The Worst Film Ever

Such a frustrating disappointment

Good movie but grossly overrated

The film's masterful storytelling did its job. The message was clear. No need to overdo.

When seen today, Sonja Henie films are incredibly strange and the notion that this Norwegian skating champion could be one of the biggest stars at Twentieth Century-Fox is just baffling. After all, Henie was cute--but not exactly a big star due to her looks. And, in each of her films, they SOMEHOW contrived to get her onto the ice SOMEWHERE!! The films really make no sense...though I must admit that most are still entertaining if you see them today. You just need to be sure to suspend all disbelief, otherwise your brain will nag you with 1001 questions!The film revolves around a slick publicity agent, Jimmy (Tyrone Power). He's an amazingly good liar--even for a P.R. man and his routine is pretty funny. However, when he gets the smart idea of creating a fake romance between two new studio stars, Roger (Rudy Vallee) and Trudi (Henie), things get complicated. Roger is already in love with another woman and he's apprehensive to play like he's in love with Trudi. Worse, however, is that slowly Jimmy is falling for Trudi himself...but when the plan backfires and Trudi learns that Roger is only PRETENDING to love her, she is furious as well as hurt and leaves Hollywood. What is that weasel, Jimmy, to do?!In addition to the strange plot, the studio cast Edna May Oliver as Trudi's aunt. This is ridiculous, as Oliver seems about as Norwegian as pizza! And, there are LOTS of ridiculous songs and skating numbers that make the whole thing a bit on the silly side. BUT, the leads try there best and despite all the silliness, it IS enjoyable.By the way, the studio head who you hear but never see is played by Charles Lane--the old familiar character actor.

This is a pleasant enough diversion which pokes gentle fun at the search for an 'unknown' to play the eponymous role in a film adaptation of a best selling novel. Someone actually gave this more than the customary ten seconds thought because it was released in 1939, the same year as Gone With The Wind, a film that had hogged headlines around the world via its search for the perfect heroine, Scarlett O'Hara; Scarlett was a Southern belle and in Second Fiddle the fictitious novel is The Girl From The North, the North carries connotations of snow and Sonja Henie came from a Northern country, Norway and was herself associated with both snow and ice and as if that were not enough, in Second Fiddle she is a resident of Bergen, Minnesota and Bergen is also, of course, an island off the coast of Norway. So, was it worth all this care. More or less. Publicist Tyrone Power is sent to bring Henie to Hollywood and naturally he falls in love with her but his job obliges him to engineer a 'romance' between Henie and Rudy Vallee, another studio 'property' in need of publicity; we now have a touch of the Cyrano's as Power is not only buying the flowers and candy that Henie thinks is coming from Vallee but is also writing the billed-doux and even goes so far as to compose a ballad, I Poured My Heart Into A Song, ostensibly written by Vallee. Edna May Oliver is also on hand to lob the odd droll asides into the mix and it all ends happily. A diverting 80 minutes or so.

Tyrone Power is a publicist who does his job too well in "Second Fiddle," also starring Sonja Henie. Power plays Jimmy Sutton, who is helping in the search for a star of a movie being made from a best-selling book. This was perhaps inspired by the search for Scarlett. When they find their girl, she's a Norwegian schoolteacher living in Minnesota. Power sets up a publicity stunt, which is a fake romance between her and another star (Rudy Vallee). He then is responsible for the flowers, the love poems, and finally writes her a song. By now, of course, he's madly in love with her, and she's in love with Rudy. This is much to the consternation of Rudy's girlfriend, played by Mary Healy.The two stars are delightful, but of course, some of the best lines are from Edna May Oliver, who is hilarious as Henie's aunt. One line not Oliver's that certainly got a laugh in theaters is from Henie to Power: "You'd be handsome if you took care of yourself." He's pretty dazzling as is.The Irving Berlin music is okay, but I have to admit my favorite is "Back to Back" which I found lively and fun.Though skating styles have changed a great deal over the last 66 years, Sonja Henie's skating holds up. She was a graceful, fast skater who could dance and spin magnificently. Back then, the jumps were all singles and landed low, but it's obvious that if she were a young skater today, she would still have what it takes.Very entertaining.

A publicity agent finds himself playing SECOND FIDDLE when he fabricates a phony romance for a lovely new movie star he secretly adores.Sonja Henie was Norway's ice queen when she won Olympic gold medals in 1928, 1932 & 1936. After going professional, she began a celebrated movie career at 20th Century Fox in 1936 with her American film debut, ONE IN A MILLION. Beautiful & talented, as well as being a natural in front of the cameras, she carved out her own special niche during Hollywood's Golden Age. Although Miss Henie's ice routines may look antiquated by comparison to modern champions, there was nothing antique about her dazzling smile or sparkling personality. In this regard, some of today's snowflake princesses could still learn a great deal from her.As her career progressed, it became increasingly difficult for Fox to find decent stories for Miss Henie and the excuses for the lavish ice dancing numbers were often implausible. No matter. Audiences did not flock to her films to watch Sonja recite Shakespeare. The movies were meant to be pure escapist fantasy, plain & simple.SECOND FIDDLE is no exception and its story is often quite silly. Also, Sonja is not given nearly enough skating time to really satisfy her fans. However, Sonja's costars do offer some compensation.Although the role was certainly not one of his best, Tyrone Power is a lot of fun as the agent who must sublimate his own desires for the good of the Studio. Consequently, he has almost no romantic time with Sonja whatsoever, so instead he makes his somewhat unappealing role as charming as possible. His best moments are with marvelous character actress Edna May Oliver, playing Henie's sharp-tongued aunt, watching rather helplessly as she steals her every scene.Rudy Vallee is onboard mostly to sing a few songs, but he deftly underplays what could have been a boring good guy character and makes him standout well in contrast to the much more manic Power.Lyle Talbot has the small role of Sonja's Minnesota suitor. Movie mavens will recognize the voice of Charles Lane as that of the Studio Chief.Irving Berlin composed the songs, all of which are pleasant, but none of them come close to being counted among his best.Notice the sly script reference to 'Ferdinand.' This would be an allusion to Ferdinand the Bull, the somewhat less than masculine hero of Munro Leaf's 1936 story (and made into an Academy Award winning cartoon by Walt Disney in 1938). Since the line is spoken to Power, it could be that the scriptwriter had more than one inference in mind...Ultimately, though, this is Sonja's show. She glides effortlessly into the viewer's heart, while balancing on a thin edge of silver, suspended over frozen water.