Truly Dreadful Film

Best movie of this year hands down!

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The film never slows down or bores, plunging from one harrowing sequence to the next.

A Carribbean Mystery isn't classed by many Christie fans as one of her greatest novels, I on the other hand love it, and can virtually say it word for word. The problem I have with this adaptation is that the central character in the book is not Helen Hayes, as much as I truly love her as an actress, a great Miss Marple she did not make, her accent is the problem, she's referencing At Mary Mead, but they must have moved it....to the deep south, she is not saved by that attempted phrase 'I dropped me yarn.' The way the camera scans around the suspects after the major's speech is shocking, a very unnatural looking scene. The pacing isn't great, it starts off as a slow amble and rushes into the ending. In fairness the plot is quite faithful, so I applaud them for not tinkering with it hugely. The scenery works pretty well, the music is really nice and there are some nice performances, Maurice Evans is excellent as the Major, he makes him likable. Season Hubley is the standout as Molly, she delivered a particularly strong performance, making some of her fellow actors appear a little bland. Bernard Hughes is a little to brash, he would have been first on the list for most killers.Its not a bad film overall, the problem is, this is supposed to be a quaint village lady arriving in the Carribbean, I don't buy it here. Do yourself a favour, watch the Joan Hickson version, it is superior in every possible way. 6/10

Those are the two glaring complaints I have about A CARIBBEAN MYSTERY, a made for TV movie which dawdles on for a long time before getting to the point of a series of murders committed at a vacation resort.Helen Hayes, her American accent intact, still makes a passable Miss Marple even when she utters the name of a quaint village in England as her home, St. Mary Mead. Barnard Hughes is the mean-spirited man whose rudeness becomes a bit overdone after the first few scenes, making you wish he's going to be one of the victims. Not so. He and Miss Marple join forces to solve the crime.The conclusion is rushed through with brief explanations and not much dramatic conflict, so it's a bit of a letdown--although the murderer's identity is never hard to guess. The acting ranges from competent to barely competent, but the script is rather mediocre.Recommended for rabid Christie fans only. Nicely photographed with Santa Barbara, California filling in for the Caribbean, but this is very tepid stuff, to say the least, nowhere as good as other Christie outings.

This is a pretty poorly made TV movie typical of the early 80s, with an overly syrupy score and bland cinematography and awful acting by everyone under the age of 60. So it can be taken as proof of Agatha Christie's genius that a straightforward telling of one of her stories is pretty enjoyable even when done by hacks. The best part is watching the way Miss Marple manipulates the situation, pulling the strings of those around her while managing to seem harmless and perhaps dotty. In spite of her floating accent, Hayes makes an excellent Miss Marple, and Hughes and Evans are also quite good. The rest of the acting varies from mediocre to truly incompetent, but the story is strong enough to survive. The ending is unfortunately weak and feels as though it was rushed through, so the feeling of satisfaction one gets in a Christie book is sadly lacking, but overall it's pretty watchable, and I give it 6/10, which is about as much as you can give something filmed with the care of an episode of MacMillan and Wife.

Solid faithful adaption of one of Miss Marple's vacation mysteries, this has a decent cast (for a tv movie) and an okay storyline. Warning: Barnard Hughes as a grouchy old millionaire will soon start to irritate the more he nags and grumbles. The killer should have offed him in the first 5 minutes. Helen Hayes makes a nice Jane however so she saves the movie from veering too far into the goofy, even when her snooping gets out of hand. This may her best starring performance in a Christie adaption. Another version of this story was made for British television.