Good concept, poorly executed.

The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Superior courtroom drama set near the end of the Korean War. An Army sergeant named Ryker (Marvin) is sent by his commanding officer behind enemy lines, posing as a defector. The sergeant is eventually captured by Allied forces and jailed as a traitor. He is to be executed. His one possible alibi, that commanding officer, is now dead. A captain (Dillman) is convinced of Ryker's story, and convinces a general (Nolan) to let the Army retry Ryker, with the captain serving as his defense attorney. Great cast, including Peter Graves as a major itching to see Ryker hanged, and Murray Hamilton as a cynical officer who is convinced nothing can save Ryker. The courtroom scenes are suspenseful, and this two-part Kraft Suspense Theatre show was wisely turned into a theatrical release several years later.

After Lee Marvin won his Oscar for Cat Ballou and had great critical and popular success also with Ship of Fools and The Dirty Dozen, this former two part television episode from the Kraft Suspense Theater was edited together for release as a feature film. Sergeant Ryker casts Lee Marvin in the role of a soldier who was convicted of treason during the Korean War and sentenced to hang.Sergeant Ryker could have been a whole lot better though. It has the look and feel of a made for television film, but more important than that, the editing probably left a lot out.We come into the story with Bradford Dillman who has just successfully prosecuted Marvin now having doubts about what he did. The military more than most organizations does not like to admit mistakes and Dillman's doubts are raising all kinds of problems for him and for the United States Army.Dillman has other problems as well, he's falling for Marvin's wife Vera Miles and she him. Still he persists in the quest and does get Marvin a new trial, courtesy of General Lloyd Nolan.Marvin says he was given a confidential assignment to defect and gather intelligence. Problem is that the officer who allegedly gave him that assignment was killed and no record of it was found.The trial takes an interesting turn and Dillman does a skillful job for his client. Yet the end of the movie will leave the viewer with a lot of unanswered questions.Look also for good performances from Norman Fell as the sergeant who gives Dillman some key evidence, Murray Hamilton as Dillman's good drinking buddy and prosecutor Peter Graves.

Engaging, riveting tale of captured US army turncoat who has to prove his innocence to avoid the hangman. Paul Ryker dodges friendly fire in a seemingly doomed attempt to convince a military court that he was actually a US spy on a secret mission in Korea. In the vein of classic courtroom dramas, "Sergeant Ryker" is an extremely well crafted mystery, ably guided by an outstanding cast, director Kulik's constant momentum, and effective plot twists and turns.This film was originally made as a television movie in 1964, and subsequently beefed up for this revision with the presence of many "name" actors, and some action sequences. Dillman, reprising his role, is spot-on as the doubting defence attorney, whose attentions sometimes stray to the personal plight of Ryker's supportive, yet somewhat distant wife, played with aplomb by Vera Miles. Rounding out the frontline is Peter Graves for the prosecution, and Norman Fell and Murray Hamilton in key supporting roles.Marvin's interpretation of the Paul Ryker character is a balanced depiction of a simple but dedicated man whose normally laid back demeanour is challenged by the desperate circumstances in which he's placed. Marvin switches perfectly from resigned indifference, to impassioned denial of the charges, giving a convincing, often intense performance that is the highlight of this otherwise small-scale drama. It's this performance that should elevate the film to a platform where it occupies a place on the best-ever lists of courtroom dramas.However, despite its apparent obscurity, "Sergeant Ryker" still remains a taut and compelling examination, like a book that you just can't put down. Highly recommended.

In this legal drama -- not unlike Anatomy of a Murder, A Few Good Men, and Compulsion -- ambiguity permeates the courtroom like humidity in August -- in Florida. Who's right? Who's wrong? No one can tell, yet decisions have to be made. Peppering the proceedings with plot twists and flashbacks that recall film noir and Sergio Leone, the story maintains a quick pace that overcomes its clearly low cost shooting budget. Lee Marvin burns brightest in the film's constellation of great character actors (like Peter Graves, Murray Hamilton, and Norman Fell), largely because of The Big Gray One's tendency to switch from calm menace to scary violence, on a dime. Jaded critics bang and hack at Sgt. Ryker, calling it trite and stale. The film doesn't warrant this sort of hostility. It is simple, direct, and powerful. Who cares if it isn't a re-invention of a very old sort of wheel?