Overrated and overhyped

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

I'm glad I tried this one again, so I can up my rating from 4 to a good 7 out of 10. The first time around, I was really unhappy about the poor and cheap visuals of 'Repo chick', but this time they even grew on me a little. They're still not great, but they got much less in the way of the fine acting, the wild and funny story with its many social, cultural and political references, and the sheer fun that it all radiates - as do all the films by Alex Cox that I've seen. He makes the kind of films that have real heart and intelligence, which is a relatively rare quality.There's a string of familiar and unfamiliar actors here doing their jobs more than aptly, of which Miguel Sandoval stands out the most, but the energy and beauty of Jaclyn Jonet really makes me wonder why she isn't a bigger name in the movies...? But then I should also ask why Alex Cox (doing a hilarious supporting role here as a mad professor of some kind) never made it bigger as well...? He would deserve it, but I'll assume his work too off-beat for that...?Anyhoo-ee, 'Repo chick' is a low low budget, crazy, yet intelligent comedy that you might want to try (again).

I am a big fan of Alex Cox the movie connoisseur, the long time presenter of the Moviedrome series on British television dedicated to cult and obscure films. Each film he would introduce cult classic and give us an interesting insight on the night's film. Cox showed passion, intelligence and a respect for some of the actors and directors of cultish cinema.Alex Cox the film director has always fallen short. He showed promise with his first feature with Repo Man, a flawed cult film itself. However films such as Walker or Straight to Hell showed us an uneven even an overindulgent filmmaker playing by his own rules.By the early 1990s it was clear Cox was no longer welcome by the big film studios as he was heading south making Spanish language cinema in Mexico whereas director's such as Robert Rodriguez were heading the other direction.In Repo Chick, Cox revisits the themes from Repo Man but turns it into satire on celebrity culture, banking crisis and corrupt politics.A dispossessed heiress joins the Repo business. She ends up on a trip on a train which gets hijacked by terrorists who want to outlaw golf.The movie is filmed entirely on Green Screen with some use of animation. The CGI can look off putting and also shows its low budget origins. It certainly is not a mainstream film even though Cox got the BBC to be a co-producer of the movie. Its uneven, unfocused but it has a charm and some well known actors, although it does confirm that Cox's best days as a director are well behind him.

Alex Cox pastiche on the zero digital decade where the only values worth pursing are money, celebrity and cutting edge technology. He films this entirely on green screen to show the banal crowd pleasing depths that modern cinema has fallen into in the nothing noughties. Next up is Repo 3-D starring a busty 33DD babe fighting the PC Thought Police Force who want to repo the wearing of bra's as they are demeaning to 21st Century Woman. He will film this masterpiece on his state-of-the-art camera cell phone with a budget courtesy of the **** network who will only ask that 50% of the running time will be used up with close-up shots of their current hot must-have smartphone packages to please the Androids at the multi-plex.

Spoiled rich bad girl heiress Pixxi De La Chasse (the adorable, but hopelessly charmless and obnoxious Jaclyn Jonet) gets disinherited by her snooty family and is forced to get a job as a repo chick. She proves to be a natural at the gig and sets her sights on nabbing a train with a hefty one million dollar bounty on it. However, a group of bumbling terrorists hijack the train and threaten to destroy Los Angeles unless their demands that golf is outlawed are met. Sound good? Well, it just ain't. Writer/director Alex Cox fails to bring even a smidgen of wit, style, or verve to the dopey premise. Moreover, the meandering narrative plods along at an excruciatingly sluggish pace and the soundtrack is loaded with forgettable crummy songs. Worse yet, a cool supporting cast is shamefully wasted on the lackluster material: Robert Beltran, Chloe Webb, Rosanna Arquette, Karen Black, Frances Bay, Del Zamora, and even original "Repo Man" holdover Olivia Barash. The fact that the lead female character is an insufferably shallow and snippy unappealing wealthy bitch who's way too similar to Paris Hilton for comfort doesn't help matters any. Shot largely in front of green screens, this film looks terribly cheap and cheesy. Only Miguel Sandoval as laid-back and likable cowboy repo man supreme Arizona Gray manages to rise above the general tedium and mediocrity. Sorely bereft of the fierce punky vigor and gleeful nihilistic humor of the terrific 1984 cult classic, this dreary dud is well worth avoiding.