It is so daring, it is so ambitious, it is so thrilling and weird and pointed and powerful. I never knew where it was going.

Mostly, the movie is committed to the value of a good time.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

An old-fashioned movie made with new-fashioned finesse.

PILGRIMAGE is a beautifully shot, outdoors adventure in the same mould as VALHALLA RISING. These films take place in rugged outdoor locations with minimal cast members and plotting; they typically involve a journey narrative, which here takes place in the form of a group of monks transporting a chest of precious treasure through Ireland. There's little dialogue but the film does boast some splendidly gritty action scenes which are every bit as good as those seen in big budget productions like APOCALYPTO. The cast is also well chosen: Tom Holland shows he has the acting chops ready for the Marvel big time, while Richard Armitage is an effectively imposing bad guy. Best of the lot is THE WALKING DEAD's Jon Bernthal playing a brooding mute; I loved Bernthal as Shane in that series and he continues to impress here.

Originality in films is rare. Most are based on several well used formats with little or no changes from one to the next. So when a movie comes along that uses a plot device that you've not seen used prior it makes you curious. In some cases the result is bad, others perplexing and, as in the case of PILGRIMAGE quite nice.The year is 1209 and on a small island in Ireland a group of monks protects a sacred relic from the outside world. Then an emissary from the Pope arrives to tell them his holiness requires that the relic be transferred to Italy immediately. The monks are hesitant but follow the instructions sent by the Pope.So begins a journey to bring the relic back to the home of the Church. Among the group of monks is a young novice named Brother Diarmuid (Tom Holland), a wide eyed innocent who has not yet been exposed to the brutality of the world. By his side is a man known only as The Mute (Jon Bernthal), a man with a past having already fought in one Crusade or another. His silence is in part due to his penance for acts that occurred there. Also along are a few of the other monks as well as Brother Geraldus, the man sent by the Pope.There journey begins uneventful but as they travel they are intercepted by a group of knights, Normans the leader of which pays his respects and offers them safe passage in return for two items. First, he would like to see what the relic looks like. Second, absolution for the deaths he and his men have inflicted over the years.Both wishes are granted and the relic is revealed as an item touched by the hand of Matthias, the disciple chosen to replace Judas after his fall. It is said that the relic is blessed with that touch leaving it one of the holiest of items to be found. That the Pope wants it brought to Italy says it all.But there is betrayal to be found here as the son of this nobleman wants the relic for himself. Rather than aid the group in their travels he sends them into a trap only to catch up with those he employed later. With a few of the group uncaptured they try and reclaim the relic and continue on their journey. But this will not be an easy task. In the end the young Diarmuid must grow up and the Mute must put his faith on display by returning to old methods he'd chosen to leave behind. And just who is worthy of possession of the relic will be revealed.The first thing that makes this film different than most is the location and how it is displayed on screen. This is not the hilly Ireland full of lush green vegetation that we've grown accustomed to in films like THE QUIET MAN. Certainly there is plenty of green in the forest but the landscape is a bleak one displaying the problems that would have been faced not only in living off the land but in traversing it as well.The combination of not knowing exactly who the good guys and bad guys are also makes the film interesting. One is never quite sure just what and how valuable the relic is at first and once revealed the motivations of all involved in the handling of that relic come into question. So much so that the result of what happens with it shows that one considered worthy might actually have been the most destructive presence on the trip.The acting here is well done with much of the film spoken in several languages that make the subtitles a must have. Gaelic and French as well as English are spoken and each of the actors does a fine job switching from one to another. Holland, mostly known now for his role as Spider-man, shows a naivety that's required for the role. But it is Bernthal who stands out. He's made a name for himself over the past few years starring first in THE WALKING DEAD and racking up numerous credits since then. His silence here speaks volumes and his berserker skills make him a formidable combatant. But it is the display of faith through his actions and expressions that cause one to pay attention when he is on screen.This is not your average every day movie but that shouldn't stop you from seeking it out. The story is compelling and the acting, as stated, make it worth watching.

As far as period pieces set in the middle ages go, this one isn't very glamorous. It's a decently well made film with some strong individual performances that basically carry a mostly disjointed and only slightly nuanced story. My rating for this movie is a fairly weak 7/10. That rating is floated higher than I would have normally given it for three specific reasons. First, the performances: Holland as the young, pious monk who has never known anything but life in the monastery yet quickly matures when faced with adversity. Bernthal as the obedient and entirely subservient mute with an obviously profound yet mysterious history who becomes the star of the show on more than one occasion without saying a word. Stanley Weber as the Cistercian, the guy the Church sends out to do their dirty work basically and effectively starts the "Pilgrimage" in the first place. Of course, there's also Richard Armitage as the surly French knight commanding his Baron father's equally surly men while throwing surly looks around all the time. This would have been a horribly dull and hard to watch movie if these guys didn't pull off these fairly typical medieval character archetypes well and it feels to me like they did.Second, the action and set sequences were well done. I tend to be the kind of person who is immediately thrown off by a bad transition or a sequence of shots that just don't really work well together. I didn't see very much of that in this film. Granted, it's not difficult managing scene transition when most every scene is shot outdoors in Ireland but when the action happens, it's brutal and effective.Third, symbolism. If you are someone who does not like it when a movie expects you to draw your own significance from the story it's trying to tell, this is not a movie you might like. Religion is a central theme in this movie and it is built on a foundation of symbolism that can be taken any number of different ways. If you like diving into the deeper meaning of things, you will actually love this movie. Especially how it ends.

This movie kept me intrigued throughout without a lot of dialogue or action. The several messages inside are amazing and I must give props to the writers. On such a small budget this is easily one of the best movies I've ever seen. Beautiful music that's subtle enough to not take away from any scene. The ambiguous messages can be applied to so many situations and people to allow a wide variety of wisdom. Jon Bernthal's portrayal of The Mute is incredible seeing as I have yet to see him in any other role than Action Star, with only one word of dialogue his character is incredibly acted out. Tom Holland for being as young as he is creating such an intriguing character with moral dilemmas that grew, pulling this off at such a young age is incredible. I highly recommend this movie.