Truly Dreadful Film

Touches You

Great Film overall

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Of all the '8 Films to Die For' that I've seen (which is most of them), this one is undoubtedly the best (though that isn't saying much). It's not what I'd call brilliant horror, and certainly could have been a lot better, but there are some really good ideas here and they're well carried off by the director and his cast. The film could be called a zombie film - although I think that isn't really an accurate description. The film does take some influence from said genre, but the monsters in the film aren't zombies - instead, they're teenagers high on PCP. The plot focuses on a small town cop, who is devastated by the loss of his young son some years earlier. He's called into work after one of the other cops took the night off sick, and is intrigued by one of the prisoners in his cells. He notices the guy is missing a finger, and jumps to the conclusion that he's holding the man who kidnapped his son. After sending another officer to the prisoners' house, all hell breaks loose when the fourteen maniacs being held in his basement are let loose! The whole film takes place at night, and director Craig Singer (who previously made the half-decent 'Dark Ride') makes best use of this as it gives the film a tremendous dark atmosphere that serves the central plot line well. It's basically a film of two halves; the first half focuses on the interaction between the two central characters - the cop and the prisoner. The best thing about the first half is the suspense and intrigue drummed up as we wonder exactly what is in the guy's basement - the sequence that reveals it is really well done. The second half is much more action packed and sees the maniacs let loose on the streets, and then we watch as the cop desperately tries to keep his family safe. The film is rather savage in the gore department - though to the director's credit, he's restrained with the gore and uses it only when needed - which ensures the biggest impact. The fact that the special effects are well done is also to the film's credit. The plot line flowing throughout the film regarding the officer's son is interesting; but soon gets silly. It also has to be said that many of the character decisions throughout the film are questionable. Still, this is an interesting effort and I would say if you only see one 'film to die for', make sure it's this one.

Start off with this, is a grade "D" horror-movie not a Merchant Ivory production of "WINDSWEPT MANOR". So you leave this film be ya-hear it ain't hurting nobody. Start off with the movie jumps around a bit and when it lands you have the dysfunctional Sheriff still grieving the loss of his son and hitting on his daughters friends. His boyz arrest a creepy guy who tries to talk his way out of jail. A further investigation leads him to believe this guy is responsible for the disappearance of his son and other kids. A deputy is sent to do an illegal search of the suspects residence. he releases the now grown son who starts infecting everyone with the crazies. The father kills the creep before he can tell them whats going on. the father won't let anyone kill his son which would've nipped this in the bud. It all culminates in a deadly stand off inside the local cop-shop.

PERKINS 14 is part of the third season of the After Dark Horrorfest. Dwayne Hopper(Patrick O'Kane)is part of a small police department and he lacks the motivation to even go to work since his son was kidnapped ten years ago. To be exact, his son was the fourteenth and last victim in a string of disappearances. Hopper reports to work one evening and becomes suspicious of a prisoner locked up earlier. Hopper begins adding similarities to his son's purported kidnapper. The prisoner, Ronald Perkins(Richard Brake), is a local pharmacist that seems to be a mystery man. An unofficial investigation of the Perkin's basement leads to a grisly discovery.There is some violence, but it may be the anxiety playing with your blood pressure that adds to the fright. Also in the cast: Gregory O'Connor, Michale Graves, Katherine Pawlak and Trey Farley.

"Perkins' 14" begins decently enough. We meet Dwayne Hopper (Patrick O'Kane), a police officer from the small town of Stone Cove. He has been detached from his wife and daughter ever since his son, Kyle, was kidnapped some years earlier along with thirteen other children, and now he's consumed with finding the culprit. Whether or not his son is still alive, he doesn't know. All he does know is that tonight is the tenth anniversary of the first kidnapping, and he begins to suspect that one of his inmates, pharmacist Ronald Perkins (Richard Brake), is responsible. Hopper then coerces one of his fellow officers to search Perkins' home for evidence. This leads to the discovery of a secret cellar, which is hellishly dark and dank, filled with medication vials and stacks of videocassettes.But before I go any further, let's examine why the first part of this film works. There were hints that the relationship between Hopper and Perkins would develop in much the same way as the one between Hannibal Lecter and Clarice Starling. Perkins methodically probes Hopper's mind, trying to find his weak points so that they can be exploited. Hopper tries to be strong, but it's obvious that the pressure is getting to him, which is understandable given his one-track mind. And then there's the relationship between Hopper and his remaining family, which is strained to say the least. He doesn't get along too well with his daughter, Daisy (Shayla Beesley), who dresses a bit punkish and is dating a much older guitar player named Eric (Michale Graves), who apparently has a criminal record. As for Hopper's wife, Janine (Mihaela Mihut), she's been having an affair for who knows how long. Given her husband's inability to move on, her actions are somewhat understandable.Then, without warning, "Perkins' 14" shifts gears, veering away from psychological drama to become a gory zombie film. It begins when Hopper's assistant discovers the aforementioned secret cellar; along with the meds and cassettes, he also finds filthy teenagers locked in cages. He opens one of them, thinking the girl within is desperately in need of help. Rather than clinging to him like a helpless child, she savagely attacks him. It isn't long before the other wild teens are released, which quickly plunges Stone Cove into chaos. The townspeople are brutally attacked and killed by mindless, violent teens, which under different circumstances might have worked as satire. It soon becomes a life or death struggle, with Hopper and his family barricaded in a police station. I did not like the last three quarters of this film. For one thing, the idea behind the killings is completely implausible, even within the context of a horror movie: As revenge for being forgotten when his parents were brutally murdered, Perkins used cult-like techniques and mega doses of PCP to brainwash fourteen Stone Cove children. Once they break free from his cellar, their new programming only allows them to do Perkins' bidding. Does this sound a little far fetched to you? It sounds to me like a diabolical plot only a mad scientist in a grade-B movie would think up. Indeed, maybe this film would have worked better if it had gone in the direction of a parody. That would necessitate a complete rewrite of the film's first quarter, but hey, at least the film would have been both consistent and fun.There's also the fact that the final twenty minutes or so take place in areas so poorly lit that there's no sense of mystery or suspense. The Stone Cove police station is a maze of dark hallways and strobe-light effects, which is visually irritating.But the biggest problem is the needlessly dark nature of the plot. There's no sense of classic horror movie fun with this movie; there's only a prolonged sense of hopelessness and grief, and that just seems a bit melodramatic. This movie ends on such a low note that it was impossible for me to feel thrilled, and isn't that what horror movies are all about?Now here's the interesting thing: "Perkins' 14" is the first ever fan-generated horror movie. Fans and filmmakers alike were asked to submit story ideas to Massify.com, where a team of judges would vote on the best one. Out of 400 submissions, Jeremy Donaldson's story about fourteen mindless sociopaths attacking a small town got the most votes. I admit, the idea is intriguing, especially since it plays on our fears of what would happen after a dangerous criminal is arrested and put behind bars. But in the hands of screenwriter Lane Shadgett and director Craig Singer, the idea was turned into a complete mess of a film. "Perkins' 14" is unpleasant and unfocused, and it doesn't seem to value the possibility of hope. If another horror movie is made on the basis of an idea submitted by fans, I can only offer this piece of advice: Make sure you hire filmmakers who can actually make something of it. Chris Pandolfi