finally show up that accursed football team (headed by fat-headed Don DeFore)? If you care, see for yourself.Although it's hard to recognize, Warner Brothers took one of their old scripts ("The Male Animal") and re-worked the story into "She's Working Her Way Through College". It's very different but the conflict between Ronnie and DeFore as well as DeFore's interest in the Professor's wife is exactly the same one in "The Male Animal"--with Reagan and DeFore filling in for Henry Fonda and Jack Carson. My advice? See "The Male Animal"--it's a much better film. While it lacks all the songs and burlesque queen plot (thank goodness), it has a nice infusion of humor--something curiously lacking in "She's Working Her Way Through College". Forgettable and a bit silly.silly musical numbers reworking of The Male Animal.

I've seen Virginia Mayo in a handful of films, including WHITE HEAT (1949), CAPTAIN HORATIO HORNBLOWER (1951), and THE BEST YEARS OF OUR LIVES (1946). She was always a beauty, but I was blown away by her in this film. She's incredibly gorgeous in Technicolor and she shows off her dancing skills in this starring role. (Her singing was dubbed.) While the movie on the whole is only so-so, Mayo sure is wonderful to look at.Another interesting reason to see this film is to glimpse Ronald Reagan, the 40th President of the United States, in his acting days. Reagan had made dozens of other pictures before this one, but this was my first experience seeing him in a movie. (I was first turned on to this film when a clip was featured in the 1985 Cold War comedy SPIES LIKE US, made during the Reagan presidency.)In this film, Reagan plays a college professor who struggles to make ends meet. Mayo is a dancer who enrolls at the college to better herself. Mayo's popularity among the boys makes one co-ed jealous enough to dig up some dirt on her. Meanwhile, the scholarly Reagan feels as though he's losing his wife to her old flame, an ex-football star who's back in town for the big game.SHE'S WORKING HER WAY THROUGH COLLEGE (1952) is a musical adaptation of an earlier comedy THE MALE ANIMAL (1942), starring Henry Fonda and Olivia de Havilland. The story has been tweaked a little, but the inspiration is still pretty clear for those familiar with the original.Aside from the musical numbers, the big difference is that Ronald Reagan's professor character is in hot water for staging a musical starring an ex-burlesque dancer, while Henry Fonda's professor was in trouble for reading a controversial (communist) letter in his literary lecture series. Some people have noted that SHE'S WORKING HER WAY THROUGH COLLEGE is mindless fluff that wipes away the socio-political message of the original story. Well, it is and it does. But the movie is what it is, and that's fine.I saw THE MALE ANIMAL first (caught it on TCM), and I must say that overall I think I prefer this remake. It doesn't hit the viewer over the head with a message, it's just a lighthearted campus tale. As I said before, Virginia Mayo is stunningly beautiful in a role that was more or less created for this musical version. (Her character's namesake from the earlier film is a different part entirely.) And while Ronald Reagan isn't a top-shelf thespian, I think I prefer his take on the professor character to Henry Fonda's pathetic wimp. I love Olivia de Havilland in most of her films, but her portrayal in the original version made her seem rather unlikeable as a wife all-too-glad to see her ex come into town. (Mind you that I'm trying to recall THE MALE ANIMAL from memory.) One thing I do favor from the earlier film is Jack Carson's performance as the big shot, ex-jock (the role played by Don DeFore in this movie). I think Carson pulled off the "Statue of Liberty play" routine best.I wasn't a big fan of THE MALE ANIMAL (it had its moments and is an interesting find for film buffs), and on its own merits I'm not a huge fan of SHE'S WORKING HER WAY THROUGH COLLEGE. The film's not bad, but it's nothing special. The songs aren't all that memorable and the story isn't anything earth-shattering. (I can't believe a college would want a student expelled for a past life working in a burlesque hall. This is America, darn it.) Of course musicals aren't always my thing. It's a pleasant movie. A likable movie. A neat movie to check out if you get the chance.One final thought: I was very impressed by Gene Nelson's solo number toward the end of the film. The song ("Am I in Love?") is meh, but Nelson's dance in the gymnasium shows that he is not only a dancer, but a tremendous athlete. The routine involves all sorts of gymnastic feats that Nelson clearly performs himself. The guy had skills.

I thought this movie was good. I was on vacation and I was staying one night in Zurich, and this just happened to be on TV. I couldn't stop watching it. It was really good, I never knew Ronald Reagan was such a good actor, I just thought of him as a president, nothing else, go figure. Anyway, if ever you are bored and looking for an amusing movie, this one will do you good. Even though it takes place in the early 1950s it is still really good. I didn't see the very beginning of the movie though, but everything I saw I liked, so thats that.