Too much of everything

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Along with Skatetown, USA, Roller Boogie is the other film that celebrates that brief era when roller disco ruled the youth culture. It came as soon as it arrived almost. People still skate, they just don't do it to disco music any more.I think that Linda Blair accepted the role of the lead here possibly because she wanted to break away from that Exorcist image. She couldn't play all her parts with a spinning head and was trying for a more wholesome image. As a leading man for Roller Boogie she took a skating champion Jim Bray.Possibly they also saw a budding teen idol in Bray. As an actor he was a great skater. But also in time he might have developed into a decent actor once his projected bubblegum popularity waned. But the film came and went and Bray left no real impression other than with his skates. The plot has the roller kids trying to save former Roller Derby champion Sean McClory's skate emporium from developers who led by Mark Goddard aren't squeamish about how they acquire the joint. Goddard is also in cahoots with Blair's father Roger Perry.Blair's mother is Beverly Garland who sees her daughter as a flute prodigy and has her earmarked for Julliard. But Blair wants to learn to skate so she can roller disco with the rest of the gang and Bray's willing to teach her.I think you can see where this one is going. If you like roller disco you have a double bill of Skatetown, USA and Roller Boogie for your fare.

It'an innocent final 70s movie, where Linda Blair moves to skate with her boyfriend, expert roller skater Jim Bray and her friends making a plan to safe the disco palace where a devilish business man tries to build a Shopping Mall there. At the end of the night is the roller skating championship. Evertything must go perfect. The movie is bad, but you cannot denied to be amazed about the disco music, the roller skates and Linda. There's innocence in this movie. This kids loves sport, to hangout with girls not only for sex and loves have fun drinking a soda in the roller boogie place. This are times hard to get now, and the nostalgia wins a 10. Maybe will bore some, but still got it's cheesy magic.Directed by Mark L. Lester.

This film became an icon for me from a very young age. I was just nearly five when this movie came out so I didn't get to see it until a few years later when Channel 4 showed it as a retro late night film. I was an avid skater. I longed for a local roller rink near me, but there was Nothing, only Ice rinks. I took ice skating lessons to help alleviate some of the frustration and then went back and applied some of the knowledge to my skating. Roller Boogie was brilliant for me, because it was cheesy , but most of all one of the very rare films that focused on roller skating - a tough subject to inject into a movie! Terry's car in the movie is beautiful too and those white roller boots! I remember finally getting a pair of all white-leather roller boots, hard to come by over here, but they were the best present ever - I still have them and they still fit and I hope to be wearing them when I teach my niece how to skate too! Roller Boogie as a movie cannot be taken too seriously! It has a feel good factor about it, no obscenities, the music is so retro ( to us nowadays anyway) and I love the skate line at the beginning of the movie - I just wished we had skate lanes like that in the UK! This is a film for those who like skating - don't bother to watch if you are a football fan - you wont get it - its simple teenage, roller skating , good vs bad and I have spent years trying to find a copy to replace my fuzzy VHS-taped from TV-copy. Mine came today, I've watched it, and I will probably watch it in the future when I'm snuggled up on the sofa, full of cold or maybe a hangover and just watch it - it is my feel good movie and one that few will ever enjoy as much as me! xx

This one is a complete hoot. I caught this low-budget, formulaic 1979 film this past weekend on the big screen at the fully packed Castro Theater in San Francisco as part of a roller-disco midnight madness program. The crowd went wild at every absurd turn of the plot, and it's no wonder. Directed by potboiler specialist Mark L. Lester, this ultimate cheese of a roller disco musical avoids a permanent home in the video junk heap simply because of the sheer idiocy of the storyline and the wealth of unintentional humor permeating the film. There are movies that are intentionally vile and not worthy of reviewing, but this one is actually full of good spirits albeit with nothing in the way of taste, wit or common sense.In what has to be the steepest career free-fall for a former Oscar nominee, an extremely nubile, twenty-year old Linda Blair stars as Terry Barkley, a prodigious flautist on her way to Juilliard, who tires of being ignored by her wealthy, 90210-based parents and decides to run away for a whole night. Upon meeting Bobby James in Venice Beach, the king of the disco-driven roller skaters, she decides she wants to learn some moves to win the big roller boogie contest at Jammer's, the local roller disco rink. My favorite plot point is Bobby's aspiration to become an Olympic roller skating gold medalist...even though no one tells him it isn't an Olympic event. Of course, Terry is rich, Bobby is poor, and consequently, romantic sparks are inevitable. Complications, however, occur when a thuggish land developer blackmails Jammer to sell his rink, so he can raze the building and build a shopping mall. The rest of the plot is not worth disclosing except to say that it is as preposterous as the convoluted set-up, and thanks to the wooden acting, horrendous dialogue and hilarious skating sequences, it makes for grade-A camp entertainment.In skin-tight leotards and enough make-up to scare off a Santa Monica Boulevard hooker, Blair makes a sincere attempt at portraying Terry's teen-aged angst. Of course, it helps her professional standing that she is playing opposite real-life roller skating champion Jim Bray, a non-actor who was cast as Bobby only because the producers could not find a leading man who could actually skate. Innately geeky, the never-to-be-seen-again Bray certainly tries hard, though he is defeated by the film's numerous skating sequences which have been inserted so we can be impressed by his expertise. Instead, they provide the film's biggest laughs - the opening where he leads dozens of fellow skaters to the boardwalk to the strains of Cher's disco-diva anthem, "Hell on Wheels"; the ridiculous chase sequence through the streets of Venice where Terry and Bobby are chased unsuccessfully by a speeding car; the concluding roller boogie contest (of course); and in what has to be the absolute nadir, a solo skating number full of cornball treacle dedicated to the drunken Jammer.Familiar faces from the baby-boomer TV generation dot the supporting cast, among them Beverly Garland ("Scarecrow and Mrs. King" and "My Three Sons") and Roger Perry ("The Facts of Life") as Terry's parents; and Mark Goddard ("Lost in Space") as the villainous land developer. If all that is not enough, there are other lures to consider - the blaring disco music; the groovy, circa-1979 clothes; the forced slapstick (in particular, a fruit-throwing mêlée and a very non-spontaneous pool dunking at a garden party). It's hard to think of a movie more execrable, yet the film has an endearing charm for all its misguided inanity. It's worthwhile just for the unintended guffaws. In the 1979-80 holy trinity of roller disco cinema, "Xanadu" may be "Gone With the Wind" and "Skatetown U.S.A." may be "West Side Story", but this one must certainly be "Citizen Kane".