Very very predictable, including the post credit scene !!!

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Director Russell Mulcahy who also created other classic flicks, Resident Evil: Extinction 2007, The Lost Battalion 2001, Ricochet 1992, Highlander 1986 and Razorback 1984 has created another gem in Resurrection.Starring Christopher Lambert who has also been in other classic flicks, Beowulf 1999, Nirvana 1997, The Hunted 1995 and Russell Mulcahy's Highlander.Also starring Leland Orser who has also been in other classic flicks, Taken 2008, Very Bad Things 1998, Saving Private Ryan 1998, Alien: Resurrection 1997 and another classic serial killer flick, Se7en 1995.Also starring Robert Joy who has also been in other classic flicks, The Hills Have Eyes 2006 and Land of the Dead 2005.I enjoyed the violence and the cinematography.If you enjoyed this as much as I did then check out other classic serial killer flicks, American Psycho 2000, The Boston Strangler 1968, Copycat 1995, Henry: Portrait of a Serial Killer 1986, The Hillside Strangler 2004, Laid to Rest 2009, Man Bites Dog 1992, Satan's Little Helper 2004, Schramm: Into the Mind of a Serial Killer 1994, Maniac 1980, Natural Born Killers 1994, The Cell 2000, Dirty Harry 1971, The Exorcist 3 1980, Summer of Sam 1999, Freeway 1996, Acolytes 2008, The Collection 2012 and Silence of the Lambs 1991.

I saw this movie on TV for the first time. Right from the beginning, I had a strange feeling of sickness and disgust and the top scenes were not even on yet. It is compared to Se7en, but I feel it has more action in it while the gore is the same in both movies. The serial killer is very disturbing and has no pity towards his victims like most "respected" SKs. I don't remember the soundtrack to the movie, but I think it does give that eerie touch to a movie that is in itself disturbing all along. The killer doesn't give himself away that easily and he is seriously involved in what he's doing. The final scene is one of the best in horror movies, but can be quite sickening for many light-hearted viewers.

This wasn't bad at all. It does bear a strong resemblance to SEVEN but its interesting enough in its own right to warrant at least one viewing. The film looks great, all washed-out greens and blues and grays--and it benefits from the restless, edgy camera-work by Jonathan Freeman. There is a surprisingly good performance from Christopher Lambert. Leland Orser also provides strong support as Lambert's partner. The film breaks down and becomes somewhat predictable by the 3rd act; there are a few too many car chases and shoot-outs,and the rooftop showdown with the villain dangling a rubber-looking baby over the rainy precipice is actually rather laughable, but for the first two-thirds, RESURRECTION is pretty gripping. It's nice to see the director Russell Mulcahy teaming up with Christopher Lambert again. Perhaps its their long association that has enabled Lambert to give one of his best performances; when actors form working partnerships with specific directors, the results usually get better and better as their collaborations progress. I enjoyed this film more than ALONG CAME A SPIDER.

Predictable, gory, over-gimmicky, mediocre. Don't waste your time - there are many much better movies out there. Resurrection starts out OK but the plot quickly becomes repetitive. My interest level fell off steadily. By the end of the movie I was just glad it was finally over. The characters never fully developed. The cinematography is muddy and the quick change POV rotations - while impressive in 1999 perhaps, presently merely serve to label the movie as attempting to substitute gee whiz flash for plot and character substance. The film shooting gimmicks serve some purpose (convey tension and anxiety) but are constantly overused and ultimately become counterproductive. A shame overall - the film/story obviously had potential and the producers/directors and actors obviously have technical skill. A disappointment.