Horrible, fascist and poorly acted

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

A brilliant, dark movie which got full justice from the acting of the great Nana Patekar. A gripping plot, an eerie background score from the great R.D Burman and to top it off, Nana Patekar delivering one of his finest performances. Although Nana has given many memorable movies, this to me alongside Yugpurush is his finest acting effort. His dialogue delivery is immaculate and so is portrayal of narcissistic killer. Jackie Shroff, whom i feel is a brilliant actor himself also performs marvellously. Anil Kapoor was decent and this was by no means his finest performance. For that one will have to see "Saheb" or "Ram Lahkhan". But a satisfactory job nonetheless as was the case with Madhuri and Suresh Oberoi though someone like Danny Denzongpa may have been a better choice. There were some flaws but heck, nothing is perfect and this movie is a gem. Emotionally charged, eerie and gripping are all effective adjectives to convey the lore of Parinda

Vidhu Vinod Chopra's Parinda is one of the first Hindi films dealing with life in the Mumbai underworld and one of the most realistic of its kind. Stylishly presented, the film is excellently directed and is aided by fantastic cinematography, great editing, beautiful music and natural acting. As opposed to most of the Hindi movies of that time, the story of Parinda is devoid of clichés, and the screenplay as well as the dialogues are well written. There are neither the typical courageous action heroes nor the exaggerated fantasy action sequences one gets to see so much in Hindi films, though at some points you do feel its loyalty to the general Hindi film style (that's called commercial pressure). Chopra portrays the relationship between the two brothers authentically, as he does with practically every other relationship in the film.The narrative is very focused and taut, letting the director create the required mood for a gripping drama of its sort. The film's emotional impact is thus strong, though it does get a bit too slow and dark at places. The acting is for the most part excellent. This is one of Jackie Shroff's finest performances, powerful and heartfelt, strong and restrained. Nana Patekar plays the psychologically disturbed fire-phobic Anna with intensity and conviction, portraying every negative shade of his character in his well-known inimitable style. Madhuri Dixit is lovely in a role that is not very substantial. However, Anil Kapoor is just okay and his often childish and overly naive on-screen persona gets on your nerves from time to time. His character's transformation was also too quick to be believable. This is of course not entirely his fault.Which brings me to the next point. Parinda, though compelling and innovative for its time, is not without its flaws. While RD Burman's music is stupendous as always and managed to relieve the film's raw tension, as it was done with the soulful and memorable "Tum Se Mil Ke", the other melodious songs seemed inappropriate in such a dark thriller and often distracted from the seriousness of the situation. The marriage song, for one, was completely redundant. Additionally, some of the scenes towards the end were quite implausible and went a bit over-the-top, though I really liked the film's final scene, which was overwhelming. Overall, Parinda is an enjoyable and impressive gangster movie known today as a favourite cult movie among lovers of Indian cinema. It's easy to see why. It was different and entertaining, but its intentions were stronger than its actual quality.

I watched this movie after having so much of trouble in downloading it through rapidshare. And I have to say, it did not deserve it.Parinda was so hyped, that I was really looking forward to watch it.Parinda is one of those movies which fail to satisfy the standards set by other good Indian film-makers, despite having a great story. It was even more pathetic to know, that the story itself was not original, it was loosely based on the classic "On the Waterfront".Anil Kapoor was irritating, especially when he comes from America. The direction lacked quality many a times, except a few in-between scenes.Give this script to any of them - Ram Gopal Verma, Deepa Mehta, Mahesh Bhatt, Sudhir Mishra, and I'm 100% sure, they'll make a mind-blowing movie out of it.I'm not saying Parinda was bad. It was just not good enough.

This movie could have been bad. Really, really, bad. But thanks to a great director, a great actor (Patekar), and great performances by the usual bollywood actors, this movie is a groundbreaker in Indian Cinema. Has to be one of my favorite movies from india along with Masoom and Prahaar