Slow pace in the most part of the movie.

Most undeservingly overhyped movie of all time??

Best movie of this year hands down!

This movie was so-so. It had it's moments, but wasn't the greatest.

Guilt-ridden after learning that an acquaintance was executed for murder since he was his only alibi and could not be located, an archaeologist conducts his own investigation when the man's family and local police shown no interest in this Agatha Christie murder mystery. The film has a reputation as the most underwhelming Christie big screen adaptation to date - a charge that is understandable but unfair. This is a very different sort of mystery movie, and while one might tempted to dismiss it due to its early revelation of the actual killer, the lack of urgency in the air or lifeless supporting characters, solving the mystery and our protagonist putting all the clues together is actually a secondary concern. What is primarily of interest is the disinterest of one and all to finding the killer with everyone grateful for the acquaintance's execution, justified or not. Along similar lines to 'The Third Man', the archaeologist finds out increasingly shocking things about the man as the film progresses and yet curiously enough, he never gives up his quest. 'Ordeal by Innocence' is an incredibly mood film too, full of atmospheric lighting choices and much fog in the air, capturing a dreariness in post-World War II Britain as rarely seen on film. One almost gets a sense that the entire town is jaded by all the trials and tribulations of war with the murder mystery representing old wounds that they simply do not desire reopened. This may not be a Christie film worth seeing for an imaginative twist, stellar performances or excellent period costumes, but it is noteworthy nonetheless.

Agatha Christie rides again, but, alas, the pleasures of this one are offset by a wildly inappropriate and cursedly intrusive jazz score by Dave Brubeck. Worse still, in order to accommodate Mr. Brubeck, several sequences are lengthened way past their palatable appeal. Some irritating editorial cross-cutting – even when attempting to be inventive – further dampens our enthusiasm, but nevertheless the movie ends up as a fairly suspenseful outing, well acted and atmospherically photographed against some fascinatingly unusual locations. Sutherland is aptly cast as the meddling do- gooder, but Dunaway is wasted in a few brief flashbacks. But the little usherette is delightfully pert. Indeed, most of the players are really excellent. Alas, for some unknown reason, the killer is revealed to the audience well before the actual climax, so that it no longer comes as a surprise. The fakey special effects are also a drawback, but all these points are merely quibbles. It's the outrageously intrusive music score that's the source of most audience irritation.

In this realization of yet another Agatha Christie novel there is a good cast who gives average acting , nice set design , a twisted intrigue and logic absent . An American Paleontologist called Dr. Arthur Calgary (Donald Sutherland) visits Mister Argyle (Christopher Plummer) to give him an address book that belongs to his son Jack Argyle (most of the scenes featuring Jacko Argyle were cut because of budgetary reasons) , but the latter has been executed , condemned for murder his mother (all of Faye Dunaway's cameo is a black and white flashback) . Calgary has proof that the convicted killer is innocent , but no one , neither Police (Michael Elphick's police inspector, modeled to some extent after a harder-nosed American-style police officer) , nor villagers wish to reopen the case . Once the murder was solved , the real mystery began and Calgary learns that justice has been ill served in a small British community . After the clues have been shown we will get a chance to give the answer with Calgary finding out about the culprit at a twisted finale with outstanding surprises . Who is the killer? , can he find the true guilty?The film is a detective story with Sutherland as an amateur sleuth , in which you are the detective ; being middlingly shot , though filmmaker conjures up some atmospheric scenes . Too much red herrings it makes a little bit boring, pedestrian , endless and overlong . Stellar cast , but frankly wasted and interpretations are almost all phoned in . In the picture there are mystery , emotion , murders , suspense , pointless scenes and gorgeous outdoors . It packs a very good British support casting such as Sarah Miles , though miscast as Faye Dunaway's daughter , Ian McShane as Philip Durant , Diana Quick as Gwenda Vaughan , Annette Crosbie as Kirsten Lindstrom , Michael Elphick as Inspector Huish , George Innes as Archie Leach , and a young Phoebe Nicholls as Tina Argyle in some nudism scenes . The movie gets a lush costume design and acceptable production by known Cannon films , Yoram Globus and Menahem Golan , being well set in 1950s England .Colorful and glowing cinematography in Eastmancolor by excellent cameraman Billy Williams . Filmed on location in Dartmouth, Devon, England, UK ; the scene dealing with shooting a rabbit in the woods was filmed in New Jersey and not Devon, where the rest of the film was shot , this was a scene added after principal photography had been completed and Christopher Plummer could not return to work in England for tax reasons . The inappropriate and anti-climatic soundtrack was not by Dave Brubeck but by Pino Donaggio, who wrote his typical , lush and beautiful score ; when the film didn't test well, they decided to jettison the Donaggio score and replace it with Dave Brubeck music. Brubeck included an obtrusive jazz score seems to belong to some other film , but was told he'd have two weeks to write an original score , he said no ; they then agreed that they'd use already existing Brubeck tunes and newly record them . The picture was a Box office flop , though received a Royal Premiere in the presence of HM Queen Elizabeth II and Prince Philip . The motion picture was regularly directed by Desmond Davis though contains some flaws and poor edition . Davis is an an expert on TV movies and episodes , he also filmed some movies such as the notorious ¨Clash of titans¨, ¨Girl with green eyes¨ , ¨Smashing time¨, ¨The uncle ¨and a Sherlock Holmes flick , ¨The sign of four¨.

It is difficult to describe this film without profanity. The rights to the book were clearly bought because of the title. I am a purist Agatha Christie fan, so I dislike adaptations which spoil her work. Normally, after the first three or four viewings, they grow on me (It happened with "Appointment with Death", it happened with the remake of "Murder on the Orient Express" and it happened with the remake of "Sparkling Cyanide"). I still hate this film. The cast are talented, but wasted - especially Faye Dunaway, who has about three words. The music is completely out of place. I expected them to start playing "The Merry Old Land of Oz" at the hanging. The story is unraveled ploddingly; a fiasco. I didn't understand it until I read the book. This is a pure waste of film.