Yuvvraaj
Yuvvraaj
| 21 November 2008 (USA)
Yuvvraaj Trailers

Three brothers fight and play games with each other to inherit their father’s wealth.

Reviews
SunnyHello

Nice effects though.

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Smartorhypo

Highly Overrated But Still Good

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Intcatinfo

A Masterpiece!

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Deanna

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Avinash Patalay

Let's begin with the title "Yuvvraaj" - yet another example the numerological fetishism Bollywood has succumbed to. Whether numerology can actually convert bad apples into a hit is reserved for a debate on an another day. "Yuvvraaj" is an apt example of "Elegant prose cannot hide inelegant logic". Every frame glitters like gold and no two ways about that. Sadly the entire proceedings are as enticing as a corpse. The characters are do ruddy with life that they practically need birth certificates. ° Anil Kapoor (the lucky mascot for Mr. Ghai) reprises his "Eeshwar" (read that day-light robbery). ° Whenever Katrina ended up the sole-heroine opposite Salman the results were disastrous. "Yuvvraaj" is not an exception either, jinxed perhaps?° Zayed Khan needs acting lessons badly. Aushima Sawhney thinks looks alone would suffice. Its never too late for both of you to secure admission into "Whistling Woods".° Mithun & Boman Irani show up to collect their cheques.° The Mamaji/ Mamiji characters for today's generation is past sell-by- date.° Music: Mr. Ghai manages to connive Rahman in an attempt to pull off yet another "Taal". And with "Jai Ho" ringing cash registers at the international level proves the lady luck has run away from Mr. Ghai as fast as legs could carry. ° Lyrics: The gap of Anand Bakshi is attempted to be fulfilled by roping in Gulzar for lyrics and he seems not too happy about it."Yaadien", "Kisna", "Black & White" and now "Yuvvraaj"- shrouds the abysmal depth the creativity of showman has stooped to. A reality check on the work of Mr. Ghai so far::Θ Krodhi - Uncanny resemblance to "Jwaalamukhi".Θ Meri Jung - Remake of South-Indian movie.Θ Karz - "The rip- off Peter Proud"Θ Karma - Plagiarised "Sholay".Θ Khalnayak - "Hero" recycled.Θ Ram Lakhan - "Deewar" wine in a new bottle.Θ Kisna - I can a "Lagaan" too!Relinquish your self-proclaimed "Showman" title with grace before it is posthumously stripped!!

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sumanbarthakursmailbox

Katrina Kaif looks lovely and makes an earnest attempt in the acting department too in a film like this, that's plenty effort.Yuvvraaj uses scale and grandeur to compensate for the fractured script, but as Ghai's own films Kisna and Yaadein will tell you no amount of ambition and passion can hide poor writing. The characters are all underdeveloped - from the protagonists who have no layers, no edge whatsoever, to the supporting players who are all silly caricatures. The dialogue is a mix of clunky lines that make you cringe in embarrassment, and a bunch of unintentionally hilarious gems that will make you laugh every time you think of the film. And then there's Anil Kapoor whose character I had difficulty understanding - was he autistic, was he blind, did he have arthritis? I never did get it in the end because of the strange mannerisms and quirks Anil brought to his performance. And yet, it's the only performance in the film where some competence is visible. Ghai spares no efforts in giving Yuvvraaj a fancy feel, there's pleasing photography and spunky choreography on display, but AR Rahman's soundtrack throws up only three good tracks which is a shame considering the film's designed as a musical. Yuvvraaj doesn't quite hit the right note because it's an archaic drama that feels too tired. Barring a handful of vintage Subhash Ghai moments that still work, the film sadly is far from his best work.There was a slim chance the film might not have hurt this bad if the acting was any better, but to think the stars of this film were paid crores of rupees to put up this show makes you realise that indeed life is unfair. Salman Khan does pretty much as he pleases, walking in and out of scenes as if he were at home, never mindful of the fact that he's playing a character here and that some consistency in performance is expected of him. He just about scrapes through the comedy with a few light moments, but completely fails to touch your heart in the film's emotional scenes.

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cybersupam

I highly expected positive outcome from this film specially after seeing its first trailer in TV and promoting it as a musical. And also deeply impressed with the song Tu Meri Dost Hai from Rahman. But does it really deserve to disappoint its audience? If I think over this question then it is absolutely 'yes', Whenever any Subhash Ghai film is being made, and about to release first thing that comes in my mind is it must have these common subjects associated in the film. These subjects are – family, wealth, tradition and music. In this case Yuvvraaj is also not an exceptional. In brief, the whole story is about three brothers with numerous differences among themselves are in target of owning the rights of their properties after their father's demise. Not only this, besides there is another globe which is concerned to music. After all this is a Shubash Ghai film.At first I have to mention is of casting, which is considerable. Then comes performance. Throughout the whole movie only Anil Kapoor is in his form to entertain the audience from his side though he plays something very unusual role in his career. Even that I didn't expect his unique role before finally catching the film.What to say about Salman!!! He is the one who always play similar type of role which is always related to conspiracy, jealous, bossy and domination. I was so shocked about 2 years before when it was rumoured that he was casted in this film by Shubash Ghai. I couldn't believe it then, but now ultimately I finished watching. OK there is nothing new from Salman in judgment of his performance, character and the role he is offered in Yuvvraaj. His body language, facial expression, speaking manner and dressing looks are not different from his other 10 films. It shows he doesn't commit himself seriously to bring out reality in the character in every movie. It is clear all cannot become either Aamir Khan or Kamal Hassan.Last but not the least of all three brothers Danesh, performed by Zayed Khan. I don't know when will Zayed be offered for an award winning role in his career. Not even a single film I have in mind to prove that he is an excellent actor. His previous flops like Mission Istanbul or Speed were really senseless and lower grade movies. Here too I was completely disappointed by him.But again, Boman Irani is always and all time interesting actor whose sense of humour is precious to any movie where he is involved with. He is really a brilliant actor, and in Yuvvraaj his role could have also done by Anupam Kher, but anyway Boman was an excellent choice. Now come to Subhash Ghai? He has lost his creative ideas and cannot cope up with the present generation audiences, and thus he again provided this kind of outdated script. Moreover these days it is already common in Bollywood stories about brothers rivaling with each other for wealth and money. And this is the exact reason for bombing this movie in box-office. His last movie that audiences as well as critics accepted was his Taal (or before this Pardes which was a masterpiece). It was followed a hat-trick with 3 continuous flops Yaadein, Kisna and Black & White. Now Yuvvraaj reached to fourth serial flop. SO BETTER NOT TO EXPECT MUCH FROM HIM IN THE COMING FUTURE.

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itsmagic_jai

Yuvvraj......concept copied from 1988 Tom Cruise Starrer movie RainMan. Ideas were perfect...but in order to make this as Indian bollywood taste...things went wrong.Anil Kapoor no where suits his character.Character played By Dustin Hoffman in RainMan is memorable. Using Zayed khan was a good attempt but overall direction ws not as what we expect always frrom ghai's.Melodious songs often makes a movie blockbuster , but you need to have solid acting and plot.It strikes you, that what represents real depth, real quality is when a movie can be good without those features. When it's the dialogue, the story and the acting that strikes you. This film has really only two characters, all others play only minor roles But this film also has such fine, very true episodes, small stories in the larger film. summarising,its a worthwatching for once.

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