Very disappointing...

Thanks for the memories!

Captivating movie !

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

No matter how noble his scientist characters may seem, poor Lugosi always ends up on the wrong side of the Bunsen burner. He's studying the similarity between man and their Neanderthal ancestors, and along with partner John Carradine, ends up in the North Pole where they actually find one. This is the supposed "ape man" of the title, and back home, once the ancient being defrosts, he becomes the proud owner of a new brain thanks to Mr. Lugosi. Carradine is a noble family man who tries to stop Lugosi, only to receive his revenge in return. The absolutely dreadful Teala Loring plays Carradine's niece, whose fiancée (Tod Andrews) becomes the desired brain donor by Lugosi for his thousand year old man who looks absolutely hysterically funny playing the piano. While the Neanderthal does commit a few murders, one of them makes no sense considering the brain it ends up in. This is not a very scary movie, or very scientific with the laboratory even dumber looking than the one Lugosi had in "Bride of the Monster". Inappropriate marching music decorates the dramatic sequences. As a result, it is very boring and features some of the dumbest police officers on film. Even worse is the fact that George Zucco, billed as the ape man, doesn't appear at all, that honor going to Frank Moran. Cheap sets and horrid direction by Phil Rosen (best known for the Monogram Charlie Chan films) make one long for the skills of Monogram's busiest director, William Beaudine.

Two scientists, Prof. Dexter and Prof. Gilmore (played by horror legends Bela Lugosi and John Carradine), have developed a method of reanimating a frozen body with no adverse affects. They decide to test their discovery on a primitive man frozen in ice for thousands of years. Again, they find success. Still not satisfied, Prof. Dexter wants to place half of a modern brain into his primitive guinea pig. But where to find a brain? Prof Dexter's not above murder if it will advance his theories.I'm usually willing to cut these Poverty Row films a break, but Return of the Ape Man features the worst of what these movies had to offer. First off, there's the incredibly misleading credit sequence that promises George Zucco. I'm a huge fan of Zucco. I was actually more interested in watching him than either Bela Lugosi or John Carradine. And even though his name appears twice in the opening credits, he's nowhere to be found. What's up with that! Next, the overall acting is absolutely terrible. Carradine has so little to do that he's hardly in the movie – and acts it. You can usually count on Lugosi for a fun performance, but even he appears to be going through the motions. The rest of the unknown cast is abysmal, except for Teala Loring. She provides the one lone spark Return of the Ape Man has to offer. Thirdly, the titular Ape Man is hardly an Ape Man at all. He looks more like a guy with long hair and a beard. It's a hoot to listen to character after character describe the hippy looking dude as more ape-like than man. My guess is that Monogram came up with a title and had a script before they checked their budget for the special effects necessary to create an Ape Man. Finally, even by Monogram standards, Return of the Ape Man is cheap looking. Often, the sets look like they might have fallen over had someone breathed too heavily in the wrong direction. And the Arctic expedition scenes are laugh out loud funny in how cheap they are. A few seconds of stock footage followed by Carradine and Lugosi standing around talking while wearing the most ridiculous fur coats and hats does not make for a very authentic looking scene. Return of the Ape Man might be the bottom of the proverbial barrel as far as Poverty Row thrillers goes. I'm being generous with my 3/10.

The story revolves around an Artic expedition headed by Bela Lugosi and his associate, scientist John Carradine, as they search for what might be the missing link. They find a frozen cave man...why this is called an ape man is totally lost on me. It must be based on the huge lack of success from an earlier Lugosi film called The Ape Man, of which this film has no relation too in plot whatsoever. Anyway, Lugosi brings this man back but finds that it needs at least a part of someone else's brain. He begins to search for possible subjects and settles on Carradine's soon-to-be fiancee. Carradine is not enthusiastic in the venture any further and severs ties, and the real mayhem begins as Bela gets to really ham it up trying to find and finally succeeding with a substitute. The Return of the Ape Man is undeniably cheap, poorly scripted, and laughably acted by most; it does, however, remain thoroughly entertaining due in large part to Lugosi in a charged-up role and Carradine in a rather subdued one. The cast credits list George Zucco but alas he is nowhere to be found. Quite a shame considering his ability to add class to almost anything.

RETURN OF THE APE MAN was one of nine films Bela Lugosi appeared for the Poverty Row studio Monogram between 1941 and 1944. In this film, he plays mad scientist Professor Dexter who with the help of his colleague Professor John Gilmore (John Carradine) revives a prehistoric man (Frank Moran) from an ice block. Dexter schemes to kill a modern person to use part of his brain in the newly thawed brute. Thus, the savage ape man will not only become manageable, but he'll have the speech and intelligence to describe his prehistoric life. Why not a WHOLE brain? Because Dexter believes that if he removes all of his subject's old brain, the ape man won't have any knowledge of his former life.This synopsis suggests the film's silliness. The plot is more coherent than in most of Lugosi's other Monogram films, but it still has its share of inexplicabilities and inconsistencies. Monogram's typically poor production values further enhance the film's cheesiness. The sets are sparse and threadbare. An Arctic sequence where the scientists find the ape man is especially phony looking; one expects the curtain to come down when it ends. The music, consisting of randomly selected stock scores, is dull and often inappropriate, such as a marching band tune during action sequences.Still, one can derive legitimate pleasure from Bela Lugosi's performance. Ever the trouper, he acts as if he's in one of his Shakespeare productions in his native Hungary and the film is all the better because of it. Lugosi emotes his standard mad scientist part with passion and conviction. He delivers such lines as "Some people's brains would never be missed" in his sonorous Hungarian accented voice with an air of sinister elegance. Such a unique delivery elevates his dialogue from stale cliches to arcane parlance. Lugosi fans should savor RETURN OF THE APE MAN.It's a letdown for John Carradine's fans, however. As Dexter's sane and ethical partner, he just goes through the motions. His performance is so listless that one perversely roots for Lugosi's far more vibrant character when the scientists argue.Overall, RETURN OF THE APE MAN exemplifies the situation of an outstanding performer (in this case, Lugosi) rising above his unpromising material.