The Worst Film Ever

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Two spaceships land on a mysterious planet. Which is the bare bones of many a science fiction movie but this one has its felicities. The main one is the fantastic look of the film. The costumes, the make-up, the spaceships, the planet itself. Like 'Forbidden Planet' (1956) every frame is a work of art. This planet has vampires, though not the bloodsucking type, but a parasitical force that possesses bodies. By the end of the film most of the two ship's crews are dead and the film ends on a disquieting note. Before that are many atmospheric scenes; the rising of the dead, the exploration of a previously crashed spaceship; the crossing of the alien landscape etc. Even the mist and fog are creepy and some of the sound effects are positively scary. The great Mario Bava directs with a sure hand and it is easy to see the influence this film has had on other films. The cast is capable led by the American actor Barry Sullivan. There are some beautifully coiffeured women but thankfully there isn't any soppy romance to hold up the plot. The men and women are entirely equal.A fine film and well worth watching.

The crews of two giant interplanetary ships. the Galliott and the Argos, head to an unexplored planet shrouded in fog and mystery after intercepting a distress signal. When landing the two crafts lose contact with each other, and the Argos, lead by the experienced Captain Markary (Barry Sullivan), lands safely after some brief but heavy turbulence. Upon arrival, the crew of the Argos inexplicably attack each other, with only Markary able to resist the strange urge to kill. After they've been knocked out of their trance-like state, they travel to the nearby Galliott to find the entire crew either missing or dead. They bury the dead they find and set out to explore the vast wasteland, but Tiona (Evi Marandi) keeps having visions of the walking dead.Though far more experienced in horror, gialli and sword-and-sandal pictures, the great Mario Bava turns Planet of the Vampires into the most gorgeous sci-fi of its era. The planet, Aura, is desolate but strangely beautiful. Using bold primary colours and going overtime on a smoke machine, Bava infuses the planet with a suitably otherworldly atmosphere, which helps distract from the relatively formulaic plot. The director's love for horror can barely be contained as the crew start to rise from the dead. Placed in makeshift tombs and wrapped in a plastic sheet, they rise like blue- faced ghouls. Free from any distracting edits and backed by Gino Marinuzzi's eerie score, it is the most visually arresting moment in the film.It often gets cited as one of the inspirations for Ridley Scott's Alien (1979), though Scott and writer Dan O'Bannon claim to have never seen it prior to making the film. While Markary and his crew's discovery of giant humanoid skeletons does bring to mind the space jockey found in Scott's masterpiece, the two share little else in common. Behind the visual splendour, Planet of the Vampires suffers from a cheesy script and wooden acting, the common bane of the B- movie. Aside from an exciting set-piece involving an escape from a locked room having its oxygen sucked out, the film is actually quite plodding when it forces us to spend time with its collection of cut- out archetypes. Beautiful, certainly, and perhaps inspirational, but mark this amongst Bava's more mediocre efforts that are still worth checking out.

Although this 1965 film is an Italian production, directed by the famed Mario Bava, it was released by American International and stars American Barry Sullivan as the captain and main protagonist. Its original Italian title is (translated) "Terror in Space," which is better than the American title "Planet of the Vampires" (also "Demon Planet") seeing as how there are no blood-sucking vampires anywhere to be seen.THE STORY: Barry Sullivan commands a spaceship that goes to a strange unknown planet in response to a distress call from another ship. They soon discover that the creepy planet is home to incorporeal aliens who desire their bodies and ship to leave the planet.Although "Terror in Space" came out a year before the original Star Trek appeared on television, both the film and Star Trek borrow heavily from concepts introduced in the ground-breaking "Forbidden Planet" (1956). It should be noted that "Terror in Space" did not technically come before Star Trek since the first Trek pilot episode "The Cage" was filmed in 1964. And the second pilot "Where No Man Has Gone Before" was filmed at about the same time as "Terror" in 1965.POSITIVES: I've heard a lot of good things about this film over the years, in particular the ultra-cool black leather uniforms with Nazi-like emblems and the atmospheric creepiness of the planet, and was not disappointed.In addition, the film features two women -- a redhead and a blond -- as prominent figures in the crew of the spacecraft, a notable thing for 1965 (although keep in mind that Gene Roddenberry featured a female first officer in "The Cage" a year before). Both of these women are stunningly beautiful, enhanced by the black leather uniforms.Although the film borrows heavily from "Forbidden Planet" its story is original and innovative. So much so, in fact, that Ridley Scott's "Alien" (1979) ripped-off every main aspect of the first half (!!). No kidding. In defense of "Alien" Scott did take these concepts and made a BETTER sci-fi/horror picture.NEGATIVES: The film is from 1965 and therefore has dated sets and effects, comparable to the original Star Trek TV series. If this fact turns you off, stay away.Unlike "Forbidden Planet" and the original Star Trek the story isn't very compelling. Yes, the set-up is interesting but by the 35-minute mark I was highly tempted to tune out (and did the first time I tried to watch it). It's hard to say why the story isn't compelling despite the film's numerous innovations, but one reason for sure is that, unlike Star Trek, the crewmembers are bland and lack distinction.Some point out that "Terror in Space" is a darker version of the original Star Trek. This is true only in the sense that the sets and uniforms are darker; certainly not in the sense that it's more serious and mature. I say this because Star Trek was ultra-serious and mature right out of the gate; for verification 9 out of the first 10 episodes were dark, serious and mature in the truest sense -- "The Cage," "Where No Man Has Gone Before," "The Corbomite Maneuver," "Enemy Within," "The Man Trap," "The Naked Time," "Charlie X," "Balance of Terror" and "What Are Little Girls Made Of?".FINAL ANALYSIS: If it were 1965 I'd give "Terror in Space" a solid B+ (4/5 Stars), but since it's been so outdone by the original Star Trek and "Alien" I can only honestly rate it C+. Regardless, it deserves a revered spot in any sci-fi/horror aficionado's video library.

Mario Bava directed this eerie and effective Sci-Fi film as two spaceship crews(the Argos & Dalliot) investigate the mysterious planet Aura, only to have fights break out among both crews, resulting in one crash landing, and the other successfully landing. The surviving crew discover their comrades dead, all having murdered each other. They then explore the fog-shrouded planet, to find the remains of another spaceship and the huge skeletal remains of its crew. They then learn that the planet is inhabited by disembodied aliens who can reanimate the newly dead, and use them as temporary hosts, until they can take over the living...Despite having forgettable and sketchily written characters, this surprisingly good film has a palpable atmosphere about it, directed and designed with skill and a good eye for detail. Skeletal alien remains may have influenced Ridley Scott in "Alien", and is in some ways just as memorable. Good score and chilling surprise end make this film a cult classic, much better than expected.