Same Love, Same Rain
Same Love, Same Rain
| 16 September 1999 (USA)
Same Love, Same Rain Trailers

Jorge is a writer for a left-leaning Buenos Aires magazine that's at odds with the country's military dictatorship. He meets lovely and intelligent actress Laura and begins an on-and-off romance that will continue for the next two decades. Fearful of commitment, Jorge initially moves on from her and his fortunes suffer, but the situation changes when he and Laura renew their acquaintance. Meanwhile, the country undergoes a political transformation.

Reviews
Stometer

Save your money for something good and enjoyable

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ShangLuda

Admirable film.

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AshUnow

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Kaelan Mccaffrey

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

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Rachel Henderson

I first was interested in this film after seeing "El secreto de sus ojos" (which I loved) because it had the same director and leading characters and told a seemingly similar tale of a difficult love story and the protagonists' struggle with internal conflict surrounding his own ambition and inhibitions and his struggle with an overbearing government that often leads him to find himself crippled in his work. I didn't find this movie quite as intriguingly complicated and intricate as "El secreto de sus ojos," but still found the movie compelling and impressive. Jorge is a struggling writer in Argentina who falls quickly for the young and beautiful waitress, Laura. The pattern of an on-and-off-again relationship begins with a smitten Jorge and unavailable Laura. The climax of their relationship occurs when Laura and Jorge are finally together and Laura attempts to spark Jorge's ambition and pushes him to write with more significant substance with a meaningful and powerful book. It is really sad how Laura repeatedly becomes the victim of male inadequacies and weaknesses causing her hurt and heartbreak--one of many controversial and compelling themes that Campanella plays with in this film. I would definitely recommend the movie, and am very interested in his following movies "El hijo de la novia" and "Luna de Avellaneda"

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casch0101

Don't miss this film This is the second film by Argentinian-born living in USA for more than 20 years, Juan José Campanella, that I watched. The first was "El Hijo De la Novia" (Oscar-nominated). I liked this one better. Argentinian movie critic Guillermo Ravaschivo (from "cineismo.com") didn't like it at all in spite of his reckoning of the film's good values...but I suspect he is too bitter a person to like this film (or many others, for that matter). This is a wonderful film. The political issues (as well as the rest) are just a backyard scenery for the close-up given to this particular LOVE of Jorge Pellegrini to Laura throughout more than 20 years, having met intimately but briefly twice after the first passionate and longer lasting time. I do agree the idea of people rebelling with strong verbal innuendos to their bosses would not yield the results herein depicted (i.e. the employee either remains employed or the employee is a "friend" of his boss and after his quitting still remain friend and in the job). But everyone, EVERY ACTOR in this movie is about perfect, and so is the idea and script. Juan Jose Campanella did absorb some Hollywoodish (especially TV-dian) mannerisms which show. But then, it is NOT a Hollywood film. Jorge Darin's performance alone is worth the whole films. Admittedely, both scripters wrote the script only with him in mind, all the time.

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imcastejon

If you enjoyed "El hijo de la Novia" ("Son of the Bride"), you must go for this one. The same rock solid characters with a better script. A story you can believe in, a group of characters you laugh and suffer with.

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algut

A new star is born. Campanella offers in El mismo amor la misma lluvia an artwork full of sensitivity and love. Most american directors should learn from Campanella the characters he makes, real and tender and the script. Nothing to see with the big american productions, Campanella gives a lesson of how to make a love story interesting and absolutely unartificial. Very good!!! (8 out of 10).

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