Punch
Punch
R | 10 September 2002 (USA)
Punch Trailers

Ariel is a troubled girl with more than the usual teenage problems. When her emotion and temper get the best of her, she is drawn into a world where she can take out her anger with her fists. In the tradition of 'Girlfight' comes a wildly original story of rage and redemption.

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Reviews
Incannerax

What a waste of my time!!!

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ThiefHott

Too much of everything

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Connianatu

How wonderful it is to see this fine actress carry a film and carry it so beautifully.

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Casey Duggan

It’s sentimental, ridiculously long and only occasionally funny

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actionfilm-2

Here's the plot, middle aged wimpy father with domineering, abrasive, and violent daughter, attempts to develop a relationship with a sweet and caring lady. Needless to say, the obnoxious offspring does not look upon her spineless father's romance with favor, and this story would be over rather quickly if not for the lady's strong willed sister, who is employed at a seedy bar as, get this, a topless boxing champ. The pugilistic sibling (who in a shocking revelation announces herself as a lesbian), propels the unsteady romance forward despite the daughter's efforts to derail it. Follow me so far? Didn't think so, anyway these dynamics make for a interesting and offbeat film nonetheless. The daughter has to be one of the most unpleasant characters to "grace" the screen since Whatever Happened to Baby Jane. The film takes a, to put it mildly, odd turn near the end, but I suppose it's an appropriate conclusion seeing as some problems are just solved with a good punch in the face.

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smweaver911

I was impressed and delighted that CityTv aired this movie on a Saturday night in a relatively prime time slot - a welcome change from the usual Hollywood schlock that dominates the airwaves. This movie courageously, if not deeply, explores some interesting family dynamics, thankfully not the usual ones. Instead of the usual predictable, boring,stifled family life anecdotes, Punch gives us a glimpse into REAL people with REAL - and interesting -problems - not the usual TV and Hollwyood fare that doesn't reflect any families I know! EXCELLENT MOVIE! The writing, directing and acting was absolutely top quality on all counts: I don't think anyone missed a beat - first class acting throughout - making these interesting characters totally believable. Thankfully, the women were all strong, interesting and compelling - the topless boxing was a welcome change from the plastic (and I mean that literally) "beauty" queens that bare - or don't quite bare - their breasts. This is part of what makes this an important movie - women come in all shapes and sizes and thanks to this movie for reminding us of this. If you want plastic tits, boys, you can find them almost anywhere(unfortunately)... 'Punch'is real and totally rocks. Every character has issues that they are actually working through, in different kinds of ways, and the exploration of the relationships between these characters demonstrates how we learn from others in relationships. Very cool. Unusual to encounter, although Canadian films seem to be good at this overall. UNFORTUNATELY, the narration gimmick was a real distraction! What was that about? I'd love to see it 'sans' narration - whatever the intent of the narrative technique was, it din't work. Too bad, apart from that, this was an outstanding film.

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L. Denis Brown

The first main line film featuring topless female boxers - how does one begin to comment? No doubt in the past others have considered producing similar films and decided against - probably primarily because they knew these would be regarded as sleaze and exploitation and therefore would be dead on the ground before they were ever released. Both the actors and the producer involved in this film were very courageous; but were they wise, and have they opened the floodgates to more violent pornography as other less restrained producers jump onto a new bandwagon? There are three primary issues I will try to deal with here, the first the business issue of making the product financially viable, the second the justification for featuring women boxing topless and only then the third and most important question - is the final product a worth while film?.The subject matter reeks of sleaze and sexploitation, I would never have gone near a cinema showing such a film if I had not been told by someone I felt I could trust that it was a very good film, and that I would leave the cinema with many significant issues to think about. I suspect my first reaction would be pretty common, and this must make it very difficult for cinemas to show the film or for the company to market it. The business assessments made when financing was secured would have been very interesting. Clearly only very limited takings would have been projected and it must have been a very low budget production - something that in itself usually makes for a low quality product. In this case those who made the film must have had a lot of faith that they were creating something worthwhile, and they clearly worked closely together as a team to achieve this. It is now four years since this film was released and I am not so far aware of any rush to imitate it, so at this point we can probably evaluate it as a one off production without worrying about the opened floodgates.Should a film feature girls boxing topless? This is very hard to watch - almost as hard as films showing Christians being thrown to the lions in the Roman Arena. I turned away from the screen occasionally; but must answer that films, like books, are entitled to feature anything which is, or has been, part of our society and this was a perfectly legitimate subject. Boxing as a sport and boxing as public entertainment are very different matters - I look forward to a time when the latter is as anachronistic as throwing Christians to the lions. There are few sights more sad than the professional boxer who has aged to the point where he can only look forward to a long series of matches in which he is no more than a punching bag for younger opponents, followed by an early retirement with little income. There is also the social aspect that becoming punch-drunk from minor brain damage in this latter part of his career often leads to reduced mental capacity which places a burden of support on society in general. But women have as much right to box professionally as men. In many parts of the world women are still little more than possessions of their husbands, They have demanded equality and must have it. Far in the future the law may again recognise a need to protect both sexes through specific discriminatory legislation, but in the current historical situation this would, probably wisely, never even be considered. Our route is for women to receive the same rights as men, and then to decide for themselves whether to take up these rights. In Canada, women have fought hard for the legal right to go topless anywhere that men can. Quite properly they now have this enshrined by law, but the point has been made and sensibly we do not see more topless women around than we used to. Boxing as public entertainment is legal, and if women choose to box, topless or otherwise, then film-makers have the right to feature this in their films.Having expressed my views on this I have little space left to comment on the film, but I can assure my readers that it is well made and very thought provoking. It deals with several important issues, particularly those relating to single parent families. Offhand I cannot think of another film which more sensitively faces the situation that arises when a young girl has to take over the duties of a deceased or divorced mother, and then very gradually begins to feel she should also take over some of the other responsibilities her mother felt towards her father. It is remarkably well acted and Sonja Bennett (the daughter of the director, who was probably 21 when Punch was filmed) played the part of the disturbed teenager so convincingly that she earned a well deserved award at the 2002 Vancouver International Film Festival. Her work in "Punch" seems to have been well received as she is now professionally very active with a number of other films completed and at least three more awaiting release. I suggest watching for her future appearances. Also Meredith McGeachie received a nomination for a genie award. The ultimate test however remains whether you would want to go to a cinema to watch "Punch" . You might not enjoy it any more than I did, but would probably also find it stimulating and rewarding. However the fight scenes are very brutal, and I suspect that many cinema-goers would not be prepared to watch them. Although there are even more brutal scenes in many widely admired fantasy films, these make no effort to involve you with their characters beforehand.

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mrchaos33

Punch is a risky Canadian drama that explores an emotionally incestuous relationship between a father and daughter. It also introduces us to the world of Topless Female Boxers, but more about that later. Newcomer Sonya Bennett is the teenaged Ariel, a rebellious young girl being raised by her single parent father (Michael Riley). When he brings home a woman he is dating Ariel feels betrayed and punches the woman in the face, giving her a black eye. Enter the aforementioned Topless Female Boxer (Meredith McGeachie). She is the tough, lesbian sister of the wronged women, and comes to extract an apology from Ariel and her father. It all sounds very `Jerry Springer,' and to a degree it is - the topless boxing angle is pure titillation - but there is some substance here. Director and screenwriter Guy Bennett introduces many interesting human drama elements to Ariel's coming-of-age story, but frustratingly fails to fully explore any of them. He hints at things that are daring and unusual, but then backs away from the difficult material. At its core Punch delves into the pain of finding the right emotional distance between yourself and those whom you love, but the message is muddied by too many plot twists. The topless boxing is very, uh. visual and will probably put some bums in the seats but unnecessarily clogs up the story.Sonya Bennett sizzles as the audacious daughter, while Riley subtly conveys the turmoil the father feels as a respectable man who realizes that his relationship with his daughter is tainted.This is Guy Bennett's first film and there are enough indications in this movie of someone who really knows how to direct actors and is willing to take interesting risks as a screenwriter to make lead one to think that while Punch isn't quite there, it'll be interesting to see what this guy will do next.

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