I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Story: It's very simple but honestly that is fine.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The film never slows down or bores, plunging from one harrowing sequence to the next.

The lower end westerns are not known for cerebral plot and character development. This one scrapes the bottom with a hero hardly anybody recognizes because he's wearing a mask, a black hat, and a black cape. His voice (same flat drone--is he reading his lines?) never changes, his horse never changes, and the tack his horse wears never changes.Horse people NOTICE individual horses. I notice individual horses in these movies being used in ways that defy continuity. I also notice their bridles, especially the ornate ones. Surely in the setting of the movies such things would be noticed as well? While this is annoying on one level, on another it is so bad that it is entertaining. Obviously, this was produced for an audience that was none too picky, but even so, the target is set absurdly low. I liked the dismount/unsaddling maneuver, with Tarzan leaping into his own paddock.Ya gotta see it to believe it.

Ken Maynard was heading towards the end of his career when he made this film in 1939 - come to think of it "Tarzan" was getting long in the tooth as well (he died in 1940). Seeing this is almost Maynard's last film and age and weight issues were catching up with him, I think it is wrong (like one of the reviews) to judge his popularity on his last few films. He had been a big cowboy star since the mid 1920s.Ken Mitchell rides into a hostile town. He has been sent a will from his uncle, begging him to come and help at the ranch and in the event of his death to take over. By the time Ken gets to town his uncle has been killed. His uncle, Jim Mitchell, was the most hated man in town, squeezing out the small ranchers and foreclosing on mortgages. Ken vows to help the ranchers and to try to fix things. He swears he will never be like his uncle. However, to find out if Collins is at the bottom of things, Ken decides to pretend to go in with Collins' mob - sabotaging the heroine's water supply, foreclosing on poor farmers with starving children. He then becomes the "phantom rancher" - anonymously giving money to the ranchers so they can pay their mortgages.Harry Harvey, who has almost 400 film credits in his resume, plays Gopher.Dave O'Brien (from "Reefer Madness" (1936) and the hapless guy from Pete Smith Specialities) plays the chief henchman, Luke.Dorothy Short (star of the cult exploitation films "Reefer Madness" and "Marihuana: Assassin of Youth" (1937) - I wonder if she smoked!!) plays the heroine Ann. Surprise, surprise - she was married to Dave O'Brien for quite a few years!!!I thought that it was an okay western.

I've seen about a half dozen of the low budget poverty row B westerns that Ken Maynard made in the 1930s, and I am consistently amazed at how poor an actor he was. How did he ever get to be a leading cowboy actor? They say that he could ride pretty well back in the silents, but he doesn't do anything particularly impressive in these later sound films. Still, maybe he got the leads because he was big and could ride.Phantom Rancher isn't as bad as some of the other Ken Maynard films I've seen, but it still isn't much. Some of the other characters refer to him a couple of times as a "young fella," where it appears to me that he's just as old as the other older actors.And if that's not silly enough, there's a rather significant script problem in this film. At one point, one of the characters makes a remark about how the phantom had prevented the poisoning of a well, something that hadn't happened yet. Just a couple of minutes later, we then see that particular scene. No, it wasn't a flashback. At first I thought perhaps that when Treeline Films was doing the DVD transfer, they might have reversed two of the reels. But in those days film reels contained approximately 11 minutes of film, and the whole reversal only took about 3 or 4 minutes tops. Everything else was in a logical order. So, it looks like that was a genuine continuity problem in the original film. Maybe that's one reason why Colony Pictures didn't last very long.

Ken Mitchell arrives to take over the ranch belonging to his recently deceased uncle, but when he arrives he finds himself hated by all the townspeople, since his uncle was trying to acquire all the ranches in the area, and then foreclosing all the mortgages that were being taken out. What Ken doesn't realize is that his uncle was working hand in hand with realtor Collins, who had a rancher, Markham, killed when he wouldn't sell his ranch to him, and now everyone in town (especially Markham's daughter Ann) believes Ken killed Markham. In order to right the wrongs his uncle did, Ken garbs himself as the Phantom Rancher, where he pays off all the ranchers who wouldn't accept Ken's charity as well as round up Collins and his gang. So-so western where nothing is really spectacular, but nothing boring. It could have used more action, but Maynard's persona helped carry it in dull spots. Rating, based on B-westerns, 5.