Too many fans seem to be blown away

Good start, but then it gets ruined

Best movie of this year hands down!

The film makes a home in your brain and the only cure is to see it again.

Its bad, sorry 'naturalistic'. A bunch of unlikeable people go on a road trip and you don't find out anything about them. Or maybe you do, its just that we decided we couldn't last longer than about 45 minutes into the film. We'd have lasted a lot longer if it had just been a film taken by someone poking a camera out of a car window for an hour, because some of the scenery could have looked lovely, and there would certainly have been more action.I had wondered if it was a cultural thing, if it was a problem with the humour not being translated well into the subtitles, but to be honest I really think it really is that dull. There is an issue with the style of movie and the subtitles, in that its often hard to work out which of the characters mumbling in the background the subtitles actually refer to.There have been some comparisons with little miss sunshine but there is no comparison. One has interesting characters well developed in a very economical way, poignant moments and some real humour, the other has a guy swearing at toll booths every few minutes.

Unusual, fresh, entertaining and interesting would be the words to describe this movie. It isn't a classic, but it IS a good watch. As I've never been to Argentina, I think it says a lot about the film's quality that it was able to evoke a strong sense of place, and of Argentinian life, and I felt as if I was there. I see some of the other commenters have complained there was no development or drama - and to some extent they're right, but they're also missing the point that this movie isn't about thrills and surprises Hollywood-style. It's about one normal family doing something unusual, and how they deal with the various problems that occur on the way. That was incredibly enjoyable, not to mention very involving. Lots of humour, some very moving scenes, great direction and acting - it's all good, really. Highly recommended.

I honestly wanted to like this film. I love Argentina and I like quirky films where not all that much happens. But I am sorry to have to report that this is one of the worst, most excruciatingly dull films I have ever seen. There is absolutely no plot and absolutely no character development. What happens (to use the term loosely) is that a Buenos Aires Grandma decides that her whole family will drive up to Misiones for a wedding and the film shows us what happens on the trip. Which is nothing. Except lots of incidences where the van breaks down which means there are lots of shots of engines and carboretters. We find out very little indeed about any of the family who go on this trip except that one of the men is having an affair with one of the women. Sometimes with road trip films at least you get some lovely shots of the countryside, yet even here the film fails, making the pampas look about as dull as the subject matter.I actually found it remarkable that this film is presumably a work of fiction. The fact that somebody would bother to make up a story where absolutely nothing of interest occurs and where there is no character development or humour is actually remarkable. And the fact that a film company thought that it would be a good idea to buy the story is equally astounding.I occasionally have a problem on my machine with DVDs skipping. And whenever this normally happens I go hopping mad. I have to tell you however that when my copy of La Familia Rodante started jumping I was actually relieved that it meant I would have to endure less of the awful banality that was proceeding in front of me. Honestly, the only people who would like this film are mechanics and even they would get bored after the first breakdown.

A dozen members of a Buenos Aires suburbs family starts a single weekend trip of 1000 km to take grandma to a wedding, in a motor home. Every character in the movie plays a great part (this is Trapero's best film), relationships are shown with quite a simple eye, but with a lot of sensitivity. Some kind of argentinity is shown, the movie takes the spectator along the way with this family members who will show incredible capability to survive and pass on obstacles, and also amazing human vices, good and bad, but particularly and specially human. The way Trapero engages in dialog with the audience is extremely mature, the director finds the way to balance between not underestimating the audience shooting unnecessary and not pretending to find deep sociological or anthropological plots, just showing how everyone works.