I love this movie so much

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Saxon is a half-deserted concrete maze of flats reminiscent of the desolate ghost towns in an old western. It is through this gray concrete landscape with its cast of urban characters that Eddie, recently released from prison, searches for his old friend, Kevin, who has mysteriously vanished just when Eddie needs to hit him up for cash. Saxon opens with a bang, or I should say pain, as we see Eddie losing an eye to a loan shark he owes ten grand, and that is why Eddie goes in search of his old friend. Kevin is recently "cashed up" after winning big on a game show. When Kevin's wife offers Eddie money for finding Kevin the game is on as Eddie, no experienced sleuth, begins to roam Saxon in search of the vanished Kevin. Eddie, the proverbial loser, is one of those souls forever lost in the gray of urban life. Put upon at every turn, constantly in physical danger of losing life and limb, not to mention his other eye, Eddie becomes a bleeding open wound but with dogged determination he soldiers on. There is a bitter-sweet scene between Eddie and his prostitute mother, there are a host of urban characters weaving in and out of Eddie's quest and quirky bits of humor... Eddie his hair half cut with his eye patch, looking for all the world like an urban pirate. Greg Loftin's script is gritty, dark and humorous by turns with interesting characters and some fine camera work. It's a crime-story/western/modern urban quest with a wonderful performance by Sean Harris as Eddie and fine supporting roles with Sarah Matravers and Michele Connolly. Great first time out for Greg Loftin. I hope to see a Saxon sequel one day.

Saxon's press notes boast of its adherence to, and playfulness with, the rules and conventions of the great American westerns, but it is a very pleasant surprise to observe just how subtle and shrewd those genre nods are.The plot is appropriately simple: Eddie (Sean Harris) returns home to the grim, ghostly Saxon housing estate after both a brief spell in prison, and a visit from a sadistic loan shark. With his one functioning eyeball on the line, Eddie tries to make a fast buck by interacting with a succession of the estate's most volatile misfits, in an attempt to track down a minor local celebrity who has inexplicably vanished. It is an irrefutable oddity for sure, but the plot's fiendish momentum does exert a palpable grip, and for a film shot for almost nothing, it looks outstanding; composed entirely of wide- angled hand-held shots, it comes off (visually, at least) like a collaboration between Luc Besson and Andrew Bujalski. But the ominous, whacked-out aura is all its own.This is simply perfect if you're in the mood for some impeccably crafted weird.

After the first few minutes I was very much looking forward to the rest of this film. Unfortunately it failed to deliver. A few bright moments in the script to begin with, but these gradually petered out. A decent performance from Sarah Matravers, particularly in the early scenes, but she then became woefully under-utilised as the film plodded on. I don't suppose it should be possible to meander at pace, but this film managed to do just that. We'll have to wait for the next offering to find out if this was due to the direction or the script - it wasn't the acting, which had some merit.Hugely disappointed

You would be forgiven from reading other reviews of this movie for assuming it is a gritty gangster film set in a gritty London council estate. But if you make the effort to check it out you will be rewarded and surprised as it is really nothing of the sort; it is actually a mish-mash of reverential genre-hopping that adds up to a nice slice of entertainment.Set almost entirely within the confines of the titular housing estate the plot concerns recent jailbird Fast Eddie (Sean Harris) returning to his familiar stomping ground trying to track down an old pal that has won a large sum on a TV quiz show. Eddie needs money desperately to settle a debt to some nasty characters who have already gouged out one of his eyes and intend to relieve him of the other if he doesn't stump up the moulah quick smart. Unfortunately his pal has disappeared so he enrols as Private Dick for the missing pals wife, offering to find out what has happened in return for a payment that gets him, literally, off the fish-hook. Nicely paced, the film gives us the pleasure of a slow-reveal, as the various characters we meet, who seem random at first, eventually form part of a jigsaw that fills in all the gaps and lead us to a satisfying conclusion. Along this journey we are treated to all manner of movie conceit as a relatively simple idea plays out in a stylish manner that belies it's zero budget and manages to pay homage to the movies in a way that only a director who still feels the thrill of the big screen could manage to do.We get more than our fair share of Kubrick, especially The Shining; a cute dose of Leone; a sprinkling of David Lynch and, very surprising in a small independent BritFlick, what seems like Wong Kar Wei. It is actually a film for those that like film and some viewers may find it a little pretentious at times but there is enough tension and black humour to sustain most and the cast manage to hold back on the histrionics despite the script giving them plenty of scope to go berserk. Harris is particularly good at this, hesitant and reserved in his delivery he just about gets our sympathy even though Eddie is as much a ne'er do well as most of the inhabitants of this very separate universe. Of course, the other star is the estate itself, more malevolent in the bright sunshine than it has a right to be; this is a directorial gamble that pays off very nicely. With the exception of a scene involving a lift you don't get a real feeling of palpable dread at any time, mainly because the characters are mostly bonkers - but you do really, really want to know what happens.Saxon could possibly have been a little more compact and some scenes are merely there for fun, but it is a good idea, very nicely shot, well acted and when you think of the tripe that gets cash thrown at it, even in the independent world, you wish Loftin the best of luck to get more films made of this nature. Sassy, flawed but ultimately satisfying the best thing you can say is that it is fine entertainment and well worth the price of admission.