That was an excellent one.

Admirable film.

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

This is the movie that made Debra Paget a superstar, and rarely has an actress dominated a film so completely as Ms. Paget does this one. From the moment she is first revealed--practicing an exotic dance, no less--to the the last scene of the film, Paget remains the apple of the camera's eye. Whether dancing seductively before spellbound soldiers, bargaining with duplicitous courtiers, or swinging a scimitar in defense of her people, Paget brings the film's eponymous character to life with a cinematic charisma that is never less than spellbinding.But while the film is generally remembered as a showcase for Paget's incredible charms, it is in fact a fine all-round action/adventure movie. The ancient eastern setting is well-realized, and if the proceedings are limited to certain sets those sets are nonetheless sumptuous and beautifully crafted. The script and direction are fine and the several action scenes are exciting, with quite a bit of effective humor thrown in for good measure. Jeffrey Hunter and Michael Rennie are effective as the story's hero and villain, respectively, and their rivalry builds to a suitable conclusion. There's never a dull moment either, and between the marauding soldiers under Rennie's banner, the machinations of the seedy court shaman, and a den of surprisingly heroic thieves, the plot moves along at a rapid clip to a satisfying climax. An excellent adventure from the days of classic Hollywood, Princess of the Nile is as enchanting as it is exciting and a colorful showcase for the wonderful talents of Debra Paget.

Princess Of The Nile is set in the 13th century AD and I always thought that the religion of ancient Egypt had died out by that time. But what we have here is that the city that Debra Paget is princess of on the Nile is still worshiping Isis while their Moslem conquerors are behaving pretty much as conquerors do.The city's salvation just might be Jeffrey Hunter son of the Caliph of Bagdad making an inspection tour of the empire. The real rulers of the city are vizier Michael Rennie and shaman Edgar Barrier with a gang of assorted hooligans enjoying the spoils of conquest. Therein lies the plot of this desert potboiler.The whole cast deserves a round of applause for mouthing this drivel dialog somewhat convincingly. You have a few players here like Rennie and Barrier who have classical backgrounds.What they must have thought.

I watched Princess of the Nile for the first time when I was about 10 years old. I am 63 now and have never forgotten the movie. Nor have I gotten over my fascination with Egypt. I have searched the internet trying to buy the movie, but have not been able to locate it. It makes me wonder if this is one of the lost movies in Hollywood. I loved Debra Padget and Jeffrey Hunter together. They have such charisma together. If you were to ask me anything about the movie I could not tell you anything other than who was in it. I vaguely remember a scene by the Nile with Debra Padget a bunch of other women.I have always wanted to see it again. I never thought of it as an escape movie back then, but I can see now where that was probably the case. I do hope they will put it on DVD and I will be able to see it again before I die. It was a wonderful movie.

Even the Maria Montez/Jon Hall technicolored baubles of the '40s are eclipsed by "Princess of the Nile," Fox's entry in Hollywood's mid-'50s obsession with things Egyptian (see "Land of the Pharoahs," "Valley of the Kings," etc.) Pure, unadulterated, mindless hokum, lavishly produced (low-budgeted, actually, but using sets and costumes left over from "The Robe," this Technicolored spectacle looks like it cost millions). 71 minutes of eye-candy (the plot, having something to do with nefarious derrings-do in ancient Egypt, is beside the point) offers the cinematographer and audiences the delectable sight of Debra Paget wearing an assortment of see-thru veils, most of which hit the ground when she shakes and shimmies thru a slave-girl production number unparalleled in film history. Female moviegoers were not shortchanged: Fox's handsomest young contract player, Jeffrey Hunter, is as photogenic as Ms. Paget, while Michael Rennie lurks around in the background, stirring up evil doings in the land of the pyramids. For those who might think Paget & Hunter can't act and were only hired for their physical attributes, check out their subtle, overlooked, heartbreaking work together a few years later in "White Feather" (another Fox production that has sadly vanished into the realm of "lost films"). "Princess of the Nile" still stands in a class by itself as a cheerfully mindless, breathlessly fast-paced, dazzling testament to the glories of 3-strip Technicolor--and the seductive charms of Ms. Paget (all of 20 at the time). Put this one-of-a-kind kitsch classic at the top of your "guilty pleasures" list, and enjoy. Satisfaction guaranteed!