One Night with You
One Night with You
| 25 April 1948 (USA)
One Night with You Trailers

Two strangers meet when they both miss their trains, and end up spending a penniless day and night together. An English version of 'It Happened One Night'.

Reviews
Scanialara

You won't be disappointed!

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Matialth

Good concept, poorly executed.

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ThedevilChoose

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

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Numerootno

A story that's too fascinating to pass by...

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malcolmgsw

In the first twenty minutes we have rather a funny story.Stanley Holloway is a petty thief who gets into Nino Matinellis train compartment steals his clothes and Walter.When the train arrives at its destination Holloway getting off in Martinellis clothes is mistaken for the singer and taken to a film studio as he is supposed to be starring in a film.There is a truly hilarious sequence where different earpieces are tried on him.Finally he is taken onto a sound stage where he is supposed to sing.Martinellis has found his way to the studios and starts to sing.After that the entertainment comes to an end.Martinellis and Patricia Fox find themselves stranded without any money.The rest is predictable and uninteresting save for a brief appearance by Richard Hearne as a trailblazer.

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Jake

This picture is actually two pictures in one. The central romantic comedy of the two strangers (Nino Martini and Patricia Roc) missing their trains and being stranded together for the night is contained within the framework of a satire on movie-making in which an incompetent Italian film producer, Fogliati (Charles Goldner), is trying to get his three scriptwriters to come up with a plot suitable for his latest singing discovery. It is in the latter which, for me at least, the best moments of the film come. Of note are the ten minutes in which Stanley Holloway steals the film without a line of dialogue, and the ending, suspiciously similar to one Woody Allen used many years later. I wonder how many other times this device has been used.The core story is pleasant enough, but nothing out of the ordinary. It is however beautifully lit. Patricia Roc is pleasing as usual, but Nino Martini although a fine singer, is a bit hard to believe as a romantic lead. I have always however found Bonar Colleano's performances grating (you will know him from countless performances in English films of this period as an abrasive American), and here he is more so than usual.The parallels drawn to "It Happened One Night" unfortunately elude me. Finally, for those interested, you will also find a very brief appearance by Christopher Lee as one of Fogliati's assistants.

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calvertfan

You'd be forgiven for thinking you were watching It Happened One Night, for that's what One Night With You appears to be loosely based on. In the red corner, the gorgeous Patricia Roc takes on the Claudette Colbert role with splendour. In the blue corner, Nino Martini is a bit old and loose around the jowels to play a Clark Gable, but he at least has a nice singing voice. The pair, total strangers, miss their trains and end up stuck together for the night in Italy, with no food, clothes, or money. A lot ensues before the next morning, including a stay in the local prison! Mary (Roc)'s father, fiance, and lover also tag along for part of the ride. 8/10

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Ben Nguyen

'One Night with You' follows the misadventures of a young English woman, Mary (Patricia Roc), in Italy after she misses her train. She stumbles across the path of a charming Italian tenor played by Nino Martini and romance blossoms. Meanwhile the girl's wealthy father and the English fiance she's been promised to, as well as the scrawny Italian man who she had thought she'd marry are hot in pursuit.The dialogue is the reason to watch this film and it comes fast and spiked, although clearly following the formula set by much better known films. I have trouble with Martini as romantic lead, the guy is too old and smug and the relationship came across to me as a womaniser with well worn moves taking advantage of a facile, spoilt and naive young woman. Who could resist the man's voice? Well I could. The stereotypical portrayal of Italians became grating (especially the accents) as well.However, the film did catch my attention when channel surfing for late night TV, and managed to hold it. Oh, and the sets were nice.

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