Wonderful character development!

What makes it different from others?

The Worst Film Ever

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

"One Thrilling Night" is a likable film that is anything but a good picture! Yes, it's cheap, the characters are all total morons and the plot dopey...yet it's will oddly enjoyable.The film begins when Horace (John Beal) and Millie (Wanda McKay*) arriving in the big city for their honeymoon. Soon, they find someone in their bed and he appears dead. When they call for the house detective, however, the guy disappears! In fact throughout the film, the body of this gangster appears and disappears. And a group of incredibly stupid crooks think Horace is the man they knocked out. The cops get involved...and they are stupid as well. Well, now that I think about it, EVERYONE is incredibly dumb in this film and the filmmakers really overdo this. Yet, oddly, despite the dopiness of everyone and the situation, the film is strangely enjoyable in a brain-dead sort of way. A silly time-passer.*FYI--While McKay never went on to become a top actress, she did become Mrs. Hoagy Carmichael and remained married to him many years until his death.

John Beal had an interesting career on stage and screen. He did many Broadway shows, and it's no wonder if this kind of thing he was being given. This particular film, "One Thrilling Night," is from Monogram, one of the poverty row studios.It concerns honeymooners who will only have one night together before the husband, Horace (Beal) leaves for the service. Unfortunately the newlyweds check into the wrong room. There's a dead guy under the bed and intruders, Frankie (Tom Neal) and friends are in and out looking for money hidden by the dead man.Wanda McKay is the hapless bride and she's quite pretty. According to the men reviewing this, she more than made up for any story problems. The acting is fine, the print was bad, and to me, the movie looked cheap. I'm sure it was. While I found the premise funny, I didn't think it was that well executed. Beal actually started out as a young leading man I believe at MGM and then leading man and finally to character parts. I met him once at a function honoring someone - it was so long ago I can't remember who was being honored. A nice man, active in the business until a few years before his death.

I expect wartime audiences howled at this slice of WWII escapism, especially the wedding night innuendo. Happily, the 70-minutes is still fairly amusing madcap. Innocent newly-weds Horace (well-chosen name) and bride Millie can't seem to get a moment alone on their wedding night. Trouble is gangsters are after stolen loot that seems to be hidden in the couple's hotel room. So their room is like a revolving door between cops, gangsters and corpses. Good thing they're such sweet kids so we know nothing bad will really happen. Actors Beale and McKay may border at times on cutesy, but still manage to give the kids a winning turn.The premise may not be exactly new, yet it's a lively cast and an engaged director (Beaudine!). There's that gimmick always worth a few chuckles concerning bodies that disappear before the cops arrive. So, for the kids, it's a really frustrating night in more ways than one. Note presence of notorious Hollywood bad boy Tom Neal as Frankie, the head gangster. How ironic that Horace out-punches Frankie since Neal was a formidable college boxer, as actor Franchot Tone unfortunately found out. Sure, it's another cheap Monogram production, but the script, cast, and direction make the hijinks work better than the usual. And catch the movie's very last line—a good indication of the temperature of the time.

Monogram combined it's standard lowbrow crime/action with comedy for this film, which is a bit weak on the comedy side. It has it's moments, but you can't help but think the situation is ridiculous. A newlywed couple with only a day before the husband is shipped off to service in WWII chooses to travel instead of doing what a newlywed, presumably virgin couple with only a day would actually do. There is a subtext of lustful desire being thwarted, but it is obviously muted due to the era.Through no fault of their own they get mixed up with gangsters who have been in their hotel room trying to kill enemies. Mix-ups with a missing body, police ineptitude and misidentification of the groom as gangster kingpin keeps this running for most of the film. This might have worked better with a cast and director who could pull it off, but it falls a bit flat here, though not entirely.It has classic elements of 1930s screwball comedy, though a little late for Monogram in 1942 to begin cutting their chops. It's fun as a period piece, but far from great cinema.