a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Audie Murphy Over John Wayne Any Day. Real Life War Hero Audie Murphy was an Admired Man who was Brave, Courageous, and True. He Admitted that Acting was a Battle He Never Won. With a Likable Screen Persona He Soldered through a Career including many a Western. This was One of His Best.A Solid Cast of B-Movie Actors, Striking Color Cinematography, more Violent than usual for the Time, some Truly Good vs Evil Characters, and Philosophical Musing make this an Above Average Entry in the Wagonload of Westerns in the Time Period (1950-Early 1960's).It's a Grueling Task for the Make-Shift Posse on the Trail of some Hideous Bad-Guys lead by Vic Morrow and Lee Van Cleef. Audie and John Saxon reach Deep for some Soul Searching and the Ever Elusive, Nasty and Clever Outlaws show some Serious Signs of the Change about to Occur in Hollywood.A Must See for Western Fans, especially Audie Murphy Cultists. The Story is well told and as Entertaining as All Get Out as these things go. This is one that the Most Decorated Military Hero in History can be Proud.

Posse From Hell is my second favorite Audie Murphy western, his best being No Name On The Bullet. It's Audie who is leading the men who make up the Posse From Hell, he's a deputy tracking down the killer of the marshal and another citizen from his town of Paradise.Four prize specimens scheduled to hang escape from territorial prison and come upon the town and terrorize it, taking with them as hostage and sex toy Zohra Lampert. The leader of the four is Vic Morrow who packs a deadly shotgun. Morrow is absolutely riveting in his evil, this may very well be his career role.In fact Posse From Hell has many good supporting parts, Robert Keith plays a vain Civil War soldier looking to recapture some of his former prestige or acquire some he never had. John Saxon also stands out as a bank clerk who's from the east who joins the posse to see if he has the right stuff. Rudolfo Acosta who usually plays bad guys plays an Indian who joins the posse as a tracker and takes a lot of guff from the more self righteous whites. Seeing how deadly Morrow is with a shotgun this is an image that will disturb you and stay with you a long time. A nice cast of familiar players help Audie Murphy make this one of his best westerns. An absolute must for his fans.

better than average Audie Murphy western with more sharply defined characters than usual - plus a good script that brings freshness - and even fun - to the heavily traveled chase 'em plotthe actors help a lot - Robert Keith as the grizzled ex Civil War soldier who keeps trying to take over the posse - Rudolph Acosta as an Indian trying to be accepted - John Saxon as a soft Easterner reluctantly shoved into posse duty - Paul Carr as an eager young man handy with pistols - to name a few - somehow the script makes this diverse group interesting without making them annoying - the one notable exception is the 1-dimensional quality of the kidnapped girl as written - fortunately - the role was given over to the way-too-talented Zohra Lampert - and she brings this small part to lifethe represents the type of effort that makes genre enjoyable

Most Audie Murphy Westerns are OK, with a basic plot and very average cast, but PFH is better than average. There were lots of familiar faces in the cast, even though I couldn't put names to all of them without checking. Two were slightly out of character: Ray Teal as a banker and John Saxon as a tenderfoot. Lee van Cleef in an early role didn't have much to do before expiring, but his villainous persona was evident.I was impressed with the way that gunshots propelled their victims backward, in contrast to the dignified collapse so often seen in Westerns,but PFH maintained the other irritating tradition of men -in this case the posse - riding off for what was obviously a very long ride with no apparent provisions.I've always had this slight problem with Audie in that he doesn't actually look a tough guy (yes, I do know about his fantastic war record)and Randolph Scott or Burt Lancaster would have been more authentic, judging from some of their hatchet-faced portrayals of unforgiving avengers.The only really weak point was the twee and unconvincing romantic ending.